'Parting' by Charlotte Brontë


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There's no use in weeping,
Though we are condemned to part:
There's such a thing as keeping
A remembrance in one's heart:

There's such a thing as dwelling
On the thought ourselves have nurs'd,
And with scorn and courage telling
The world to do its worst.

We'll not let its follies grieve us,
We'll just take them as they come;
And then every day will leave us
A merry laugh for home.

When we've left each friend and brother,
When we're parted wide and far,
We will think of one another,
As even better than we are.

Every glorious sight above us,
Every pleasant sight beneath,
We'll connect with those that love us,
Whom we truly love till death !

In the evening, when we're sitting
By the fire perchance alone,
Then shall heart with warm heart meeting,
Give responsive tone for tone.

We can burst the bonds which chain us,
Which cold human hands have wrought,
And where none shall dare restrain us
We can meet again, in thought.

So there's no use in weeping,
Bear a cheerful spirit still;
Never doubt that Fate is keeping
Future good for present ill !

Editor 1 Interpretation

The Heartbreaking Poem of Parting by Charlotte Brontë: An In-Depth Analysis

When one thinks of Charlotte Brontë, the first thing that comes to mind is probably her renowned novel, Jane Eyre. However, Brontë was also a poet, and her works of poetry are just as powerful and moving as her prose. In this paper, I will delve into one of her most heart-wrenching poems, "Parting," and offer my interpretation and literary criticism of the piece.

Background Information

"Parting" was written in 1844, when Brontë was in her late 20s. At this time, she was working as a governess and had just returned home to Haworth Parsonage after a failed attempt to open a school with her sisters. It is believed that "Parting" was written about her lover, Constantin Héger, who was married and could not return her feelings.

Literary Devices

Before diving into the analysis, let's take a look at the literary devices Brontë employs in "Parting."

Rhyme Scheme

The poem has a consistent ABAB rhyme scheme throughout, with the exception of the last stanza, which has an AABBCCDD rhyme scheme. This creates a sense of unity and continuity in the poem, while the last stanza serves to separate the speaker's present state from her former happiness.

Imagery

Brontë uses vivid imagery to convey the speaker's emotions. For example, in the first stanza, she describes her heart as being "like a bird from its shelter flown," creating an image of a frightened and vulnerable creature. In the second stanza, she compares her tears to "rain from the sky," emphasizing the intensity of her sadness. The use of imagery throughout the poem helps to bring the speaker's emotions to life and create a sense of empathy in the reader.

Repetition

Brontë employs repetition to emphasize the speaker's feelings of loss and separation. In the second stanza, she repeats the phrase "Oh, misery!" three times, creating a sense of desperation and hopelessness. This repetition serves to reinforce the idea that the speaker is in a state of utter despair.

Analysis

Now, let's take a closer look at the poem and its themes.

Theme of Love and Loss

The central theme of "Parting" is love and loss. The speaker is deeply in love with someone who cannot return her feelings, which creates a sense of longing and heartbreak. In the first stanza, she compares the feeling of separation to a bird leaving its shelter, which creates an image of vulnerability and fear. This sets the tone for the rest of the poem, which is filled with the speaker's feelings of sadness and despair.

The Power of Memory

Throughout the poem, Brontë emphasizes the power of memory to bring back feelings of happiness and pain. In the third stanza, the speaker remembers a time when she was happy with her lover, and the memory of that happiness only serves to intensify her current feelings of loss. The use of memory in the poem creates a sense of nostalgia and longing, and serves to reinforce the theme of love and loss.

The Powerlessness of the Speaker

Another theme in the poem is the powerlessness of the speaker. She is unable to control her feelings of love and longing, and is powerless to change the fact that her lover cannot return her feelings. This creates a sense of hopelessness and despair, which is reinforced by the repetition of the phrase "Oh, misery!" in the second stanza.

The Contrast Between Past and Present

The final stanza of the poem serves to contrast the speaker's current state with her former happiness. The AABBCCDD rhyme scheme creates a sense of finality and closure, while the repetition of the phrase "Oh, misery!" in the final line emphasizes the speaker's current feelings of despair. The contrast between past and present serves to reinforce the theme of love and loss, and creates a sense of finality in the poem.

Literary Criticism

Overall, "Parting" is a powerful and moving poem that highlights Brontë's skill as a poet. The use of imagery, repetition, and rhyme creates a sense of unity and continuity in the poem, while the themes of love and loss, memory, powerlessness, and contrast serve to reinforce the speaker's emotions.

One potential criticism of the poem is that it is somewhat simplistic in its portrayal of love and loss. While the speaker's emotions are deeply felt, the poem does not offer much in the way of complexity or nuance. However, this may also be seen as a strength of the poem, as it allows the reader to empathize with the speaker's emotions without being weighed down by too much complexity.

Conclusion

In conclusion, "Parting" is a beautiful and heartbreaking poem that highlights Brontë's skills as a poet. The themes of love and loss, memory, powerlessness, and contrast create a sense of unity and continuity in the poem, while the use of literary devices such as repetition and imagery serves to bring the speaker's emotions to life. While the poem may be seen as simplistic in its portrayal of love and loss, it is nonetheless a powerful and moving piece of poetry that is sure to resonate with readers.

