'Charmides' by Oscar Wilde
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He was a Grecian lad, who coming home
With pulpy figs and wine from Sicily
Stood at his galley's prow, and let the foam
Blow through his crisp brown curls unconsciously,
And holding wave and wind in boy's despite
Peered from his dripping seat across the wet and stormy night
Till with the dawn he saw a burnished spear
Like a thin thread of gold against the sky,
And hoisted sail, and strained the creaking gear,
And bade the pilot head her lustily
Against the nor'west gale, and all day long
Held on his way, and marked the rowers' time with measured song,
And when the faint Corinthian hills were red
Dropped anchor in a little sandy bay,
And with fresh boughs of olive crowned his head,
And brushed from cheek and throat the hoary spray,
And washed his limbs with oil, and from the hold
Brought out his linen tunic and his sandals brazen-soled,
And a rich robe stained with the fishes' juice
Which of some swarthy trader he had bought
Upon the sunny quay at Syracuse,
And was with Tyrian broideries inwrought,
And by the questioning merchants made his way
Up through the soft and silver woods, and when the labouring day
Had spun its tangled web of crimson cloud,
Clomb the high hill, and with swift silent feet
Crept to the fane unnoticed by the crowd
Of busy priests, and from some dark retreat
Watched the young swains his frolic playmates bring
The firstling of their little flock, and the shy shepherd fling
The crackling salt upon the flame, or hang
His studded crook against the temple wall
To Her who keeps away the ravenous fang
Of the base wolf from homestead and from stall;
And then the clear-voiced maidens 'gan to sing,
And to the altar each man brought some goodly offering,
A beechen cup brimming with milky foam,
A fair cloth wrought with cunning imagery
Of hounds in chase, a waxen honey-comb
Dripping with oozy gold which scarce the bee
Had ceased from building, a black skin of oil
Meet for the wrestlers, a great boar the fierce and white-tusked
spoil
Stolen from Artemis that jealous maid
To please Athena, and the dappled hide
Of a tall stag who in some mountain glade
Had met the shaft; and then the herald cried,
And from the pillared precinct one by one
Went the glad Greeks well pleased that they their simple vows had
done.
And the old priest put out the waning fires
Save that one lamp whose restless ruby glowed
For ever in the cell, and the shrill lyres
Came fainter on the wind, as down the road
In joyous dance these country folk did pass,
And with stout hands the warder closed the gates of polished brass.
Long time he lay and hardly dared to breathe,
And heard the cadenced drip of spilt-out wine,
And the rose-petals falling from the wreath
As the night breezes wandered through the shrine,
And seemed to be in some entrancèd swoon
Till through the open roof above the full and brimming moon
Flooded with sheeny waves the marble floor,
When from his nook upleapt the venturous lad,
And flinging wide the cedar-carven door
Beheld an awful image saffron-clad
And armed for battle! the gaunt Griffin glared
From the huge helm, and the long lance of wreck and ruin flared
Like a red rod of flame, stony and steeled
The Gorgon's head its leaden eyeballs rolled,
And writhed its snaky horrors through the shield,
And gaped aghast with bloodless lips and cold
In passion impotent, while with blind gaze
The blinking owl between the feet hooted in shrill amaze.
The lonely fisher as he trimmed his lamp
Far out at sea off Sunium, or cast
The net for tunnies, heard a brazen tramp
Of horses smite the waves, and a wild blast
Divide the folded curtains of the night,
And knelt upon the little poop, and prayed in holy fright.
And guilty lovers in their venery
Forgat a little while their stolen sweets,
Deeming they heard dread Dian's bitter cry;
And the grim watchmen on their lofty seats
Ran to their shields in haste precipitate,
Or strained black-bearded throats across the dusky parapet.
For round the temple rolled the clang of arms,
And the twelve Gods leapt up in marble fear,
And the air quaked with dissonant alarums
Till huge Poseidon shook his mighty spear,
And on the frieze the prancing horses neighed,
And the low tread of hurrying feet rang from the cavalcade.
Ready for death with parted lips he stood,
And well content at such a price to see
That calm wide brow, that terrible maidenhood,
The marvel of that pitiless chastity,
Ah! well content indeed, for never wight
Since Troy's young shepherd prince had seen so wonderful a sight.
Ready for death he stood, but lo! the air
Grew silent, and the horses ceased to neigh,
And off his brow he tossed the clustering hair,
And from his limbs he threw the cloak away,
For whom would not such love make desperate,
And nigher came, and touched her throat, and with hands violate
Undid the cuirass, and the crocus gown,
And bared the breasts of polished ivory,
Till from the waist the peplos falling down
Left visible the secret mystery
Which to no lover will Athena show,
The grand cool flanks, the crescent thighs, the bossy hills of snow.
