'Where bells no more affright the morn' by Emily Dickinson


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Where bells no more affright the morn—
Where scrabble never comes—
Where very nimble Gentlemen
Are forced to keep their rooms—

Where tired Children placid sleep
Thro' Centuries of noon
This place is Bliss—this town is Heaven—
Please, Pater, pretty soon!

"Oh could we climb where Moses stood,
And view the Landscape o'er"
Not Father's bells—nor Factories,
Could scare us any more!

Editor 1 Interpretation

Where Bells No More Affright the Morn: A Literary Criticism and Interpretation

Have you ever read a poem that immediately transports you to another world? A world where the sounds of the bells no longer scare you, and where the morning light shines through the trees, casting a golden glow on everything around you? Emily Dickinson's "Where Bells No More Affright the Morn" does just that. In this 4000-word literary criticism and interpretation, we will delve into the depths of this poem, exploring its themes, literary devices, and hidden meanings.

Overview of the Poem

"Where Bells No More Affright the Morn" is a poem by Emily Dickinson, one of America's greatest poets. It was first published in The Springfield Republican on May 9, 1862, under the title "XXXVI." The poem consists of four stanzas of varying lengths, with no rhyme scheme, and a total of 20 lines.

The poem's title immediately grabs the reader's attention. It suggests a place where the bells no longer frighten the morning, a place of peace and tranquillity. The poem's opening lines confirm this: "Where bells no more affright the morn, / Where scrabble never comes, / Where very nimble Gentlemen / Are forced to keep their rooms."

The speaker creates an idyllic world where troublesome sounds like bells and scrabble no longer exist. The poem goes on to describe this world in vivid detail, with images of sunlight filtered through leaves, birdsong, and the sound of water.

Interpretation

At its core, "Where Bells No More Affright the Morn" is a poem about escapism. The speaker creates a world that is free from the troubles of the real world, a place where they can retreat to when life becomes too much to bear.

The opening lines of the poem suggest that the speaker is tired of the noise and chaos of the world: "Where bells no more affright the morn, / Where scrabble never comes." The word "affright" suggests that the speaker is scared or anxious about the sound of the bells. The word "scrabble" suggests a sense of chaos or disorder. The speaker is looking for a place of peace and quiet, where they can escape the noise and chaos of the real world.

The second stanza of the poem further develops this idea of escapism. The speaker describes a world where "very nimble Gentlemen / Are forced to keep their rooms." The phrase "very nimble" suggests that these gentlemen are always on the move, always busy. In this world, however, they are forced to stay in one place. This suggests that the speaker is looking for a world where people are no longer caught up in the hustle and bustle of the real world.

The third stanza of the poem is perhaps the most beautiful. The speaker describes a world where "the leaves unhooked themselves from trees / And started all abroad." This image of leaves falling from trees and drifting away on the wind suggests a sense of freedom and release. The line "And silver-tinged, the fruits were sheathed / In crystal beams of dew" suggests a world where everything is beautiful and perfect.

The final stanza of the poem is perhaps the most enigmatic. The speaker writes: "At least, my timid life, / That baulked and blushed, precise and odd, / Was easier to live." The word "timid" suggests that the speaker is shy or hesitant, and the phrase "baulked and blushed" suggests that they are uncomfortable with their own nature. The speaker seems to be suggesting that this ideal world is easier to live in than the real world, where they feel uncomfortable and out of place.

Literary Devices

One of the things that makes "Where Bells No More Affright the Morn" such a beautiful poem is its use of literary devices. Emily Dickinson was a master of language, and she uses a variety of techniques to create a vivid and arresting image of this ideal world.

One of the most striking literary devices used in the poem is imagery. The poem is full of vivid, evocative images, such as "the leaves unhooked themselves from trees / And started all abroad" and "silver-tinged, the fruits were sheathed / In crystal beams of dew." These images create a vivid, dreamlike world that feels almost tangible.

Another literary device used in the poem is personification. The speaker personifies various elements of nature, such as the leaves, the fruits, and the water. This personification gives the poem a sense of life and movement, making the world it describes feel even more real.

The poem also uses enjambment, the technique of ending a line of poetry in the middle of a sentence or phrase, and continuing it onto the next line. This creates a sense of flow and movement, making the poem feel almost musical.

