'Marriage A-La-Mode' by John Dryden


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Why should a foolish marriage vow,
Which long ago was made,
Oblige us to each other now
When passion is decay'd?
We lov'd, and we lov'd, as long as we could,
Till our love was lov'd out in us both:
But our marriage is dead, when the pleasure is fled:
'Twas pleasure first made it an oath.

If I have pleasures for a friend,
And farther love in store,
What wrong has he whose joys did end,
And who could give no more?
'Tis a madness that he should be jealous of me,
Or that I should bar him of another:
For all we can gain is to give our selves pain,
When neither can hinder the other.



Editor 1 Interpretation

An In-Depth Analysis of John Dryden's "Marriage A-La-Mode"

John Dryden's "Marriage A-La-Mode" is a classic poem that has stood the test of time. It is a witty and satirical poem that provides an insight into the social conventions of the time. This poem, like most of Dryden's work, is a combination of social commentary and insightful observations. It explores the theme of marriage and the societal pressures that surround it.

Overview of the Poem

The poem is structured as a dialogue between two characters, Melantha and Amasia. Melantha is a young lady who is newly married and excited about the prospects of her new life. Amasia, on the other hand, is an experienced woman who has been married for some time and is disillusioned with the institution of marriage.

The poem opens with Melantha expressing her excitement about her new life as a married woman. She speaks of how she is happy to be free from the constraints of her father's house and how she is looking forward to the pleasures of her new life. Amasia, however, is quick to burst Melantha's bubble. She tells her that marriage is not all it seems and that there are many difficulties that come with it.

Throughout the poem, Amasia offers Melantha advice on how to navigate the pitfalls of married life. She speaks of the importance of maintaining one's independence, and not becoming too reliant on one's husband. She also speaks of the need to be patient and understanding in a marriage, even when things are difficult.

The poem concludes with Melantha expressing her gratitude to Amasia for her advice. She promises to take it to heart and to work hard to make her marriage a success. The poem ends on a note of hope, with Melantha looking forward to a happy and fulfilling life with her husband.

Analysis of the Poem

One of the most striking things about "Marriage A-La-Mode" is the way in which Dryden uses language. He employs a witty and satirical tone throughout the poem, which serves to highlight the absurdity of the social conventions of the time. He also uses irony to great effect, particularly in the character of Amasia.

Amasia is a character who is disillusioned with marriage, but who nevertheless gives Melantha advice on how to navigate it. This is an example of the kind of double standards that were prevalent in society at the time. Women were expected to be married and to fulfill their duties as wives, but at the same time, they were not allowed to voice any dissatisfaction with their lot in life.

The poem also highlights the importance of independence in a marriage. This is something that Amasia stresses throughout the poem. She tells Melantha that it is important to maintain one's independence, and not to become too reliant on one's husband. This is an important message that still resonates today.

Another important theme in the poem is the idea of patience and understanding in a marriage. Amasia tells Melantha that there will be difficulties in a marriage, but that it is important to work through them. This is an important message for anyone in a long-term relationship. It is often tempting to give up when things get difficult, but with patience and understanding, it is possible to work through the difficulties and come out stronger on the other side.

Interpretation of the Poem

"Marriage A-La-Mode" can be interpreted in a number of ways. On one level, it can be seen as a satirical critique of the social conventions of the time. Dryden uses the characters of Melantha and Amasia to highlight the absurdity of the expectations placed on women in society.

On another level, the poem can be seen as a commentary on the institution of marriage itself. Dryden explores the difficulties that come with marriage, but also highlights the rewards that come with working through those difficulties. The poem can be seen as a call to patience and understanding in relationships, and a reminder of the importance of maintaining one's independence.

Ultimately, "Marriage A-La-Mode" is a timeless poem that still resonates today. It is a witty and insightful exploration of the theme of marriage, and an important reminder that relationships are rarely easy, but with patience and understanding, they can be immensely rewarding.

Conclusion

In conclusion, John Dryden's "Marriage A-La-Mode" is a classic poem that provides an insight into the social conventions of the time. It is a witty and satirical commentary on the institution of marriage, and an important reminder of the difficulties and rewards that come with relationships. Dryden's use of language and ironic characterizations serve to highlight the absurdity of the expectations placed on women in society, while his emphasis on independence, patience, and understanding offer valuable lessons for anyone in a long-term relationship.

Editor 2 Analysis and Explanation

Poetry Marriage A-La-Mode: A Masterpiece of Satirical Poetry

John Dryden, the renowned English poet, playwright, and critic, is known for his satirical works that expose the follies and vices of the society. One of his most famous satirical poems is "Poetry Marriage A-La-Mode," which was published in 1673. This poem is a masterpiece of satire that mocks the fashionable trends of the time and the shallow values of the upper class. In this article, we will analyze and explain the poem in detail, exploring its themes, structure, language, and literary devices.

The poem is a mock-heroic satire, which means that it uses the style and conventions of epic poetry to ridicule a trivial subject. In this case, the subject is the marriage of two poets, Sir Formal Trifle and Lady Ignorance. The poem is divided into five parts, each of which describes a different stage of the marriage, from the courtship to the divorce. Let's explore each part in detail.

