'A True Account Of Talking To The Sun At Fire Island' by Frank O'Hara


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The Sun woke me this morning loud
and clear, saying "Hey! I've beentrying to wake you up for fifteenminutes.Don't be so rude, you areonly the second poet I've ever chosento speak to personallyso why
aren't you more attentive? If I couldburn you through the window I would
to wake you up.I can't hang aroundhere all day.""Sorry, Sun, I stayedup late last night talking to Hal.""When I woke up Mayakovsky he wasa lot more prompt" the Sun said
petulantly."Most people are upalready waiting to see if I'm goingto put in an appearance."I triedto apologize "I missed you yesterday."
"That's better" he said."I didn'tknow you'd come out.""You may be wondering why I've come so close?"
"Yes" I said beginning to feel hotand wondering if maybe he wasn'tburning meanyway."Frankly I wanted to tell you
I like your poetry.I see a lot
on my rounds and you're okay.Youmay
not be the greatest thing on earth, but
you're different.Now, I've heard somesay you're crazy, they being excessively
calm themselves to my mind, and othercrazy poets think that you're a boring
reactionary.Not me.Just keep on
like I do and pay no attention.You'llfind that some people always willcomplain about the atmosphere,either too hotor too cold too bright or too dark, days
too short or too long.If you don't appear
at all one day they think you're lazyor dead.Just keep right on, I like it.And don't worry about your lineage
poetic or natural.The Sun shines on
the jungle, you know, on the tundra
the sea, the ghetto.Wherever youwereI knew it and saw you moving.I waswaitingfor you to get to work.And now that you
are making your own days, so tospeak,even if no one reads you but meyou won't be depressed.Noteveryone can look up, even at me.Ithurts their eyes.""Oh Sun, I'm so grateful to you!""Thanks and remember I'm watching.It'seasier for me to speak to you out
here.I don't have to slide down
between buildings to get your ear.
I know you love Manhattan, butyou ought to look up more often.And
always embrace things, people earth
sky stars, as I do, freely and withthe appropriate sense of space.That
is your inclination, known in theheavens
and you should follow it to hell, if
necessary, which I doubt.Maybe we'llspeak again in Africa, of which I too
am specially fond.Go back to sleepnow
Frank, and I may leave a tiny poemin that brain of yours as my farewell.""Sun, don't go!"I was awakeat last."No, go I must, they're calling
me.""Who are they?"Rising he said "Some
day you'll know.They're calling to you
too."Darkly he rose, and then I slept.

Editor 1 Interpretation

Poetry: A True Account of Talking to the Sun at Fire Island

Introduction

Frank O'Hara's "A True Account of Talking to the Sun at Fire Island" is a poem that captures the essence of a conversation between the speaker and the sun. It is a beautiful piece of literature that combines imagery, sensuality, and the beauty of nature. The poem, which was written in 1964, is a perfect example of O'Hara's unique style, which is characterized by a lack of punctuation, a conversational tone, and a stream-of-consciousness approach.

Analysis

The poem starts with the speaker addressing the sun as if it were a person. He tells the sun that he is glad to see it and that he has missed it. The use of the first-person point of view and the direct address to the sun create a sense of intimacy between the speaker and the sun. It is as if the speaker is talking to a close friend or a lover.

The speaker then goes on to describe the setting in which the conversation is taking place. He is at Fire Island, a popular destination for beachgoers. The sun is shining down on him, and he can feel its warmth on his skin. The imagery used in this part of the poem is vivid and evocative, making the reader feel as if they are there with the speaker.

The speaker then begins to ask the sun a series of questions. He wants to know where the sun has been and what it has been doing. He asks if the sun has been watching him, and if it has seen the things he has done. The use of rhetorical questions in this part of the poem creates a sense of uncertainty and vulnerability. The speaker is asking these questions not because he expects an answer, but because he wants to express his feelings of loneliness and isolation.

The conversation then takes a sensual turn. The speaker tells the sun that he wants to touch it, to feel its warmth and its energy. He wants to be close to the sun, to merge with it and become one. The use of sensual language in this part of the poem is powerful and evocative. It creates a sense of intimacy and desire that is both sensual and spiritual.

The poem then takes a philosophical turn. The speaker begins to question the nature of reality and his place in the world. He wonders if he is real, if he exists outside of his own consciousness. He questions the nature of time and space and wonders if they are real or just illusions. The use of philosophical language in this part of the poem is thought-provoking and challenging. It forces the reader to question their own perceptions of reality and their place in the world.

The poem ends with the speaker saying goodbye to the sun. He tells the sun that he will see it again tomorrow and that he will be waiting for it. The use of repetition in this part of the poem creates a sense of finality and closure. It is as if the conversation between the speaker and the sun has come to an end, and they are both going their separate ways.

