'Far , far away is mirth withdrawn' by Emily Jane Brontë


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Far, far away is mirth withdrawn
'Tis three long hours before the morn
And I watch lonely, drearily -
So come thou shade commune with me

Deserted one ! thy corpse lies cold
And mingled with a foreign mould -
Year after year the grass grows green
Above the dust where thou hast been.

I will not name thy blighted name
Tarnished by unforgotton shame
Though not because my bosom torn
Joins the mad world in all its scorn -

Thy phantom face is dark with woe
Tears have left ghastly traces there,
Those ceaseless tears ! I wish their flow
Could quench thy wild despair.

They deluge my heart like the rain
On cursed Gomorrah's howling plain -
Yet when I hear thy foes deride
I must cling closely to thy side -

Our mutual foes - they will not rest
From trampling on thy buried breast -
Glutting there hatred with the doom
They picture thine, beyond the tomb -

But God is not like human kind
Man cannot read the Almighty mind
Vengeance will never tortue they
Nor hunt thy soul eternally

Then do not in this night of grief
This time of over whelming fear
O do not think that God can leave
Forget, forsake, refuse to hear ! -

What have I dreamt ? He lies asleep
With whom my heart would vainly weep
He rests - and I endure the woe
That left his spirit long ago -

Editor 1 Interpretation

Far, far away is mirth withdrawn: A Literary Analysis of Emily Brontë's poem

Are you a fan of classic poetry? Do you enjoy a good dose of melancholy in your literary readings? Well, look no further than Emily Brontë's poem, "Far, far away is mirth withdrawn." This hauntingly beautiful piece is a perfect example of Brontë's ability to capture the essence of human emotions and the inevitability of loss and sadness.

Overview of the Poem

At first glance, "Far, far away is mirth withdrawn" appears to be a simple lament for lost happiness. The speaker describes a world where mirth, or joy, has disappeared and left in its place only "grief and woe." She longs for the return of happier times, but knows that they are forever gone.

As the poem progresses, however, it becomes clear that there is more at work than just a feeling of nostalgia. The speaker seems to be mourning not only the loss of happiness in her own life, but also the loss of innocence and purity in the world as a whole.

Analysis of the Poem

One of the most striking aspects of "Far, far away is mirth withdrawn" is its use of contrast. The first stanza presents a stark dichotomy between joy and sorrow, with happiness relegated to a distant memory and pain and suffering taking its place. This contrast is reinforced by the repetition of the phrase "far, far away," which emphasizes the distance between the two states.

However, the second stanza complicates this contrast by introducing a third element: beauty. Here, the speaker describes a world that is "desolate and bare / No buds, no birds in spring." This imagery paints a picture of a world that has lost not only joy, but also the natural beauty and vitality that are associated with it.

This connection between joy, beauty, and innocence is further developed in the final stanza, where the speaker laments the loss of "truth and virtue." Here, she seems to be suggesting that the disappearance of joy and beauty from the world is not just an unfortunate happenstance, but a symptom of a deeper moral decay. The loss of innocence and purity has led to a world where happiness is impossible.

Themes of the Poem

At its core, "Far, far away is mirth withdrawn" is a meditation on the nature of loss and the inevitability of sadness. The speaker acknowledges that happiness will never return, and accepts this fact with a sense of resignation. However, the poem is also a commentary on the state of the world and the human condition.

The loss of joy and beauty is not just a personal tragedy, but a symptom of a world that has lost its way. The poem suggests that the only way to reclaim happiness is to address the underlying moral decay that has led to its absence. This theme is particularly resonant in our current cultural moment, where many people are grappling with issues of social and political unrest.

Conclusion

Overall, "Far, far away is mirth withdrawn" is a powerful poem that speaks to the complexity of human emotions and the nature of loss. Emily Brontë's ability to capture the essence of sadness and nostalgia is unparalleled, and her use of contrast and imagery makes the poem particularly effective. Whether you are a fan of classic poetry or just looking for a thought-provoking read, this poem is definitely worth your attention.

Editor 2 Analysis and Explanation

Far, far away is mirth withdrawn, 'Tis three long hours before the morn, And I watch lonely, drearily— So come thou shade commune with me, Deserted one! thy corpse lies cold, And mingled with a foreign mould; Year after year the grass grows green Above thy cradled dust unseen.

These haunting words are the opening lines of Emily Jane Brontë's poem, "Far, far away is mirth withdrawn." The poem is a haunting and melancholic piece that speaks to the loneliness and isolation that can come with grief and loss. In this analysis, we will explore the themes and imagery of the poem, as well as the historical context in which it was written.

Emily Jane Brontë was born in 1818 in Thornton, West Yorkshire, England. She was the fifth of six children, and her family was known for their literary talents. Emily and her sisters, Charlotte and Anne, are famous for their contributions to English literature, particularly their novels. However, Emily was also a talented poet, and "Far, far away is mirth withdrawn" is one of her most well-known works.

The poem is written in the first person, and the speaker is addressing a shade, or ghost. The opening lines set the scene: it is the middle of the night, and the speaker is alone and feeling lonely. The use of the word "drearily" emphasizes the speaker's melancholic mood. The repetition of "far, far away" creates a sense of distance and separation, as if the speaker is longing for something that is out of reach.

The second stanza introduces the shade that the speaker is addressing. The shade is described as "deserted" and "cold," and its corpse is "mingled with a foreign mould." This imagery creates a sense of decay and abandonment. The shade is a symbol of the speaker's own feelings of loss and isolation. The fact that the shade's "cradled dust" is "unseen" emphasizes the idea that the speaker is alone in their grief.

The third stanza continues the theme of isolation and loneliness. The speaker describes how the grass grows green year after year above the shade's grave, but no one is there to see it. This creates a sense of the passage of time and the inevitability of death. The repetition of "unseen" emphasizes the idea that the shade is forgotten and alone.

The final stanza is the most haunting of all. The speaker asks the shade to "commune" with them, to share their loneliness and isolation. The use of the word "commune" suggests a desire for connection and understanding. However, the fact that the speaker is addressing a ghost emphasizes the idea that they are truly alone. The final line, "Deserted one!" is a powerful statement of the speaker's own feelings of abandonment and loss.

Overall, "Far, far away is mirth withdrawn" is a powerful and haunting poem that speaks to the universal experience of grief and loss. The imagery of the shade and the abandoned grave create a sense of decay and isolation, while the repetition of "far, far away" emphasizes the distance and separation that the speaker feels. The final stanza is particularly poignant, as the speaker reaches out to the shade in a desperate attempt to find connection and understanding.

In terms of historical context, it is worth noting that Emily Jane Brontë lived during the Victorian era, a time when death and mourning were heavily ritualized. The Victorians had a complex set of customs and traditions surrounding death, including elaborate mourning clothes and strict rules about how long one should grieve. It is possible that Brontë's poem reflects some of these cultural attitudes towards death and loss.

In conclusion, "Far, far away is mirth withdrawn" is a haunting and melancholic poem that speaks to the universal experience of grief and loss. The imagery of the shade and the abandoned grave create a sense of decay and isolation, while the repetition of "far, far away" emphasizes the distance and separation that the speaker feels. The final stanza is particularly powerful, as the speaker reaches out to the shade in a desperate attempt to find connection and understanding. Emily Jane Brontë's poem is a timeless exploration of the human experience of loss and the search for meaning in the face of death.

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