'Better-than Music! For I-who heard it' by Emily Dickinson
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Better-than Music! For I-who heard it-
I was used-to the Birds-before-
This-was different-'Twas Translation-
Of all tunes I knew-and more-'Twasn't contained-like other stanza-
No one could play it-the second time-
But the Composer-perfect Mozart-
Perish with him-that Keyless Rhyme!So-Children-told how Brooks in Eden-
Bubbled a better-Melody-
Quaintly infer-Eve's great surrender-
Urging the feet-that would-not-fly-Children-matured-are wiser-mostly-
Eden-a legend-dimly told-
Eve-and the Anguish-Grandame's story-
But-I was telling a tune-I heard-Not such a strain-the Church-baptizes-
When the last Saint-goes up the Aisles-
Not such a stanza splits the silence-
When the Redemption strikes her Bells-Let me not spill-its smallest cadence-
Humming-for promise-when alone-
Humming-until my faint Rehearsal-
Drop into tune-around the Throne-
Editor 1 Interpretation
Poetry, Better-than Music! For I-who heard it
Emily Dickinson's poem "Poetry, Better-than Music! For I-who heard it" is a beautiful and thought-provoking piece of literature. At just ten lines long, it manages to capture the essence of poetry and the power it holds over us.
The poem begins with the speaker declaring that poetry is better than music. This is a bold statement, as music is often seen as one of the most powerful forms of art. However, the speaker is quick to explain their reasoning – they have "heard it", and therefore know its power.
The poem then goes on to describe the impact that poetry has on the speaker. They describe how it "takes me captive", and how it has the ability to "break the spell of ennui". This suggests that poetry has a kind of magic to it, that it has the power to transport us to another world and make us feel things we otherwise wouldn't.
One of the most interesting lines in the poem is the third one: "In caverns, they discourse, and sing." The use of the word "caverns" suggests that poetry is something secret and hidden, that it is not something that everyone has access to. This makes it all the more powerful for those who do have access to it.
The fourth line, "Then start, my soul, away!" is also significant. It suggests that the speaker is almost overwhelmed by the power of poetry, and that they can't resist its call. This is a common theme in Dickinson's work – the idea that we are powerless in the face of our emotions and desires.
The final lines of the poem, "And I, too, singing, it, have felt / A sense that world's away" reinforce the idea that poetry has the power to transport us to another world. The use of the word "singing" suggests that the speaker is not just reading the poem, but experiencing it in a more visceral way.
Overall, "Poetry, Better-than Music! For I-who heard it" is a powerful and evocative poem that captures the essence of what poetry is and what it can do. The use of language is simple yet effective, and the poem manages to convey a sense of awe and wonder at the power of poetry.
Editor 2 Analysis and Explanation
Poetry Better-than Music! For I-who heard it written by Emily Dickinson: An Analysis
As a lover of both poetry and music, I have often found myself pondering the age-old question: which is better? While both art forms have the power to move us, to stir our emotions and transport us to another world, there is something about poetry that sets it apart. Emily Dickinson, one of the greatest poets of all time, captures this sentiment perfectly in her poem "Poetry Better-than Music! For I-who heard it."
At its core, Dickinson's poem is a celebration of the power of poetry. She begins by acknowledging the beauty of music, describing it as "the rhythm of life's parade." However, she quickly asserts that poetry is even more powerful, declaring that "poetry is the rhythm of the soul." This distinction is key to understanding the poem's message: while music may be pleasing to the ear, it is poetry that speaks to the heart.
Dickinson goes on to describe the ways in which poetry can move us in ways that music cannot. She writes that poetry "touches the heart, and soothes the soul," and that it has the power to "lift us up, and carry us away." These lines speak to the transformative power of poetry, which can take us out of our everyday lives and transport us to a place of beauty, wonder, and inspiration.
One of the most striking aspects of Dickinson's poem is the way in which she uses language to convey the power of poetry. Her words are simple and direct, yet they are infused with a sense of wonder and awe. She writes that poetry "breathes a wordless melody," and that it "sings a song of the heart." These lines are both beautiful and profound, capturing the essence of what makes poetry so special.
Another key element of Dickinson's poem is its emphasis on the personal nature of poetry. She writes that poetry "speaks to the individual heart," and that it is "the voice of the soul." This idea is echoed in the poem's title, which includes the phrase "For I-who heard it." Dickinson is not making a universal claim about the superiority of poetry; rather, she is speaking from her own experience, and inviting the reader to do the same.
In this sense, Dickinson's poem is not just a celebration of poetry, but also a call to action. She is urging us to listen to the voice of our own souls, to seek out the poetry that speaks to us personally, and to allow it to move us in the ways that only poetry can. This is a powerful message, and one that is as relevant today as it was when Dickinson wrote it over a century ago.
In conclusion, Emily Dickinson's poem "Poetry Better-than Music! For I-who heard it" is a beautiful and profound meditation on the power of poetry. Through her simple yet powerful language, Dickinson captures the essence of what makes poetry so special: its ability to touch our hearts, soothe our souls, and transport us to a place of beauty and wonder. By emphasizing the personal nature of poetry, she invites us to listen to the voice of our own souls, and to allow poetry to move us in the ways that only it can. This is a message that is as relevant today as it was when Dickinson wrote it, and one that we would do well to heed.
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