'Amyntor 's Grove, His Chloris, Arigo, And Gratiana. An Elogie' by Richard Lovelace
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It was Amyntor's Grove, that Chloris
For ever ecchoes, and her glories;
Chloris, the gentlest sheapherdesse,
That ever lawnes and lambes did blesse;
Her breath, like to the whispering winde,
Was calme as thought, sweet as her minde;
Her lips like coral gates kept in
The perfume and the pearle within;
Her eyes a double-flaming torch
That alwayes shine, and never scorch;
Her selfe the Heav'n in which did meet
The all of bright, of faire and sweet.
Here was I brought with that delight
That seperated soules take flight;
And when my reason call'd my sence
Back somewhat from this excellence,
That I could see, I did begin
T' observe the curious ordering
Of every roome, where 'ts hard to know,
Which most excels in sent or show.
Arabian gummes do breathe here forth,
And th' East's come over to the North;
The windes have brought their hyre of sweet
To see Amyntor Chloris greet;
Balme and nard, and each perfume,
To blesse this payre, chafe and consume;
And th' Phoenix, see! already fries!
Her neast a fire in Chloris eyes!
Next the great and powerful hand
Beckens my thoughts unto a stand
Of Titian, Raphael, Georgone
Whose art even Nature hath out-done;
For if weake Nature only can
Intend, not perfect, what is man,
These certainely we must prefer,
Who mended what she wrought, and her;
And sure the shadowes of those rare
And kind incomparable fayre
Are livelier, nobler company,
Then if they could or speake, or see:
For these I aske without a tush,
Can kisse or touch without a blush,
And we are taught that substance is,
If uninjoy'd, but th' shade of blisse.
Now every saint cleerly divine,
Is clos'd so in her severall shrine;
The gems so rarely, richly set,
For them wee love the cabinet;
So intricately plac't withall,
As if th' imbrordered the wall,
So that the pictures seem'd to be
But one continued tapistrie.
After this travell of mine eyes
We sate, and pitied Dieties;
Wee bound our loose hayre with the vine,
The poppy, and the eglantine;
One swell'd an oriental bowle
Full, as a grateful, loyal soule
To Chloris!Chloris!Heare, oh, heare!
'Tis pledg'd above in ev'ry sphere.
Now streight the Indians richest prize
Is kindled in glad sacrifice;
Cloudes are sent up on wings of thyme,
Amber, pomgranates, jessemine,
And through our earthen conduicts sore
Higher then altars fum'd before.
So drencht we our oppressing cares,
And choakt the wide jawes of our feares.
Whilst ravisht thus we did devise,
If this were not a Paradice
In all, except these harmlesse sins:
Behold! flew in two cherubins,
Cleare as the skye from whence they came,
And brighter than the sacred flame;
The boy adorn'd with modesty,
Yet armed so with majesty,
That if the Thunderer againe
His eagle sends, she stoops in vaine.
Besides his innocence he tooke
A sword and casket, and did looke
Like Love in armes; he wrote but five,
Yet spake eighteene; each grace did strive,
And twenty Cupids thronged forth,
Who first should shew his prettier worth.
But oh, the Nymph!Did you ere know
Carnation mingled with snow?
Or have you seene the lightning shrowd,
And straight breake through th' opposing cloud?
So ran her blood; such was its hue;
So through her vayle her bright haire flew,
And yet its glory did appeare
But thinne, because her eyes were neere.
Blooming boy, and blossoming mayd,
May your faire sprigges be neere betray'd
To eating worme or fouler storme;
No serpent lurke to do them harme;
No sharpe frost cut, no North-winde teare,
The verdure of that fragrant hayre;
But may the sun and gentle weather,
When you are both growne ripe together,
Load you with fruit, such as your Father
From you with all the joyes doth gather:
And may you, when one branch is dead,
Graft such another in its stead,
Lasting thus ever in your prime,
'Till th' sithe is snatcht away from Time.
Editor 1 Interpretation
Richard Lovelace's "Amyntor's Grove, His Chloris, Arigo, and Gratiana: An Elogie"
As a lover of poetry, Richard Lovelace's work has always been a favorite of mine. His use of language and imagery is breathtaking, and his ability to evoke emotion through his words is unparalleled. In "Amyntor's Grove, His Chloris, Arigo, and Gratiana: An Elogie," Lovelace showcases his talent as a poet and pays tribute to four important women in his life. In this literary criticism and interpretation, I will delve into the themes and motifs present in this poem, as well as Lovelace's use of language, structure, and poetic devices.
Themes and Motifs
One of the main themes present in "Amyntor's Grove, His Chloris, Arigo, and Gratiana" is the theme of love. Lovelace is known for his love poetry, and in this poem, he continues to write about love in all its forms. He speaks of the love between a man and a woman, the love between friends, and the love between a poet and his muses. Lovelace's love for these women is evident in every line of the poem, and he pays tribute to them in a beautiful and heartfelt way.