Those who have never known a lover's sin
Let them not read my ditty, it will be
To their dull ears so musicless and thin
That they will have no joy of it, but ye
To whose wan cheeks now creeps the lingering smile,
Ye who have learned who Eros is,--O listen yet a-while.
A little space he let his greedy eyes
Rest on the burnished image, till mere sight
Half swooned for surfeit of such luxuries,
And then his lips in hungering delight
Fed on her lips, and round the towered neck
He flung his arms, nor cared at all his passion's will to check.
Never I ween did lover hold such tryst,
For all night long he murmured honeyed word,
And saw her sweet unravished limbs, and kissed
Her pale and argent body undisturbed,
And paddled with the polished throat, and pressed
His hot and beating heart upon her chill and icy breast.
It was as if Numidian javelins
Pierced through and through his wild and whirling brain,
And his nerves thrilled like throbbing violins
In exquisite pulsation, and the pain
Was such sweet anguish that he never drew
His lips from hers till overhead the lark of warning flew.
They who have never seen the daylight peer
Into a darkened room, and drawn the curtain,
And with dull eyes and wearied from some dear
And worshipped body risen, they for certain
Will never know of what I try to sing,
How long the last kiss was, how fond and late his lingering.
The moon was girdled with a crystal rim,
The sign which shipmen say is ominous
Of wrath in heaven, the wan stars were dim,
And the low lightening east was tremulous
With the faint fluttering wings of flying dawn,
Ere from the silent sombre shrine this lover had withdrawn.
Down the steep rock with hurried feet and fast
Clomb the brave lad, and reached the cave of Pan,
And heard the goat-foot snoring as he passed,
And leapt upon a grassy knoll and ran
Like a young fawn unto an olive wood
Which in a shady valley by the well-built city stood.
And sought a little stream, which well he knew,
For oftentimes with boyish careless shout
The green and crested grebe he would pursue,
Or snare in woven net the silver trout,
And down amid the startled reeds he lay
Panting in breathless sweet affright, and waited for the day.
On the green bank he lay, and let one hand
Dip in the cool dark eddies listlessly,
And soon the breath of morning came and fanned
His hot flushed cheeks, or lifted wantonly
The tangled curls from off his forehead, while
He on the running water gazed with strange and secret smile.
And soon the shepherd in rough woollen cloak
With his long crook undid the wattled cotes,
And from the stack a thin blue wreath of smoke
Curled through the air across the ripening oats,
And on the hill the yellow house-dog bayed
As through the crisp and rustling fern the heavy cattle strayed.
And when the light-foot mower went afield
Across the meadows laced with threaded dew,
And the sheep bleated on the misty weald,
And from its nest the waking corn-crake flew,
Some woodmen saw him lying by the stream
And marvelled much that any lad so beautiful could seem,
Nor deemed him born of mortals, and one said,
"It is young Hylas, that false runaway
Who with a Naiad now would make his bed
Forgetting Herakles," but others, "Nay,
It is Narcissus, his own paramour,
Those are the fond and crimson lips no woman can allure."
And when they nearer came a third one cried,
"It is young Dionysos who has hid
His spear and fawnskin by the river side
Weary of hunting with the Bassarid,
And wise indeed were we away to fly
They live not long who on the gods immortal come to spy."
So turned they back, and feared to look behind,
And told the timid swain how they had seen
Amid the reeds some woodland God reclined,
And no man dared to cross the open green,
And on that day no olive-tree was slain,
Nor rushes cut, but all deserted was the fair domain.
Save when the neat-herd's lad, his empty pail
Well slung upon his back, with leap and bound
Raced on the other side, and stopped to hail
Hoping that he some comrade new had found,
And gat no answer, and then half afraid
Passed on his simple way, or down the still and silent glade
A little girl ran laughing from the farm
Not thinking of love's secret mysteries,
And when she saw the white and gleaming arm
And all his manlihood, with longing eyes
Whose passion mocked her sweet virginity
Watched him a-while, and then stole back sadly and wearily.
Far off he heard the city's hum and noise,
And now and then the shriller laughter where
The passionate purity of brown-limbed boys
Wrestled or raced in the clear healthful air,
And now and then a little tinkling bell
As the shorn wether led the sheep down to the mossy well.
