Salvage Analysis

Guns on the battle lines have pounded now a yearbetween Brussels and Paris.

And, William Morris, when I read your old chapter onthe great arches and naves and little whimsicalcorners of the Churches of Northern France--Brr-rr!

I'm glad you're a dead man, William Morris, I'm gladyou're down in the damp and mouldy, only a memoryinstead of a living man--I'm glad you're gone.

You never lied to us, William Morris, you loved theshape of those stones piled and carved for you todream over and wonder because workmen got joyof life into them,

Workmen in aprons singing while they hammered, andpraying, and putting their songs and prayers intothe walls and roofs, the bastions and cornerstonesand gargoyles--all their children and kisses ofwomen and wheat and roses growing.

I say, William Morris, I'm glad you're gone, I'm gladyou're a dead man.

Guns on the battle lines have pounded a year now betweenBrussels and Paris.

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