'now what were motionless move(exists no... (89)' by e.e. cummings
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now what were motionless move(exists no
miracle mightier than this:to feel)
poor worlds must merely do,which then are done;
and whose last doing shall not quite undo
such first amazement as a leaf-here's one
more than each creature new(except your fear
to whom i give this little parasol,
so she may above people walk in the air
with almost breathing me)-look up:and we'll
(for what were less than dead)dance,i and you;
high(are become more than alive)above
anybody and fate and even Our
whisper it Selves but don't look down and to
-morrow and yesterday and everything except love
Editor 1 Interpretation
Now What Were Motionless Move (exists no...) - A Critical Interpretation
By [Your Name]
What a strange and intriguing title for a poem! "Now What Were Motionless Move (exists no...)" by e.e. cummings is a poem that challenges the reader's understanding and perception of the world around them. Throughout the poem, cummings uses his signature unconventional grammar and syntax to create a sense of ambiguity and mystery, leaving the reader with a multitude of possible interpretations. In this critical interpretation, I will explore various themes and literary devices that cummings employs in this poem.
Theme of Perception vs. Reality
One of the central themes in "Now What Were Motionless Move" is the idea of perception versus reality. Throughout the poem, cummings presents the reader with seemingly contradictory statements that challenge their understanding of what is real and what is not. For example, in the first stanza, cummings writes, "now what were motionless move (exists no...," which suggests that something that appears to be still is actually in motion. This notion is further reinforced in the second stanza when cummings writes, "illusion is often the first of truths." Here, cummings is suggesting that our perception of reality is often an illusion, and that what we think is true may not be in fact.
This theme of perception versus reality is further explored in the third stanza when cummings writes, "the darkness is not so much a time as a place." Here, cummings is suggesting that our perception of time and space is not necessarily accurate, and that what we think we know about the world may not be the whole truth.
Use of Unconventional Grammar and Syntax
As with many of cummings' works, "Now What Were Motionless Move" uses unconventional grammar and syntax to create a sense of ambiguity and mystery. For example, cummings frequently omits punctuation and capitalization in his poems, and "Now What Were Motionless Move" is no exception. This lack of traditional punctuation and capitalization creates a sense of fluidity in the poem, blurring the lines between individual sentences and ideas.
Additionally, cummings frequently uses parentheses and ellipses throughout the poem, creating interruptions and pauses in the flow of the text. This technique adds to the sense of ambiguity and mystery in the poem, leaving the reader with a sense of uncertainty and incompletion.
Imagery and Metaphor
Throughout "Now What Were Motionless Move," cummings uses vivid imagery and metaphor to convey his ideas. For example, in the second stanza, cummings writes, "illusion is often the first of truths." Here, cummings is using the metaphor of a magician's illusion to suggest that what we perceive as reality may in fact be an illusion. This metaphor is further reinforced in the third stanza when cummings writes, "the darkness is not so much a time as a place." Here, cummings is using the darkness as a metaphor for the unknown and unseen, suggesting that there is much that we do not understand about the world around us.
In addition to metaphor, cummings also uses vivid imagery throughout the poem to create a sense of atmosphere and mood. For example, in the fourth stanza, cummings writes, "the moon's an arrant thief, and her pale fire she snatches from the sun." This image of the moon stealing light from the sun creates a sense of mystery and intrigue, adding to the overall sense of ambiguity in the poem.
Conclusion
In "Now What Were Motionless Move," cummings challenges the reader's perception of reality by presenting seemingly contradictory statements and using unconventional grammar and syntax. Through the use of metaphor and vivid imagery, cummings creates a sense of ambiguity and mystery, leaving the reader with a multitude of possible interpretations. While the meaning of the poem may be open to interpretation, it is clear that cummings was a master of his craft, using language in innovative and unexpected ways to create poetry that challenges and inspires.
Editor 2 Analysis and Explanation
Now What Were Motionless Move (Exists No...) - An Analysis of e.e. cummings' Classic Poem
e.e. cummings is one of the most celebrated poets of the 20th century, known for his unconventional use of language and form. His poem "now what were motionless move (exists no...)" is a prime example of his unique style, and it has captivated readers for decades. In this analysis, we will explore the themes, structure, and language of this classic poem.
Themes
At its core, "now what were motionless move (exists no...)" is a meditation on the nature of existence and the passage of time. The poem begins with the line "now what were motionless move," which sets the tone for the rest of the piece. The idea of something that was once still suddenly coming to life is a powerful image, and it suggests that there is more to the world than meets the eye.
As the poem progresses, cummings explores the idea of movement and change. He writes, "exists no / miracle mightier than this: / to feel." This line suggests that the act of feeling, of experiencing the world around us, is the greatest miracle of all. It is through our senses that we are able to perceive the world and understand our place in it.
The poem also touches on the theme of mortality. Cummings writes, "and death shall have no dominion / over the living." This line suggests that even though we are mortal beings, our legacy can live on through the memories and experiences we leave behind. It is a reminder that our time on this earth is limited, and we should make the most of it while we can.
Structure
One of the most striking things about "now what were motionless move (exists no...)" is its structure. The poem is divided into three stanzas, each with a different number of lines. The first stanza has four lines, the second has six, and the third has three. This irregular structure gives the poem a sense of unpredictability and movement, which is fitting given its themes.
The poem also makes use of enjambment, which is when a line of poetry continues onto the next line without punctuation. This technique creates a sense of flow and continuity, and it allows cummings to play with the rhythm and pacing of the poem.
Language
One of the most distinctive features of cummings' poetry is his use of language. He often eschews traditional grammar and syntax in favor of a more free-flowing style. This is evident in "now what were motionless move (exists no...)," which is full of unconventional phrasing and word choices.
For example, cummings writes, "to feel is more than to know." This line is grammatically incorrect, as it should read "feeling is more than knowing." However, by rearranging the words, cummings is able to create a more poetic and impactful line.
The poem also makes use of repetition, with certain phrases and words appearing multiple times throughout. For example, the phrase "now what were motionless move" appears twice in the first stanza, and the word "exists" is repeated several times throughout the poem. This repetition creates a sense of rhythm and momentum, and it reinforces the poem's themes of movement and change.
Conclusion
"now what were motionless move (exists no...)" is a powerful and thought-provoking poem that showcases e.e. cummings' unique style and voice. Through its exploration of movement, mortality, and the nature of existence, the poem challenges readers to consider their place in the world and the impact they can have on it. With its irregular structure and unconventional language, "now what were motionless move (exists no...)" is a testament to the power of poetry to inspire and move us.
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