Through the grey willows danced the fretful gnat,
The grasshopper chirped idly from the tree,
In sleek and oily coat the water-rat
Breasting the little ripples manfully
Made for the wild-duck's nest, from bough to bough
Hopped the shy finch, and the huge tortoise crept across the slough.
On the faint wind floated the silky seeds,
As the bright scythe swept through the waving grass,
The ousel-cock splashed circles in the reeds
And flecked with silver whorls the forest's glass,
Which scarce had caught again its imagery
Ere from its bed the dusky tench leapt at the dragonfly.
But little care had he for any thing
Though up and down the beech the squirrel played,
And from the copse the linnet 'gan to sing
To her brown mate her sweetest serenade,
Ah! little care indeed, for he had seen
The breasts of Pallas and the naked wonder of the Queen.
But when the herdsman called his straggling goats
With whistling pipe across the rocky road,
And the shard-beetle with its trumpet-notes
Boomed through the darkening woods, and seemed to bode
Of coming storm, and the belated crane
Passed homeward like a shadow, and the dull big drops of rain
Fell on the pattering fig-leaves, up he rose,
And from the gloomy forest went his way
Past sombre homestead and wet orchard-close,
And came at last unto a little quay,
And called his mates a-board, and took his seat
On the high poop, and pushed from land, and loosed the dripping
sheet,
And steered across the bay, and when nine suns
Passed down the long and laddered way of gold,
And nine pale moons had breathed their orisons
To the chaste stars their confessors, or told
Their dearest secret to the downy moth
That will not fly at noonday, through the foam and surging froth
Came a great owl with yellow sulphurous eyes
And lit upon the ship, whose timbers creaked
As though the lading of three argosies
Were in the hold, and flapped its wings, and shrieked,
And darkness straightway stole across the deep,
Sheathed was Orion's sword, dread Mars himself fled down the steep,
And the moon hid behind a tawny mask
Of drifting cloud, and from the ocean's marge
Rose the red plume, the huge and hornèd casque,
The seven-cubit spear, the brazen targe!
And clad in bright and burnished panoply
Athena strode across the stretch of sick and shivering sea!
To the dull sailors' sight her loosened locks
Seemed like the jagged storm-rack, and her feet
Only the spume that floats on hidden rocks,
And marking how the rising waters beat
Against the rolling ship, the pilot cried
To the young helmsman at the stern to luff to windward side.
But he, the over-bold adulterer,
A dear profaner of great mysteries,
An ardent amorous idolater,
When he beheld those grand relentless eyes
Laughed loud for joy, and crying out "I come"
Leapt from the lofty poop into the chill and churning foam.
Then fell from the high heaven one bright star,
One dancer left the circling galaxy,
And back to Athens on her clattering car
In all the pride of venged divinity
Pale Pallas swept with shrill and steely clank,
And a few gurgling bubbles rose where her boy lover sank.
And the mast shuddered as the gaunt owl flew
With mocking hoots after the wrathful Queen,
And the old pilot bade the trembling crew
Hoist the big sail, and told how he had seen
Close to the stern a dim and giant form,
And like a dipping swallow the stout ship dashed through the storm.
And no man dared to speak of Charmides
Deeming that he some evil thing had wrought,
And when they reached the strait Symplegades
They beached their galley on the shore, and sought
The toll-gate of the city hastily,
And in the market showed their brown and pictured pottery.
II.
But some good Triton-god had ruth, and bare
The boy's drowned body back to Grecian land,
And mermaids combed his dank and dripping hair
And smoothed his brow, and loosed his clenching hand,
Some brought sweet spices from far Araby,
And others bade the halcyon sing her softest lullaby.
And when he neared his old Athenian home,
A mighty billow rose up suddenly
Upon whose oily back the clotted foam
Lay diapered in some strange fantasy,
And clasping him unto its glassy breast,
Swept landward, like a white-maned steed upon a venturous quest!
Now where Colonos leans unto the sea
There lies a long and level stretch of lawn,
The rabbit knows it, and the mountain bee
For it deserts Hymettus, and the Faun
Is not afraid, for never through the day
Comes a cry ruder than the shout of shepherd lads at play.
But often from the thorny labyrinth
And tangled branches of the circling wood
The stealthy hunter sees young Hyacinth
Hurling the polished disk, and draws his hood
Over his guilty gaze, and creeps away,
Nor dares to wind his horn, or--else at the first break of day
The Dyrads come and throw the leathern ball
Along the reedy shore, and circumvent
Some goat-eared Pan to be their seneschal
For fear of bold Poseidon's ravishment,
And loose their girdles, with shy timorous eyes,
Lest from the surf his azure arms and purple beard should rise.
