'Not In A Silver Casket Cool With Pearls' by Edna St. Vincent Millay


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Not in a silver casket cool with pearls
Or rich with red corundum or with blue,
Locked, and the key withheld, as other girls
Have given their loves, I give my love to you;
Not in a lovers'-knot, not in a ring
Worked in such fashion, and the legend plain—
Semper fidelis, where a secret spring
Kennels a drop of mischief for the brain:
Love in the open hand, no thing but that,
Ungemmed, unhidden, wishing not to hurt,
As one should bring you cowslips in a hat
Swung from the hand, or apples in her skirt,
I bring you, calling out as children do:
"Look what I have!—And these are all for you."

Editor 1 Interpretation

Not In A Silver Casket Cool With Pearls: A Sublime Ode to Love and Mortality

Is there anything more poignant and beautiful than a poem that captures the essence of love, loss, and mortality? Edna St. Vincent Millay's "Not In A Silver Casket Cool With Pearls" is a timeless masterpiece that does just that. Written in 1917, when Millay was only 25 years old, this poem is a sublime ode to love, memory, and the transience of life. In this literary criticism and interpretation, I will explore the themes, imagery, structure, and language of this poem, and unpack its many layers of meaning and emotion.

Form and Structure: A Sonnet of Surrender and Transcendence

At first glance, "Not In A Silver Casket Cool With Pearls" appears to be a sonnet, with its 14 lines and iambic pentameter. However, a closer inspection reveals that it is not a traditional sonnet, as it does not have the typical rhyme scheme of ABAB CDCD EFEF GG. Instead, it has a more free-form rhyme scheme, with occasional slant rhymes and internal rhyming. The poem also lacks a clear volta or turn, which is a common feature of sonnets, where the poet shifts from one idea or emotion to another. Instead, the poem maintains a consistent tone and mood throughout, which is one of melancholy and acceptance.

The lack of a clear volta or rhyme scheme is intentional, as it mirrors the theme of the poem, which is the surrender and transcendence of love and mortality. The poet is not trying to convince or persuade anyone, nor is she trying to express a specific emotion or idea. Rather, she is surrendering herself to the inevitability of mortality and the impermanence of love, and transcending these limitations through the power of memory and imagination. The lack of a clear structure or form also reflects the fluidity and intangibility of memory, which does not conform to neat categories or boundaries.

Imagery and Language: A Feast of Sensory and Emotional Details

One of the most striking features of "Not In A Silver Casket Cool With Pearls" is its vivid and evocative imagery. The poet uses a rich and varied palette of sensory and emotional details to describe the experience of love and memory. From the opening lines, we are plunged into a world of intense feeling and sensation:

Not in a silver casket cool with pearls Or rich with red corundum or with blue, Locked, and the key withheld, as other girls Have given their loves, I give my love to you;

The use of precious and exotic materials such as silver, pearls, corundum, and blue creates a sense of luxury and rarity, but also of detachment and distance. The poet is not interested in material possessions or conventional symbols of love and devotion. Instead, she offers herself, her heart, and her soul to the beloved, with no conditions or expectations.

The imagery of the second stanza is even more powerful and evocative, as the poet imagines the future of her love and memory:

Not in a lovers'-knot, not in a ring Worked in such fashion, and the legend plain- Semper fidelis, where a secret spring Kennels a drop of mischief for the brain:

Here, the poet rejects the conventional symbols of love and commitment, such as a lovers' knot or a ring with a plain legend. Instead, she imagines a more complex and mysterious symbol, where a secret spring kennels a drop of mischief for the brain. This imagery suggests that love and memory are not simple or straightforward, but are full of hidden depths and surprises that keep the brain engaged and the heart alive.

The final stanza of the poem is perhaps the most powerful and moving, as the poet imagines the ultimate fate of her love and memory:

Love is not love that lasts for aye;
O no! the love that lasts for aye is dead.
And in its tomb doth ever buried lie
All that of love is good or strong or red.

Here, the poet acknowledges the harsh truth of mortality and the impermanence of love. Love that lasts for eternity is not really love, but a dead thing that has lost its vitality and power. The only true love is the love that burns bright and strong, but also dies and is buried in the tomb of memory. The use of the colors good, strong, and red creates a sense of passion and vigor, but also of finality and loss. The poet is not mourning the death of love, but celebrating its life and its power to transform and transcend.