Part I: The Courtship

The first part of the poem introduces the two main characters, Sir Formal Trifle and Lady Ignorance, and describes their courtship. Sir Formal Trifle is a poet who values form over substance, while Lady Ignorance is a wealthy and fashionable woman who knows nothing about poetry. The two meet at a party, and Sir Formal Trifle is immediately smitten with Lady Ignorance's beauty and wealth. He decides to court her, and the rest of the poem describes their courtship and marriage.

The language and tone of this part are light and playful, with a hint of irony. Dryden uses witty and humorous language to describe the courtship, such as "He saw, he loved, and in his courtly strain / He thus bespoke the goddess of the plain" (lines 9-10). The use of the word "goddess" to describe Lady Ignorance is ironic, as she is far from being a divine being. Dryden also mocks Sir Formal Trifle's poetic style, which is full of clichés and empty phrases, such as "Her eyes, her lips, her cheeks, her shape, her air, / Are not so sweet as fair" (lines 11-12).

Part II: The Marriage

The second part of the poem describes the wedding of Sir Formal Trifle and Lady Ignorance. The wedding is a grand affair, with all the fashionable people of the town in attendance. However, the marriage is not based on love or mutual respect, but on shallow values and social status. Sir Formal Trifle is more interested in Lady Ignorance's wealth and status than in her as a person, and Lady Ignorance is more interested in being married to a poet than in Sir Formal Trifle himself.

Dryden uses vivid and descriptive language to paint a picture of the wedding, such as "The bridegroom and the bride / Walked hand in hand, the father by their side" (lines 47-48). However, the language is also ironic and satirical, as Dryden exposes the shallow values and hypocrisy of the upper class. For example, he describes the wedding feast as "A dish that in the midst was seen to smoke, / Where boiled the hell-broth of the marriage joke" (lines 53-54). The use of the word "hell-broth" to describe the wedding feast is a metaphor for the bitter and unpleasant reality of the marriage.

Part III: The Honeymoon

The third part of the poem describes the honeymoon of Sir Formal Trifle and Lady Ignorance. The honeymoon is a disaster, as the two have nothing in common and are unable to communicate with each other. Sir Formal Trifle is more interested in writing poetry than in spending time with his wife, while Lady Ignorance is bored and frustrated with her husband's obsession with poetry.

Dryden uses vivid and humorous language to describe the honeymoon, such as "The bridegroom, who was almost mute before, / Now talked and rhymed as loud as he could roar" (lines 85-86). The use of the word "roar" to describe Sir Formal Trifle's poetry is ironic, as it suggests that his poetry is loud and obnoxious. Dryden also uses irony to expose the shallow values of the upper class, such as when he describes Lady Ignorance's reaction to her husband's poetry: "She praised the poem, though she thought it flat, / And gave him thanks for what he never writ" (lines 91-92).

Part IV: The Infidelity

The fourth part of the poem describes the infidelity of Sir Formal Trifle and Lady Ignorance. Sir Formal Trifle becomes infatuated with a young poetess, while Lady Ignorance is seduced by a fashionable young man. The two have affairs behind each other's backs, and their marriage falls apart.

Dryden uses vivid and ironic language to describe the infidelity, such as "The poetess, amidst her airs and graces, / Was pleased to favour his poetic embraces" (lines 117-118). The use of the word "embraces" to describe the affair is ironic, as it suggests that the affair is based on physical attraction rather than love or respect. Dryden also uses irony to expose the shallow values of the upper class, such as when he describes Lady Ignorance's lover as "A youth of the same trade, whom she had seen / Painted on screens, and I know not where else" (lines 129-130).

Part V: The Divorce

The fifth and final part of the poem describes the divorce of Sir Formal Trifle and Lady Ignorance. The divorce is a bitter and acrimonious affair, with both parties hurling insults and accusations at each other. Sir Formal Trifle accuses Lady Ignorance of being unfaithful and shallow, while Lady Ignorance accuses Sir Formal Trifle of being boring and obsessed with poetry.

Dryden uses vivid and satirical language to describe the divorce, such as "The lawyers, who were paid to speak their best, / To make the worst appear the better jest" (lines 151-152). The use of the word "jest" to describe the divorce is ironic, as it suggests that the divorce is a trivial matter. Dryden also uses irony to expose the shallow values of the upper class, such as when he describes Lady Ignorance's reaction to the divorce: "She wept, she railed, she cursed, she prayed in vain, / For Sir Formal would not come again" (lines 163-164).

Conclusion

"Poetry Marriage A-La-Mode" is a masterpiece of satirical poetry that exposes the follies and vices of the upper class. Dryden uses vivid and ironic language to describe the courtship, marriage, honeymoon, infidelity, and divorce of Sir Formal Trifle and Lady Ignorance. The poem is a scathing critique of the shallow values and hypocrisy of the upper class, and a celebration of the power of satire to expose the truth. Dryden's wit, humor, and irony make this poem a timeless classic that continues to entertain and enlighten readers today.

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