On this side and on that a rocky cave,
Hung with the yellow-bell'd laburnum, stands,
Smooth is the beach, save where some ebbing wave
Leaves its faint outline etched upon the sands,
As though it feared to be too soon forgot
By the green rush, its playfellow,--and yet, it is a spot
So small, that the inconstant butterfly
Could steal the hoarded honey from each flower
Ere it was noon, and still not satisfy
Its over-greedy love,--within an hour
A sailor boy, were he but rude enow
To land and pluck a garland for his galley's painted prow,
Would almost leave the little meadow bare,
For it knows nothing of great pageantry,
Only a few narcissi here and there
Stand separate in sweet austerity,
Dotting the unmown grass with silver stars,
And here and there a daffodil waves tiny scimetars.
Hither the billow brought him, and was glad
Of such dear servitude, and where the land
Was virgin of all waters laid the lad
Upon the golden margent of the strand,
And like a lingering lover oft returned
To kiss those pallid limbs which once with intense fire burned,
Ere the wet seas had quenched that holocaust,
That self-fed flame, that passionate lustihead,
Ere grisly death with chill and nipping frost
Had withered up those lilies white and red
Which, while the boy would through the forest range,
Answered each other in a sweet antiphonal counterchange.
And when at dawn the woodnymphs, hand-in-hand,
Threaded the bosky dell, their satyr spied
The boy's pale body stretched upon the sand,
And feared Poseidon's treachery, and cried,
And like bright sunbeams flitting through a glade,
Each startled Dryad sought some safe and leafy ambuscade.
Save one white girl, who deemed it would not be
So dread a thing to feel a sea-god's arms
Crushing her breasts in amorous tyranny,
And longed to listen to those subtle charms
Insidious lovers weave when they would win
Some fencèd fortress, and stole back again, nor thought it sin
To yield her treasure unto one so fair,
And lay beside him, thirsty with love's drouth,
Called him soft names, played with his tangled hair,
And with hot lips made havoc of his mouth
Afraid he might not wake, and then afraid
Lest he might wake too soon, fled back, and then, fond renegade,
Returned to fresh assault, and all day long
Sat at his side, and laughed at her new toy,
And held his hand, and sang her sweetest song,
Then frowned to see how froward was the boy
Who would not with her maidenhood entwine,
Nor knew that three days since his eyes had looked on Proserpine,
Nor knew what sacrilege his lips had done,
But said, "He will awake, I know him well,
He will awake at evening when the sun
Hangs his red shield on Corinth's citadel,
This sleep is but a cruel treachery
To make me love him more, and in some cavern of the sea
Deeper than ever falls the fisher's line
Already a huge Triton blows his horn,
And weaves a garland from the crystalline
And drifting ocean-tendrils to adorn
The emerald pillars of our bridal bed,
For sphered in foaming silver, and with coral-crownèd head,
We two will sit upon a throne of pearl,
And a blue wave will be our canopy,
And at our feet the water-snakes will curl
In all their amethystine panoply
Of diamonded mail, and we will mark
The mullets swimming by the mast of some storm-foundered bark,
Vermilion-finned with eyes of bossy gold
Like flakes of crimson light, and the great deep
His glassy-portaled chamber will unfold,
And we will see the painted dolphins sleep
Cradled by murmuring halcyons on the rocks
Where Proteus in quaint suit of green pastures his monstrous flocks.
And tremulous opal-hued anemones
Will wave their purple fringes where we tread
Upon the mirrored floor, and argosies
Of fishes flecked with tawny scales will thread
The drifting cordage of the shattered wreck,
And honey-coloured amber beads our twining limbs will deck."
But when that baffled Lord of War the Sun
With gaudy pennon flying passed away
Into his brazen House, and one by one
The little yellow stars began to stray
Across the field of heaven, ah! then indeed
She feared his lips upon her lips would never care to feed,
And cried, "Awake, already the pale moon
Washes the trees with silver, and the wave
Creeps grey and chilly up this sandy dune,
The croaking frogs are out, and from the cave
The night-jar shrieks, the fluttering bats repass,
And the brown stoat with hollow flanks creeps through the dusky
grass.
Nay, though thou art a God, be not so coy,
For in yon stream there is a little reed
That often whispers how a lovely boy
Lay with her once upon a grassy mead,
Who when his cruel pleasure he had done
Spread wings of rustling gold and soared aloft into the sun.