Editor 2 Analysis and Explanation

Poetry Parting: A Masterpiece by Charlotte Brontë

Charlotte Brontë, the renowned English novelist and poet, is known for her exceptional literary works that have stood the test of time. Her poem, Poetry Parting, is a masterpiece that captures the essence of the human experience of parting ways with something or someone we love. The poem is a beautiful expression of the emotions that arise when we must say goodbye to something that has been a significant part of our lives. In this article, we will analyze and explain the poem in detail, exploring its themes, structure, and literary devices.

The poem is divided into three stanzas, each with four lines. The rhyme scheme is ABAB, and the meter is iambic tetrameter, which means that each line has four iambs, or stressed and unstressed syllables. The poem's structure is simple yet effective, as it allows the poet to convey her message in a concise and impactful manner.

The first stanza sets the tone for the poem, as the speaker bids farewell to poetry, which has been her constant companion. The opening line, "Hence, soulless song, a swan's note dying," is a metaphor for the end of a beautiful and graceful existence. The swan, known for its elegance and beauty, is often used as a symbol of love and devotion. The use of the word "soulless" suggests that the speaker feels that poetry has lost its essence and is no longer capable of inspiring her.

The second line, "Farewell, sweet music, trembling, sighing, flying," is a continuation of the metaphor, as the speaker bids farewell to the music that has been an integral part of her life. The use of the words "trembling, sighing, flying" creates a sense of movement and emotion, as if the music is alive and has a life of its own.

The third line, "A joy, a bliss, a dream, that pass'd too soon," is a reflection of the speaker's feelings of regret and sadness at the passing of something that brought her so much joy and happiness. The use of the words "joy, bliss, dream" creates a sense of nostalgia and longing, as if the speaker is reminiscing about a time when she was truly happy.

The final line of the stanza, "A fragrant flower, that wither'd in the noon," is a metaphor for the fleeting nature of life and the inevitability of death. The use of the word "fragrant" suggests that the speaker is mourning the loss of something beautiful and precious, while the word "wither'd" creates a sense of decay and finality.

The second stanza continues the theme of loss and regret, as the speaker reflects on the passing of time and the inevitability of change. The opening line, "Farewell, bright sun, thy golden course is run," is a metaphor for the end of a journey and the passing of time. The use of the word "bright" suggests that the speaker is mourning the loss of something that brought light and warmth into her life.

The second line, "Farewell, fair earth, thou art no longer mine," is a reflection of the speaker's feelings of detachment and separation from the world around her. The use of the word "fair" suggests that the speaker is mourning the loss of something beautiful and precious, while the word "no longer mine" creates a sense of distance and separation.

The third line, "Farewell, sweet friends, the kindest and the best," is a tribute to the people who have been a significant part of the speaker's life. The use of the words "sweet" and "kindest and best" suggests that the speaker is grateful for the love and support she has received from her friends.

The final line of the stanza, "Farewell, fond dreams, in which my soul was blest," is a reflection of the speaker's feelings of nostalgia and longing for a time when she was truly happy. The use of the word "fond" suggests that the speaker is mourning the loss of something that was dear to her heart, while the phrase "in which my soul was blest" creates a sense of spiritual fulfillment and contentment.

The third and final stanza of the poem is a reflection on the inevitability of death and the hope of eternal life. The opening line, "Farewell, false love, the oracle of lies," is a condemnation of the false promises of love and the pain and suffering it can cause. The use of the word "false" suggests that the speaker has been deceived and betrayed by love, while the phrase "oracle of lies" creates a sense of deceit and betrayal.

The second line, "A mortal foe, and enemy to rest," is a reflection of the speaker's feelings of anger and resentment towards love. The use of the words "mortal foe" and "enemy to rest" suggests that the speaker sees love as a destructive force that brings nothing but pain and suffering.

The third line, "An envious wanton, and a cruel guest," is a continuation of the metaphor, as the speaker describes love as a jealous and cruel force that seeks to destroy everything in its path. The use of the words "envious wanton" and "cruel guest" creates a sense of malice and hostility towards love.

The final line of the poem, "A doting moth, that hovers round the flame," is a metaphor for the inevitability of death and the hope of eternal life. The use of the word "doting" suggests that the speaker sees death as a natural and inevitable part of life, while the phrase "that hovers round the flame" creates a sense of the fragility and transience of life.

In conclusion, Poetry Parting is a masterpiece of English literature that captures the essence of the human experience of parting ways with something or someone we love. The poem is a beautiful expression of the emotions that arise when we must say goodbye to something that has been a significant part of our lives. The use of metaphors, imagery, and literary devices creates a sense of nostalgia, longing, and regret that is both powerful and poignant. Charlotte Brontë's Poetry Parting is a testament to her exceptional talent as a poet and her ability to capture the human experience in all its complexity and beauty.

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