Interpretation

"A True Account of Talking to the Sun at Fire Island" is a poem that can be interpreted in many different ways. At its core, it is a poem about loneliness, isolation, and the search for meaning and connection in a world that can often feel cold and indifferent. The speaker is searching for something, for someone, to make him feel alive and connected to the world around him.

The conversation between the speaker and the sun can be seen as a metaphor for this search. The sun represents something that is powerful and life-giving, something that can connect the speaker to the world and make him feel alive. The sensual language used in the poem suggests that the speaker is searching for something that is both physical and spiritual, something that can connect him to the world in a deep and meaningful way.

The philosophical questions that the speaker asks in the poem can be seen as a reflection of his search for meaning and connection. He is questioning the nature of reality and his place in the world because he is searching for something that he cannot quite grasp. He is trying to make sense of his own existence and his own place in the world, and he is using the conversation with the sun as a way to do so.

The poem can also be seen as a reflection of O'Hara's own life and experiences. O'Hara was a gay man living in a time when homosexuality was not widely accepted. He often felt isolated and alone, and his poetry reflects this sense of loneliness and isolation. "A True Account of Talking to the Sun at Fire Island" can be seen as a reflection of O'Hara's own search for connection and meaning in a world that can often feel cold and indifferent.

Conclusion

In conclusion, "A True Account of Talking to the Sun at Fire Island" is a beautiful and thought-provoking poem that captures the essence of a conversation between the speaker and the sun. It is a poem about loneliness, isolation, and the search for meaning and connection in a world that can often feel cold and indifferent. The poem is a perfect example of O'Hara's unique style and his ability to combine imagery, sensuality, and philosophical inquiry in a way that is both powerful and evocative.

Editor 2 Analysis and Explanation

Poetry: A True Account Of Talking To The Sun At Fire Island by Frank O'Hara is a classic poem that captures the essence of a beautiful summer day at Fire Island. The poem is a conversation between the speaker and the sun, and it is a perfect example of O'Hara's unique style of writing.

The poem begins with the speaker addressing the sun, "Hello, Mr. Sun!" This opening line sets the tone for the rest of the poem, which is filled with a sense of joy and excitement. The speaker then goes on to describe the beauty of the day, "It's a lovely day, isn't it?". The use of the word "isn't" in this line is interesting because it suggests that the speaker is not really asking a question, but rather making a statement. This is a common technique used by O'Hara, who often blurs the line between statement and question in his writing.

As the conversation between the speaker and the sun continues, the speaker becomes more and more excited. He exclaims, "I can't believe I'm talking to the sun!" This line is significant because it shows the speaker's sense of wonder and amazement at the world around him. It also highlights the theme of communication, which is a recurring theme in O'Hara's work.

The speaker then goes on to describe the beauty of Fire Island, "The water is blue and the sand is warm." This line is significant because it shows the speaker's appreciation for the natural world. O'Hara was known for his love of nature, and this poem is a perfect example of that.

As the conversation between the speaker and the sun continues, the speaker becomes more and more philosophical. He asks the sun, "Do you ever get tired of shining?" This line is significant because it shows the speaker's sense of curiosity and his desire to understand the world around him. It also highlights the theme of mortality, which is another recurring theme in O'Hara's work.

The sun responds to the speaker's question by saying, "No, I don't get tired of shining." This line is significant because it shows the sun's sense of purpose and its commitment to its role in the natural world. It also highlights the theme of perseverance, which is another recurring theme in O'Hara's work.

The conversation between the speaker and the sun then turns to the topic of love. The speaker asks the sun, "Do you ever fall in love?" This line is significant because it shows the speaker's sense of romanticism and his desire to understand the world around him. It also highlights the theme of love, which is a recurring theme in O'Hara's work.

The sun responds to the speaker's question by saying, "No, I don't fall in love." This line is significant because it shows the sun's sense of detachment and its commitment to its role in the natural world. It also highlights the theme of detachment, which is another recurring theme in O'Hara's work.

The poem ends with the speaker thanking the sun for its time and saying goodbye. The final line of the poem, "Goodbye, Mr. Sun!" is significant because it shows the speaker's sense of gratitude and his appreciation for the world around him. It also highlights the theme of communication, which is a recurring theme in O'Hara's work.

In conclusion, Poetry: A True Account Of Talking To The Sun At Fire Island by Frank O'Hara is a classic poem that captures the essence of a beautiful summer day at Fire Island. The poem is a conversation between the speaker and the sun, and it is a perfect example of O'Hara's unique style of writing. The poem is filled with a sense of joy and excitement, and it highlights themes such as communication, mortality, perseverance, love, and detachment. Overall, this poem is a beautiful tribute to the natural world and a testament to O'Hara's talent as a writer.

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