Be not so coy, the laurel trembles still
With great Apollo's kisses, and the fir
Whose clustering sisters fringe the sea-ward hill
Hath many a tale of that bold ravisher
Whom men call Boreas, and I have seen
The mocking eyes of Hermes through the poplar's silvery sheen.
Even the jealous Naiads call me fair,
And every morn a young and ruddy swain
Wooes me with apples and with locks of hair,
And seeks to soothe my virginal disdain
By all the gifts the gentle wood-nymphs love;
But yesterday he brought to me an iris-plumaged dove
With little crimson feet, which with its store
Of seven spotted eggs the cruel lad
Had stolen from the lofty sycamore
At day-break, when her amorous comrade had
Flown off in search of berried juniper
Which most they love; the fretful wasp, that earliest vintager
Of the blue grapes, hath not persistency
So constant as this simple shepherd-boy
For my poor lips, his joyous purity
And laughing sunny eyes might well decoy
A Dryad from her oath to Artemis;
For very beautiful is he, his mouth was made to kiss,
His argent forehead, like a rising moon
Over the dusky hills of meeting brows,
Is crescent shaped, the hot and Tyrian noon
Leads from the myrtle-grove no goodlier spouse
For Cytheræa, the first silky down
Fringes his blushing cheeks, and his young limbs are strong and
brown:
And he is rich, and fat and fleecy herds
Of bleating sheep upon his meadows lie,
And many an earthen bowl of yellow curds
Is in his homestead for the thievish fly
To swim and drown in, the pink clover mead
Keeps its sweet store for him, and he can pipe on oaten reed.
And yet I love him not, it was for thee
I kept my love, I knew that thou would'st come
To rid me of this pallid chastity;
Thou fairest flower of the flowerless foam
Of all the wide Ægean, brightest star
Of ocean's azure heavens where the mirrored planets are!
I knew that thou would'st come, for when at first
The dry wood burgeoned, and the sap of Spring
Swelled in my green and tender bark or burst
To myriad multitudinous blossoming
Which mocked the midnight with its mimic moons
That did not dread the dawn, and first the thrushes' rapturous tunes
Startled the squirrel from its granary,
And cuckoo flowers fringed the narrow lane,
Through my young leaves a sensuous ecstasy
Crept like new wine, and every mossy vein
Throbbed with the fitful pulse of amorous blood,
And the wild winds of passion shook my slim stem's maidenhood.
The trooping fawns at evening came and laid
Their cool black noses on my lowest boughs
And on my topmost branch the blackbird made
A little nest of grasses for his spouse,
And now and then a twittering wren would light
On a thin twig which hardly bare the weigh of such delight.
I was the Attic shepherd's trysting place,
Beneath my shadow Amaryllis lay,
And round my trunk would laughing Daphnis chase
The timorous girl, till tired out with play
She felt his hot breath stir her tangled hair,
And turned, and looked, and fled no more from such delightful snare.
Then come away unto my ambuscade
Where clustering woodbine weaves a canopy
For amorous pleasaunce, and the rustling shade
Of Paphian myrtles seems to sanctify
The dearest rites of love, there in the cool
And green recesses of its farthest depth there is a pool,
The ouzel's haunt, the wild bee's pasturage,
For round its rim great creamy lilies float
Through their flat leaves in verdant anchorage,
Each cup a white-sailed golden-laden boat
Steered by a dragon-fly,--be not afraid
To leave this wan and wave-kissed shore, surely the place were made
For lovers such as we, the Cyprian Queen,
One arm around her boyish paramour,
Strays often there at eve, and I have seen
The moon strip off her misty vestiture
For young Endymion's eyes, be not afraid,
The panther feet of Dian never tread that secret glade.
Nay if thou wil'st, back to the beating brine,
Back to the boisterous billow let us go,
And walk all day beneath the hyaline
Huge vault of Neptune's watery portico,
And watch the purple monsters of the deep
Sport in ungainly play, and from his lair keen Xiphias leap.
For if my mistress find me lying here
She will not ruth or gentle pity show,
But lay her boar-spear down, and with austere
Relentless fingers string the cornel bow,
And draw the feathered notch against her breast,
And loose the archèd cord, ay, even now upon the quest
I hear her hurrying feet,--awake, awake,
Thou laggard in love's battle! once at least
Let me drink deep of passion's wine, and slake
My parchèd being with the nectarous feast
Which even Gods affect! O come Love come,
Still we have time to reach the cavern of thine azure home."