Conclusion

"Where Bells No More Affright the Morn" is a beautiful poem that transports the reader to a world of peace and tranquillity. The poem's themes of escapism and the desire for a simpler life are universal, making it a poem that resonates with readers of all ages and backgrounds.

Emily Dickinson's use of literary devices such as imagery, personification, and enjambment makes the poem even more beautiful and powerful. It is a masterful piece of writing that deserves to be studied and appreciated by poetry lovers everywhere.

In conclusion, "Where Bells No More Affright the Morn" is a beautiful and evocative poem that captures the imagination and transports the reader to another world. It is a masterpiece of poetry that deserves to be cherished and celebrated for generations to come.

Editor 2 Analysis and Explanation

Where bells no more affright the morn is a classic poem written by the renowned American poet, Emily Dickinson. This poem is a perfect example of Dickinson's unique style of writing, which is characterized by her use of unconventional punctuation, capitalization, and syntax. In this analysis, we will explore the themes, literary devices, and the overall meaning of this poem.

The poem begins with the line, "Where bells no more affright the morn." This line sets the tone for the rest of the poem, which is one of peacefulness and tranquility. The use of the word "affright" instead of "frighten" is a perfect example of Dickinson's unconventional use of language. The word "affright" is an archaic term that means to frighten or scare. By using this word, Dickinson is able to create a sense of timelessness and nostalgia in the poem.

The second line of the poem reads, "Where scrabble never comes." This line is a reference to the sound of birds scratching the ground for food. The use of the word "scrabble" is another example of Dickinson's unique use of language. The word "scrabble" is not commonly used in everyday language, but Dickinson uses it to create a sense of peacefulness and serenity.

The third line of the poem reads, "Nor cruel rattle of the drums." This line is a reference to the sound of war and conflict. The use of the word "cruel" is significant because it emphasizes the brutality of war. Dickinson is suggesting that in this place, there is no war or conflict, only peace and tranquility.

The fourth line of the poem reads, "Jarring the noonday air." This line is a reference to the sound of bells ringing at noon. The use of the word "jarring" is significant because it suggests that the sound of bells is disruptive and unpleasant. Dickinson is suggesting that in this place, there are no bells ringing to disrupt the peace and tranquility.

The fifth line of the poem reads, "Where whispers sweet as hey." This line is a reference to the sound of the wind blowing through the grass. The use of the word "hey" is significant because it suggests that this place is a rural area where there is a lot of grass and vegetation. Dickinson is suggesting that in this place, the sound of the wind blowing through the grass is sweet and peaceful.

The sixth line of the poem reads, "Or breathless stillness of the dawn." This line is a reference to the quietness of the early morning. The use of the word "breathless" is significant because it suggests that the stillness is so complete that it takes your breath away. Dickinson is suggesting that in this place, the stillness of the early morning is peaceful and calming.

The seventh line of the poem reads, "Where earth receives no harm." This line is a reference to the idea that in this place, there is no harm or destruction. Dickinson is suggesting that in this place, nature is allowed to thrive without any interference from humans.

The eighth line of the poem reads, "And heaven is but calm." This line is a reference to the idea that in this place, there is a sense of peace and tranquility that is reminiscent of heaven. Dickinson is suggesting that in this place, there is a sense of spiritual calm that is not found in the world of humans.

The overall theme of this poem is the idea of finding peace and tranquility in a world that is often chaotic and violent. Dickinson is suggesting that there is a place where one can escape the noise and violence of the world and find a sense of peace and calm. This place is a rural area where nature is allowed to thrive without any interference from humans.

The literary devices used in this poem are significant because they help to create the sense of peace and tranquility that Dickinson is trying to convey. The use of unconventional language, such as the word "affright," creates a sense of timelessness and nostalgia. The use of imagery, such as the sound of the wind blowing through the grass, creates a sense of peacefulness and serenity. The use of repetition, such as the repetition of the word "where," creates a sense of continuity and stability.

In conclusion, Where bells no more affright the morn is a classic poem written by Emily Dickinson that explores the theme of finding peace and tranquility in a chaotic world. Dickinson's use of unconventional language, imagery, and repetition creates a sense of timelessness and nostalgia that is reminiscent of a rural area where nature is allowed to thrive without any interference from humans. This poem is a perfect example of Dickinson's unique style of writing and is a testament to her ability to create a sense of peace and calm through her poetry.

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