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    dots Submission Name: Illness of the Flowersdots

    Author: Mandolin
    ASL Info:    10/15/89
    Elite Ratio:    5.4 - 131/145/85
    Words: 560
    Class/Type: Poetry/Longing
    Total Views: 1088
    Average Vote:    No vote yet.
    Bytes: 3906

       Oh, what an illness, how people play at terrible tragedies - if the tragedy is not their own................................a game of death. It kills me.

    Make the font bigger!! Double Spacing Back to recent posts.

    dotsIllness of the Flowersdots

    ‘Illness of the Flowers’

    Some people are parceled passengers;
    some are merely speaking mouths,
    but others are nearly only ears and earwigs:
    the gaping lid of the inner man;
    some are rattling and cheerfully bent boats,
    some people are visages or only made of their vices,
    and some people’s company is like a great voyage.
    There are people who have wasted the most beautiful things
    to make terrible tragedies.

    Who was the most joyful girl,
    who was the little girl who gave flowers funerals?
    Is that not lovely also?
    So many want a beautiful and deathly sweet sadness,
    neglecting the lovelier thing, sincere happiness.
    Oh, and did their pain truly hurt, just somewhere, in the heart?
    O, Pretense! They dream of heartache.

    Oh, the heart. O, Heart! O, Hearken!
    Listen, O, sad things,
    sorrowful stories will be smoothed over,
    smoothed over like wrinkles in the bed sheets,
    smoothed over like the old weeping shrouds, wet wrappings.
    Storytellers will run their hands over these things,
    holding their hands and inky pens like doves,
    like little dear doves,
    who will coo and feed
    on heartache.

    Never was there, truly, forever flames,
    the honor existing only in their names.
    Nothing can be found within the aching ashes,
    not one thing is said aloud in the aching embers,
    real sorrow is no leader,
    leaves no room for making itself beautiful,
    for making itself an epic,
    a tragedy,
    a sad story another will cling to.
    Bones of a dear one are not beautiful.

    People who do not have true cause for grieving are like children,
    who play pretend,
    but one must then look in the eye of the new creature:
    shattered shock, delight then disappointment,
    bewilderment, baby-eyes are a blue well of disappointed emptiness
    and shattered trust;
    so, people fill themselves with another's pain.

    Some people can imagine and find comfort in the hurt,
    because if it is not their grief,
    they feel it someplace faraway and pleasing;
    it is not their life and love turned soiled and flooded and drunk,
    they only get to taste a flavor,
    not a poison.
    It fills them,
    a nectar devouring hearts and lives;
    pretending it's better than nothing at all.

    Until one is part of the show,
    it is all entertainment,
    no matter how sick or sickening.
    Throbbing symphonies, sobbing orchestras,
    all aloud and marching through,
    parades of tears go breaking,
    creating chaos.

    Adoring crowds of heartbeats,
    of breaths,
    of pulses.

    Marching and stomping upon threads,
    upon fractured feeling,
    upon visions;
    crashing down and pulling down
    happy flags and cleaning rags upon funeral grounds;
    seeping moss on marker stones.

    O, people, think on it all so deeply,
    weakly enjoy it, because it’s not your terrible own.
    Grip and groan, and fall after and along,
    running past the happiest of days,
    seeking out weighty truth and sorrow,
    which hurts less than your own;
    the lusting heart happily goes on lusting:
    for sadness, for fullness, for a mockery of life.

    O, mortal heart, thrust into the throes,
    gaudy lust for pain, for misery,
    O, people, you knows not what the heart sincerely desires,
    you mistake pain and misery for greatness,
    the mendacious luster tripping an unhappy people all along.
    O, sad people, who die inside to fill that emptiness,
    the emptiness where life’s joy belongs.

    Submitted on 2007-07-08 10:12:30     Terms of Service / Copyright Rules
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    ||| Comments |||
      You know, this is really too good for me to say anything worthwhile, critique-wise. Did you spend a lot of time revising and editing it, or was it just a brilliant stroke of genius on your part?

    There are people who have wasted the most beautiful things,
    to make terrible tragedies.

    You write these huge, all-encompassing ideas that it takes other people lifetimes to realize. And you just oh so casually slip the concept into your writing. I sometimes worry that I am one of those people, making tragedies out of things I should be celebrating. Or ignoring what I could be celebrating; choosing things to mourn instead.

    Storytellers will run their hands over these things,
    holding their hands and inky pens like doves,
    like little dear doves,
    who will coo and feed
    on heartache.

    At first, when I read this, I read it as a juxtaposition. Sorrows and doves. But I realized it's not so much, is it? There are mourning doves that coo outside my window every morning, and while it will not usually make me sad (except on the very worst of days), there is a resonance within me that I did not expect. Also, doves are simply whitewashed pigeons. Makes for an interesting five minutes of though, doesn't it?

    I have an emptiness where joy belongs.

    But I also like to think I am more joyful than most.

    Thank you, for thoughtful, insightful, well written poetry.
    | Posted on 2007-07-08 00:00:00 | by freeradical | [ Reply to This ]
      I think this is a much stronger piece than the last one I read. I question your prepositional use a lot in the first half of the piece where you lose the reader on slightly abused wording, but for the most part the imagery is great. Sometimes I feel that you're being a little too clever "weeping wrappings" and such, but perhaps we all fall victim to obscene cleverness at times in our writing.

    The beginning when you say people are "only" or "merely" seems a bit reductionistic in thought as while people are these things, even the writers and thinkers are "only's" and "merely's" as well, and so it seems that you come down a little too hard on that.

    But that really is just offering someplace to improve where the whole of the piece is very strong and emotive. When you become more choppy at the end of the piece, it works better for the whole flow, and so I feel this whole piece should match the style of the end of the piece. Just a couple cents worth there, take it or leave it.
    | Posted on 2007-07-08 00:00:00 | by yonkit | [ Reply to This ]

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