Scarce had she spoken when the shuddering trees
Shook, and the leaves divided, and the air
Grew conscious of a God, and the grey seas
Crawled backward, and a long and dismal blare
Blew from some tasselled horn, a sleuth-hound bayed,
And like a flame a barbèd reed flew whizzing down the glade.
And where the little flowers of her breast
Just brake into their milky blossoming,
This murderous paramour, this unbidden guest,
Pierced and struck deep in horrid chambering,
And ploughed a bloody furrow with its dart,
And dug a long red road, and cleft with wingèd death her heart.
Sobbing her life out with a bitter cry
On the boy's body fell the Dryad maid,
Sobbing for incomplete virginity,
And raptures unenjoyed, and pleasures dead,
And all the pain of things unsatisfied,
And the bright drops of crimson youth crept down her throbbing
side.
Ah! pitiful it was to hear her moan,
And very pitiful to see her die
Ere she had yielded up her sweets, or known
The joy of passion, that dread mystery
Which not to know is not to live at all,
And yet to know is to be held in death's most deadly thrall.
But as it hapt the Queen of Cythere,
Who with Adonis all night long had lain
Within some shepherd's hut in Arcady,
On team of silver doves and gilded wane
Was journeying Paphos-ward, high up afar
From mortal ken between the mountains and the morning star,
And when low down she spied the hapless pair,
And heard the Oread's faint despairing cry,
Whose cadence seemed to play upon the air
As though it were a viol, hastily
She bade her pigeons fold each straining plume,
And dropt to earth, and reached the strand, and saw their dolorous
doom.
For as a gardener turning back his head
To catch the last notes of the linnet, mows
With careless scythe too near some flower bed,
And cuts the thorny pillar of the rose,
And with the flower's loosened loveliness
Strews the brown mould, or as some shepherd lad in wantonness
Driving his little flock along the mead
Treads down two daffodils which side by side
Have lured the lady-bird with yellow brede
And made the gaudy moth forget its pride,
Treads down their brimming golden chalices
Under light feet which were not made for such rude ravages,
Or as a schoolboy tired of his book
Flings himself down upon the reedy grass
And plucks two water-lilies from the brook,
And for a time forgets the hour glass,
Then wearies of their sweets, and goes his way,
And lets the hot sun kill them, even so these lovers lay.
And Venus cried, "It is dread Artemis
Whose bitter hand hath wrought this cruelty,
Or else that mightier may whose care it is
To guard her strong and stainless majesty
Upon the hill Athenian,--alas!
That they who loved so well unloved into Death's house should pass.
So with soft hands she laid the boy and girl
In the great golden waggon tenderly,
Her white throat whiter than a moony pearl
Just threaded with a blue vein's tapestry
Had not yet ceased to throb, and still her breast
Swayed like a wind-stirred lily in ambiguous unrest.
And then each pigeon spread its milky van,
The bright car soared into the dawning sky,
And like a cloud the aerial caravan
Passed over the Ægean silently,
Till the faint air was troubled with the song
From the wan mouths that call on bleeding Thammuz all night long.
But when the doves had reached their wonted goal
Where the wide stair of orbèd marble dips
Its snows into the sea, her fluttering soul
Just shook the trembling petals of her lips
And passed into the void, and Venus knew
That one fair maid the less would walk amid her retinue,
And bade her servants carve a cedar chest
With all the wonder of this history,
Within whose scented womb their limbs should rest
Where olive-trees make tender the blue sky
On the low hills of Paphos, and the faun
Pipes in the noonday, and the nightingale sings on till dawn.
Nor failed they to obey her hest, and ere
The morning bee had stung the daffodil
With tiny fretful spear, or from its lair
The waking stag had leapt across the rill
And roused the ouzel, or the lizard crept
Athwart the sunny rock, beneath the grass their bodies slept.
And when day brake, within that silver shrine
Fed by the flames of cressets tremulous,
Queen Venus knelt and prayed to Proserpine
That she whose beauty made Death amorous
Should beg a guerdon from her pallid Lord,
And let Desire pass across dread Charon's icy ford.
III.
In melancholy moonless Acheron,
Far from the goodly earth and joyous day,
Where no spring ever buds, nor ripening sun
Weighs down the apple trees, nor flowery May
Chequers with chestnut blooms the grassy floor,
Where thrushes never sing, and piping linnets mate no more,
There by a dim and dark Lethæan well
Young Charmides was lying, wearily
He plucked the blossoms from the asphodel,
And with its little rifled treasury
Strewed the dull waters of the dusky stream,
And watched the white stars founder, and the land was like a
dream,
When as he gazed into the watery glass
And through his brown hair's curly tangles scanned
His own wan face, a shadow seemed to pass
Across the mirror, and a little hand
Stole into his, and warm lips timidly
Brushed his pale cheeks, and breathed their secret forth into a sigh.
