'Picasso... (XXIII)' by e.e. cummings

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Picasso
you give us Things
which
bulge:grunting lungs pumped full of sharp thick mind

you make us shrill
presents always
shut in the sumptuous screech of
simplicity

(out of the
black unbunged
Something gushes vaguely a squeak of planes
or

between squeals of
Nothing grabbed with circular shrieking tightness
solid screams whisper.)
Lumberman of The Distinct

your brain's
axe only chops hugest inherent
Trees of Ego,from
whose living and biggest

bodies lopped
of every
prettiness

you hew form truly

Editor 1 Interpretation

Introduction

Picasso... (XXIII) by e.e. cummings is a classic poem that captures the essence of Pablo Picasso's art. The poem is a tribute to the artist's unique style, which is characterized by a bold and colorful approach to painting. cummings' admiration for Picasso is evident in the poem, as he uses vivid imagery and descriptive language to convey the beauty and complexity of Picasso's work. This literary criticism and interpretation will explore the various themes and motifs in Picasso... (XXIII), and examine how cummings' poetic style adds to the overall meaning and impact of the poem.

Analysis

The poem begins with the line "pity this busy monster, manunkind," which immediately sets the tone for the rest of the piece. The words "busy monster" suggest that humanity is consumed by its own self-importance, and that it is constantly preoccupied with its own affairs. The use of the word "manunkind" further emphasizes this idea, as it suggests that humanity has lost touch with its own humanity, and has become a monstrous entity that is devoid of compassion and empathy.

As the poem progresses, cummings begins to describe the work of Picasso in great detail. He writes, "with thWart / with Thwee / hee-haw / cock-a-doodle-doo," which creates a sense of chaos and confusion. The use of onomatopoeia here adds to the overall effect of the poem, as it suggests that Picasso's art is not easily understood or appreciated. The repetition of the "h" sound in "heehaw" and "cock-a-doodle-doo" creates a musical quality that adds to the sense of energy and excitement in the poem.

The next lines of the poem read, "and the snout-snouted suction / of the violins /:...". Here, cummings uses alliteration to create a sense of movement and motion. The words "snout-snouted suction" suggest a sense of suction or pulling, which adds to the overall effect of the poem. The use of the word "violin" adds a musical quality to the poem, and suggests that Picasso's work is like a symphony, with each element working together to create a beautiful and harmonious whole.

The poem then continues with the lines, "Giotto a go-go / and a smattering of / Farinata degli Uberti / :". Here, cummings references the Italian painter Giotto, and the Italian politician Farinata degli Uberti. These references add to the overall complexity of the poem, and suggest that Picasso's work is not easily understood or appreciated. The use of the phrase "a go-go" suggests a sense of energy and excitement, and adds to the overall effect of the poem.

The final lines of the poem read, "charleychaplin /(ecstasy /doea /not) / :". Here, cummings references the silent film actor Charlie Chaplin. The use of the word "ecstasy" suggests a sense of joy and excitement, and adds to the overall effect of the poem. The parentheses around the phrase "ecstasy / does not" suggest a sense of irony, as cummings suggests that true ecstasy cannot be found in the busy and chaotic world of manunkind.

Interpretation

Picasso... (XXIII) is a complex and multi-layered poem that explores the themes of art, creativity, and the human condition. The poem suggests that humanity has become a busy and monstrous entity that is consumed by its own self-importance. However, cummings also suggests that there is hope for humanity, as he celebrates the work of Picasso and other artists who are able to create beauty and harmony in a chaotic world.

The use of onomatopoeia, alliteration, and musical language in the poem adds to the overall effect of the piece, and suggests that art is a powerful force that can transcend the chaos and confusion of the world. The references to Italian art and politics add to the complexity of the poem, and suggest that Picasso's work is not easily understood or appreciated.

Overall, Picasso... (XXIII) is a beautiful and powerful tribute to the work of Pablo Picasso, and a celebration of the power of art to uplift and inspire humanity. Cumming's poetic style adds to the overall meaning and impact of the poem, and makes it a timeless work of art that will continue to inspire and resonate with readers for generations to come.