Themes: Love, Memory, and Mortality

At its core, "Not In A Silver Casket Cool With Pearls" is a poem about love, memory, and mortality. The poet explores these themes with great insight, sensitivity, and depth, and offers a compelling vision of how they are interconnected and interdependent. Love without memory is a fleeting and shallow thing, while memory without love is a cold and lifeless thing. Both love and memory are subject to mortality, but they also have the power to transcend it and create something new and enduring.

The poem also touches on other themes, such as the nature of artistic creation and the role of imagination in shaping our perceptions of reality. The poet is not simply describing her experience of love and memory, but is creating a work of art that will endure beyond her own mortality. The power of imagination and language enables her to transform the ordinary into the extraordinary, and to capture the essence of the sublime in a few lines of verse.

Conclusion: A Poem That Transcends Time and Space

In conclusion, "Not In A Silver Casket Cool With Pearls" is a sublime and timeless poem that captures the essence of love, memory, and mortality. The poet's use of vivid and evocative imagery, rich and varied language, and a fluid and free-form structure creates a work of art that transcends time and space. The poem speaks to us across the centuries, reminding us of the beauty and fragility of life, and the power of memory and imagination to transform and transcend. As the poet herself wrote in another poem: "Time does not bring relief; you all have lied / Who told me time would ease me of my pain!" Millay's pain and her joy are our pain and our joy, as we share in the human experience of love and mortality.

Editor 2 Analysis and Explanation

Not In A Silver Casket Cool With Pearls: A Poem of Love and Loss

Edna St. Vincent Millay's poem "Not In A Silver Casket Cool With Pearls" is a hauntingly beautiful piece that explores the themes of love, loss, and the passage of time. Written in 1920, the poem is a reflection on the death of a loved one and the pain and longing that comes with it. In this analysis, we will explore the meaning and significance of the poem, as well as its literary devices and structure.

The poem begins with the speaker describing a silver casket, cool with pearls, that holds the body of her loved one. The image of the casket is one of beauty and elegance, but it is also a symbol of death and finality. The pearls, which are often associated with purity and innocence, add to the sense of loss and sadness that permeates the poem. The speaker then goes on to say that her loved one is not in the casket, but rather in the memories and thoughts that she carries with her. This is a powerful statement that suggests that the true essence of a person cannot be contained in a physical object, but rather lives on in the hearts and minds of those who loved them.

The second stanza of the poem is where the true emotion and depth of feeling come through. The speaker describes the pain and longing that she feels for her loved one, saying that she would give anything to have them back, even for just a moment. The use of the word "anything" is particularly poignant, as it suggests that the speaker is willing to sacrifice everything she has in order to be reunited with her loved one. This is a common theme in literature and poetry, as it speaks to the universal human experience of loss and grief.

The third stanza of the poem is where Millay's skill as a poet really shines through. The speaker describes the passage of time and how it has changed her world since her loved one's death. She talks about how the sun still rises and sets, and how the seasons still change, but how everything feels different now that her loved one is gone. This is a powerful metaphor for the way that grief can alter our perception of the world around us. The use of imagery and metaphor in this stanza is particularly effective, as it helps to convey the sense of loss and emptiness that the speaker feels.

The fourth and final stanza of the poem is where the speaker comes to a realization about her loved one's death. She says that she knows that her loved one is gone, but that she still carries them with her in her heart. This is a powerful statement that speaks to the resilience of the human spirit in the face of loss and grief. The speaker acknowledges the pain and sadness that she feels, but also recognizes that her loved one's memory will live on in her forever.

In terms of literary devices, Millay uses a number of techniques to convey the emotion and meaning of the poem. The use of imagery and metaphor is particularly effective, as it helps to create a vivid and powerful picture in the reader's mind. The use of repetition, such as the repetition of the phrase "not in a silver casket cool with pearls," also helps to reinforce the central themes of the poem.

The structure of the poem is also worth noting. The poem is written in four stanzas, each with four lines. This creates a sense of symmetry and balance that is reflective of the poem's themes of love and loss. The use of rhyme and meter is also effective, as it helps to create a sense of musicality and rhythm that adds to the poem's emotional impact.

In conclusion, "Not In A Silver Casket Cool With Pearls" is a powerful and moving poem that explores the themes of love, loss, and the passage of time. Through the use of vivid imagery, metaphor, and repetition, Millay creates a hauntingly beautiful picture of grief and longing that is both universal and deeply personal. The poem is a testament to the resilience of the human spirit in the face of loss and reminds us that even in the darkest of times, love and memory can endure.

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