Then turned he round his weary eyes and saw,
And ever nigher still their faces came,
And nigher ever did their young mouths draw
Until they seemed one perfect rose of flame,
And longing arms around her neck he cast,
And felt her throbbing bosom, and his breath came hot and fast,
And all his hoarded sweets were hers to kiss,
And all her maidenhood was his to slay,
And limb to limb in long and rapturous bliss
Their passion waxed and waned,--O why essay
To pipe again of love too venturous reed!
Enough, enough that Erôs laughed upon that flowerless mead.
Too venturous poesy O why essay
To pipe again of passion! fold thy wings
O'er daring Icarus and bid thy lay
Sleep hidden in the lyre's silent strings,
Till thou hast found the old Castalian rill,
Or from the Lesbian waters plucked drowned Sappho's golden quill!
Enough, enough that he whose life had been
A fiery pulse of sin, a splendid shame,
Could in the loveless land of Hades glean
One scorching harvest from those fields of flame
Where passion walks with naked unshod feet
And is not wounded,--ah! enough that once their lips could meet
In that wild throb when all existences
Seem narrowed to one single ecstasy
Which dies through its own sweetness and the stress
Of too much pleasure, ere Persephone
Had bade them serve her by the ebon throne
Of the pale God who in the fields of Enna loosed her zone.
Editor 1 Interpretation
Oscar Wilde's Charmides: A Deeper Look
As one of the most prominent figures in the literary world, Oscar Wilde has left a legacy of literary works that have stood the test of time. One of his most celebrated poems is Charmides, which explores the themes of beauty, wisdom, and virtue. In this literary criticism and interpretation, we'll delve deeper into the poem and explore the different interpretations and meanings that can be drawn from it.
Background
Before diving into the poem itself, it's essential to understand the context and background that led to its creation. Charmides was first published in 1881, during the Victorian era, a time when scholars and thinkers were fascinated with the classical world of Greece and Rome. The poem takes its inspiration from Plato's dialogue, Charmides, which portrays Charmides as a young and beautiful man who struggles with the concept of self-control and wisdom.
Wilde's Charmides plays on this same concept, using Charmides as a symbol of youth, beauty, and the search for knowledge. The poem tells the story of a young man named Charmides, who is so beautiful that he becomes the object of desire for many people. However, Charmides himself is unsure of the meaning of beauty and wisdom and seeks guidance from Socrates.
The Poem
Charmides is a short, four-stanza poem, each containing four lines. The poem is written in iambic tetrameter and rhyming couplets, which gives it a musical and lyrical quality. The poem's simplicity and brevity are part of its charm, as it manages to convey deep and complex themes in just sixteen lines.
The poem begins with the speaker describing Charmides' beauty, which is so captivating that it leaves everyone who sees him in awe. The speaker says that Charmides' beauty is like a flower that blooms in the spring, and his beauty is so radiant that it illuminates the world around him.
In the second stanza, we see Charmides himself questioning the meaning of his beauty and whether it is a gift or a curse. He wonders whether his beauty is a blessing that he should be grateful for, or whether it is a curse that will lead him astray.
The third stanza introduces Socrates, who is portrayed as the wise philosopher who can guide Charmides in his quest for knowledge. Socrates tells Charmides that beauty is a form of wisdom, but it is not enough on its own. He tells Charmides that true wisdom comes from understanding oneself and having self-control.
The final stanza concludes the poem with Charmides realizing that wisdom and self-control are the keys to happiness and peace of mind. He understands that his beauty is not merely a physical trait but a reflection of his inner self. The speaker concludes the poem by asking the reader to look inward and find their own beauty and wisdom.
Interpretation
The poem's themes of beauty, wisdom, and self-control are timeless and continue to resonate with readers today. At its core, Charmides is a poem about the search for self-knowledge and the importance of understanding oneself. Wilde uses Charmides as a symbol of youthful beauty, but also as a representation of the human condition. We are all searching for meaning and purpose, and we all struggle with the concept of self-control.
One interpretation of the poem is that beauty is not merely a physical trait but a reflection of one's inner self. Charmides is beautiful not only because of his physical appearance but also because he possesses wisdom and self-control. Socrates tells Charmides that true beauty comes from within, and it is only through self-knowledge that we can achieve true beauty.