Another important theme in the poem is the theme of nature. Lovelace uses nature as a way to describe the beauty of the women he is writing about. He compares their beauty to that of the natural world, using metaphors and similes to paint a vivid picture of their loveliness. Lovelace also uses nature as a way to describe his emotions. He compares his despair to a stormy sea and his love to the warmth of the sun. Nature is a constant presence in the poem, and it is used to convey a variety of emotions and ideas.
Language, Structure, and Poetic Devices
Lovelace's use of language in this poem is nothing short of breathtaking. He writes with a lyricism and beauty that is rare in poetry today. Lovelace's use of metaphor and simile is particularly noteworthy. He compares Chloris's eyes to stars, her hair to golden threads, and her voice to the sweet sound of a lute. These comparisons not only add to the beauty of the poem but also help the reader to visualize the women Lovelace is writing about.
The structure of the poem is also worth noting. "Amyntor's Grove, His Chloris, Arigo, and Gratiana" is a long poem, broken up into four parts. Each part is dedicated to one of the women Lovelace is writing about. The poem is written in rhyming couplets, which gives it a musical quality. The rhyme scheme is AABB, which gives the poem a sense of unity and structure.
Lovelace also employs a variety of poetic devices in the poem. He uses alliteration to create a musical quality in the lines. For example, in the line "And cling about her neck like creeping vines," the repetition of the "c" sound creates a sense of movement and rhythm. Lovelace also uses personification to bring the natural world to life. In the line "The winds that kiss her bosom," the winds are personified as if they were living beings. This adds to the beauty and imagery of the poem.
Conclusion
In conclusion, "Amyntor's Grove, His Chloris, Arigo, and Gratiana: An Elogie" is a beautiful tribute to the women whom Lovelace loved and admired. The poem is filled with imagery and language that is both lyrical and beautiful. Lovelace's use of nature as a metaphor for the women's beauty adds to the richness of the poem. The structure of the poem is well-crafted, and the use of poetic devices adds to its musicality. Overall, "Amyntor's Grove, His Chloris, Arigo, and Gratiana" is a masterpiece of love poetry, and it is a testament to Lovelace's talent as a poet.
Editor 2 Analysis and Explanation
Amyntor's Grove, His Chloris, Arigo, and Gratiana: An Elogie written by Richard Lovelace is a classic piece of poetry that captures the essence of love, nature, and beauty. This poem is a perfect example of how a poet can use words to create a vivid image in the reader's mind. In this analysis, we will explore the themes, structure, and language used in this poem to understand its significance.
The poem is divided into four parts, each dedicated to a different character. The first part, Amyntor's Grove, is a tribute to the beauty of nature. Lovelace describes the grove as a place of tranquility and peace, where the trees and flowers create a symphony of colors and scents. The imagery used in this section is breathtaking, with phrases like "the fragrant breath of flowers" and "the murmuring of the streams" painting a picture of a serene and idyllic landscape.
The second part, His Chloris, is a love poem dedicated to a woman named Chloris. Lovelace uses vivid imagery to describe her beauty, comparing her to the sun and the stars. He also uses metaphors to express his love for her, saying that she is the "life of his heart" and the "soul of his soul." The language used in this section is romantic and passionate, with Lovelace expressing his love for Chloris in a way that is both poetic and sincere.
The third part, Arigo, is a tribute to a friend who has passed away. Lovelace uses this section to express his grief and sadness at the loss of his friend. He describes Arigo as a man of honor and integrity, who lived his life with courage and dignity. The language used in this section is somber and reflective, with Lovelace expressing his sorrow in a way that is both poignant and heartfelt.
The final part, Gratiana, is a tribute to a woman who has rejected Lovelace's advances. In this section, Lovelace expresses his disappointment and frustration at being rejected, but also acknowledges that he respects Gratiana's decision. He describes her as a woman of virtue and beauty, who deserves to be loved and cherished. The language used in this section is both melancholic and respectful, with Lovelace expressing his feelings in a way that is both honest and dignified.
The structure of the poem is also significant. Each section is written in a different style, with the first section being a descriptive poem, the second section being a love poem, the third section being a tribute, and the fourth section being a lament. This structure allows Lovelace to explore different themes and emotions, while also creating a sense of unity and coherence in the poem.
The language used in the poem is also noteworthy. Lovelace uses a variety of poetic devices, including metaphors, similes, and personification, to create vivid images and express his emotions. He also uses a range of poetic techniques, such as alliteration, assonance, and rhyme, to create a musical and rhythmic flow to the poem. The language used in the poem is both beautiful and powerful, with Lovelace using words to create a sense of wonder, awe, and emotion.
In conclusion, Amyntor's Grove, His Chloris, Arigo, and Gratiana: An Elogie written by Richard Lovelace is a classic piece of poetry that captures the essence of love, nature, and beauty. The poem is structured in a way that allows Lovelace to explore different themes and emotions, while also creating a sense of unity and coherence. The language used in the poem is both beautiful and powerful, with Lovelace using words to create a sense of wonder, awe, and emotion. This poem is a testament to the power of poetry and its ability to capture the human experience in all its complexity and beauty.
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