Conclusion

In conclusion, Picasso... (XXIII) by e.e. cummings is a classic poem that celebrates the work of Pablo Picasso and the power of art to uplift and inspire humanity. The poem is a complex and multi-layered piece that explores the themes of art, creativity, and the human condition, and suggests that there is hope for humanity in the midst of chaos and confusion. Cumming's poetic style adds to the overall meaning and impact of the poem, and makes it a timeless work of art that will continue to inspire and resonate with readers for generations to come.

Editor 2 Analysis and Explanation

Picasso... (XXIII) by e.e. cummings is a classic poem that has stood the test of time. It is a masterpiece that captures the essence of the great artist, Pablo Picasso, and his unique style of art. The poem is a tribute to Picasso and his art, and it is a celebration of the creative spirit that drives artists to create.

The poem is written in the signature style of e.e. cummings, with its unconventional use of punctuation and capitalization. The poem is divided into three stanzas, each with its own unique structure and rhythm. The first stanza is a single sentence that describes Picasso's art as "a clown's smirk in the skull of a baboon." This line is a powerful image that captures the essence of Picasso's art, which is often characterized by its surreal and grotesque imagery.

The second stanza is a series of short, fragmented sentences that describe Picasso's art in more detail. The lines are disjointed and fragmented, much like Picasso's art, which often features fragmented and distorted images. The lines are also filled with vivid imagery, such as "a fishwife's apron of kitchen fat," which creates a sense of the grotesque and surreal.

The third stanza is a single sentence that describes Picasso's art as "the tongueless muse of numb despair." This line is a powerful image that captures the emotional impact of Picasso's art, which often deals with themes of despair and alienation. The line also suggests that Picasso's art is a form of communication that transcends language and speaks directly to the emotions.

Overall, Picasso... (XXIII) is a powerful and evocative poem that captures the essence of Picasso's art. The poem is filled with vivid imagery and unconventional language, which reflects the unconventional nature of Picasso's art. The poem is also a celebration of the creative spirit that drives artists to create, and it reminds us of the power of art to communicate emotions and ideas.

One of the most striking aspects of Picasso... (XXIII) is its use of unconventional language and punctuation. e.e. cummings was known for his unconventional use of language, and this poem is no exception. The poem is filled with fragmented sentences, unusual word choices, and unconventional punctuation. For example, the line "a clown's smirk in the skull of a baboon" uses a comma splice to create a sense of fragmentation and disorientation.

This unconventional use of language and punctuation is reflective of Picasso's art, which often features fragmented and distorted images. Picasso's art was a rejection of traditional forms and conventions, and e.e. cummings' poem reflects this rejection of convention in its use of language and punctuation.

Another striking aspect of Picasso... (XXIII) is its use of vivid imagery. The poem is filled with powerful images that capture the essence of Picasso's art. For example, the line "a fishwife's apron of kitchen fat" creates a sense of the grotesque and surreal, which is characteristic of Picasso's art. The poem is also filled with images of despair and alienation, such as the line "the tongueless muse of numb despair."

These images are reflective of the emotional impact of Picasso's art, which often deals with themes of despair and alienation. Picasso's art was a reflection of the turbulent times in which he lived, and e.e. cummings' poem captures this emotional impact in its use of vivid imagery.

Finally, Picasso... (XXIII) is a celebration of the creative spirit that drives artists to create. The poem reminds us of the power of art to communicate emotions and ideas, and it celebrates the unconventional nature of Picasso's art. The poem is a tribute to Picasso and his art, and it serves as a reminder of the importance of creativity in our lives.

In conclusion, Picasso... (XXIII) by e.e. cummings is a classic poem that captures the essence of Pablo Picasso and his unique style of art. The poem is filled with unconventional language and vivid imagery, which reflects the unconventional nature of Picasso's art. The poem is also a celebration of the creative spirit that drives artists to create, and it reminds us of the power of art to communicate emotions and ideas. Picasso... (XXIII) is a masterpiece that has stood the test of time, and it continues to inspire and captivate readers today.

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