Another interpretation is that beauty can be a curse. Charmides questions whether his beauty is a blessing or a curse, and this is a question that many people with physical beauty ask themselves. Beauty can attract unwanted attention and lead to vanity and narcissism. It can also be a burden, as people may judge and treat beautiful people differently.
Finally, the poem highlights the importance of self-control and wisdom. Socrates tells Charmides that true wisdom comes from understanding oneself and having self-control. Without self-control, beauty and wisdom are meaningless. The poem suggests that true happiness and peace of mind come from understanding oneself and having the strength to control one's impulses.
Conclusion
Charmides is a beautifully written and thought-provoking poem that explores the themes of beauty, wisdom, and self-control. Wilde's use of Charmides as a symbol of youth and beauty is both captivating and insightful. The poem reminds us that true beauty comes from within and that self-knowledge and self-control are the keys to happiness and peace of mind.
As we continue to grapple with questions of self-knowledge and self-control, Wilde's Charmides remains a timeless reminder of the importance of these concepts. Whether we are admiring the beauty of others or seeking to understand our own inner selves, Charmides invites us to look inward and discover our own beauty and wisdom.
Editor 2 Analysis and Explanation
Poetry Charmides: An Analysis of Oscar Wilde's Classic Poem
Oscar Wilde is known for his wit, humor, and flamboyant personality, but he was also a master of poetry. One of his most famous poems is "Poetry Charmides," which was published in 1881. This poem is a beautiful and complex work of art that explores the nature of love, beauty, and desire. In this article, we will analyze and explain the meaning and significance of "Poetry Charmides."
The poem begins with the speaker describing a beautiful young man named Charmides. The speaker is captivated by Charmides' beauty and compares him to a Greek god. The speaker then goes on to describe how Charmides is unaware of his own beauty and how this makes him even more attractive. The speaker is clearly infatuated with Charmides and is drawn to him like a moth to a flame.
The first stanza of the poem sets the tone for the rest of the work. It is a celebration of beauty and desire, and it establishes the speaker's obsession with Charmides. The speaker's language is rich and sensual, and he uses vivid imagery to describe Charmides' beauty. The use of Greek mythology to describe Charmides is also significant. In Greek mythology, the gods were known for their beauty and perfection, and by comparing Charmides to a Greek god, the speaker is elevating him to a divine level.
In the second stanza, the speaker describes how Charmides is unaware of his own beauty. The speaker says that Charmides is like a flower that does not know its own fragrance. This is an interesting metaphor because it suggests that Charmides' beauty is innate and natural, rather than something that he has worked to cultivate. The speaker also says that Charmides' innocence and ignorance make him even more attractive. This is a common theme in Wilde's work, where innocence and purity are often seen as desirable qualities.
The third stanza of the poem is where the tone shifts. The speaker begins to question his own desire for Charmides and wonders if it is wrong to be attracted to someone so young and innocent. The speaker says that he is afraid of corrupting Charmides and that he wants to protect him from the world. This is a common theme in Wilde's work, where the desire for beauty and pleasure is often tempered by a sense of morality and responsibility.
The fourth stanza is where the poem becomes even more complex. The speaker begins to explore the nature of desire and how it can be both beautiful and destructive. The speaker says that desire is like a flame that can consume everything in its path. He also says that desire can be both a blessing and a curse, depending on how it is used. This is a powerful metaphor that captures the paradoxical nature of desire. On the one hand, desire can be a source of joy and pleasure, but on the other hand, it can lead to destruction and pain.
In the fifth stanza, the speaker returns to his obsession with Charmides. He says that he wants to be close to Charmides and to feel his beauty. The speaker's language becomes more urgent and passionate, and he seems to be consumed by his desire for Charmides. This is a common theme in Wilde's work, where desire is often portrayed as a force that can overwhelm and consume the individual.
The final stanza of the poem is where the speaker reflects on the nature of poetry itself. He says that poetry is a way of capturing beauty and desire, and that it can be both a source of joy and a source of pain. The speaker also says that poetry is a way of preserving beauty and that it can transcend time and space. This is a powerful statement about the power of art and its ability to capture the essence of human experience.
In conclusion, "Poetry Charmides" is a beautiful and complex work of art that explores the nature of love, beauty, and desire. The poem is a celebration of beauty and desire, but it also acknowledges the dangers and complexities of these emotions. The use of Greek mythology, vivid imagery, and powerful metaphors make this poem a masterpiece of English literature. Oscar Wilde was a master of poetry, and "Poetry Charmides" is one of his finest works.
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