'Dirge Without Music' by Edna St. Vincent Millay


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I am not resigned to the shutting away of loving hearts in the hard ground.
So it is, and so it will be, for so it has been, time out of mind:
Into the darkness they go, the wise and the lovely. Crowned
With lilies and with laurel they go; but I am not resigned.

Lovers and thinkers, into the earth with you.
Be one with the dull, the indiscriminate dust.
A fragment of what you felt, of what you knew,
A formula, a phrase remains,—but the best is lost.

The answers quick and keen, the honest look, the laughter, the
love,—
They are gone. They are gone to feed the roses. Elegant and curled
Is the blossom. Fragrant is the blossom. I know. But I do not
approve.
More precious was the light in your eyes than all the roses in the
world.

Down, down, down into the darkness of the grave
Gently they go, the beautiful, the tender, the kind;
Quietly they go, the intelligent, the witty, the brave.
I know. But I do not approve. And I am not resigned.

Editor 1 Interpretation

Dirge Without Music: An Analysis

Are you familiar with the works of Edna St. Vincent Millay? If you are, then you must have come across her poem, Dirge Without Music. This piece has been hailed as one of her best works and has been analyzed by countless scholars and literary critics. In this essay, I will delve into the poem's themes, symbols, and imagery to give you an in-depth analysis of Dirge Without Music.

The Poem

Before we dive into the analysis, it's important to have an overview of the poem. Dirge Without Music is a thirteen-line poem with a consistent rhyme scheme (ABCBDEDEFGFG). It was first published in 1928 in Millay's collection of poems, The Buck In The Snow. The poem is a mournful lamentation of death and the futility of life. Millay uses vivid imagery and powerful symbols to evoke a sense of loss and sorrow.

Here is the poem in its entirety:

I am not resigned to the shutting away of loving hearts in the hard ground.

So it is, and so it will be, for so it has been, time out of mind:

Into the darkness they go, the wise and the lovely. Crowned With lilies and with laurel they go; but I am not resigned.

Lovers and thinkers, into the earth with you.

Be one with the dull, the indiscriminate dust.

A fragment of what you felt, of what you knew,

A formula, a phrase remains, — but the best is lost.

The answers quick and keen, the honest look, the laughter, the love,

They are gone. They are gone to feed the roses. Elegant and curled

Is the blossom. Fragrant is the blossom. I know. But I do not approve.

More precious was the light in your eyes than all the roses in the world.

Down, down, down into the darkness of the grave

Gently they go, the beautiful, the tender, the kind;

Quietly they go, the intelligent, the witty, the brave.

I know. But I do not approve. And I am not resigned.

Themes

The poem's main theme is the inevitability of death and the acceptance or lack thereof. Millay presents death as an uncompromising force that takes away everything that we hold dear. In the poem, death is not a peaceful exit but a cruel snatching away of life. The speaker is not resigned to the fact that her loved ones are gone and that there is nothing that can be done to bring them back.

Another theme of the poem is the futility of life. Millay suggests that despite our best efforts, everything we do ultimately ends in nothingness. We are like dust in the wind, and everything that we hold dear will one day be forgotten. The line, "A formula, a phrase remains,—but the best is lost." is a poignant reminder that we can strive for greatness, but in the end, it won't matter.

Symbols

The symbols used in the poem are powerful tools that reinforce its themes. The "hard ground" is a symbol of death and the finality it brings. The image of our loved ones being shut away in it is a reminder that death is an isolating experience. The "dull, indiscriminate dust" is a symbol of the futility of life. We are all made of the same stuff, and in the end, that's all that will remain.

The lily and laurel crowns are symbols of victory and achievement. They represent the accolades that the deceased have earned in life. However, the speaker is not resigned to the fact that these accolades mean nothing in the end.

The roses, on the other hand, represent beauty and elegance. Millay uses them to contrast with the ugliness of death. The line, "More precious was the light in your eyes than all the roses in the world." is a powerful statement that reinforces the idea that life is more valuable than anything else.

Imagery

Millay uses vivid imagery throughout the poem to create a sense of loss and sorrow. The image of our loved ones being shut away in the hard ground is a powerful one. It evokes a sense of helplessness and isolation. The darkness that they go into is a symbol of the unknown and the fear of death.

The image of the roses is also a powerful one. Millay describes them as elegant and fragrant, contrasting them with the ugliness of death. The image of the light in our loved one's eyes is also a powerful one. It represents the beauty of life and the value of human connection.

Conclusion

Dirge Without Music is a powerful poem that explores the themes of death and the futility of life. Millay's use of symbols and imagery create a sense of loss and sorrow that is hard to shake off. The poem is a poignant reminder that life is fleeting and that we should cherish every moment that we have with our loved ones. It is a tribute to the power of human connection and the beauty of life.

Editor 2 Analysis and Explanation

Dirge Without Music: An Elegy for Life

Edna St. Vincent Millay’s poem, Dirge Without Music, is a hauntingly beautiful elegy that explores the theme of death and the meaning of life. The poem is a reflection on the inevitability of death and the futility of trying to find meaning in a world that is ultimately meaningless. Through her use of vivid imagery, powerful metaphors, and a lyrical style, Millay creates a powerful and moving tribute to the fragility of life.

The poem begins with the line “Lovers and thinkers, into the earth with you,” which sets the tone for the rest of the poem. The use of the word “lovers” suggests that the poem is about more than just death; it is about the loss of love and the pain that comes with it. The word “thinkers” suggests that the poem is also about the loss of knowledge and wisdom, and the impact that this loss has on the world.

The next line, “Be one with the dull, the indiscriminate dust,” is a powerful metaphor that suggests that death is the great equalizer. No matter who we are or what we have accomplished in life, we all end up as dust in the end. This idea is reinforced in the next line, “A fragment of what you felt, of what you knew,” which suggests that even our thoughts and memories are ultimately meaningless in the face of death.

The poem then takes a more personal turn, as Millay reflects on her own mortality. She writes, “Nothing is certain but the certain spring,” which suggests that death is as inevitable as the changing of the seasons. The use of the word “certain” emphasizes the finality of death, and the fact that there is no escaping it.

Millay then goes on to describe the emptiness that comes with death. She writes, “All is forgotten; nothing is remembered,” which suggests that even the most important moments in our lives are ultimately meaningless in the face of death. The use of the word “forgotten” emphasizes the idea that our lives are ultimately forgettable, and that we will be remembered only briefly before we are forgotten forever.

The poem then takes a more hopeful turn, as Millay suggests that there is still beauty to be found in life, even in the face of death. She writes, “The light crept up between the shutters and you / Felt your ankle, and your shoulder, and your head / Pressed under the velvet of the window-seat,” which suggests that even in the darkest moments of our lives, there is still beauty to be found in the world around us.

The poem then ends with the line, “Beauty is not always lovely;” which suggests that even in the face of death, there is still beauty to be found in the world. The use of the word “lovely” emphasizes the idea that beauty is not always easy to find, and that it often requires us to look beyond the surface of things to find it.

In conclusion, Edna St. Vincent Millay’s poem, Dirge Without Music, is a powerful and moving elegy that explores the theme of death and the meaning of life. Through her use of vivid imagery, powerful metaphors, and a lyrical style, Millay creates a powerful and moving tribute to the fragility of life. The poem is a reminder that even in the face of death, there is still beauty to be found in the world, and that our lives are ultimately meaningful, even if they are ultimately forgettable.

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