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    poetry


    dots Submission Name: Aniccadots
    --------------------------------------------------------





    Author: Magnolia
    ASL Info:    31/ F
    Elite Ratio:    6.14 - 402/377/27
    Words: 703
    Class/Type: Prose/Misc
    Total Views: 455
    Average Vote:    No vote yet.
    Bytes: 3805



    Description:
       Anicca is the Buddhist word for Impermanence.The full title is Anicca- A Lesson in Impermanence. This is based on an amazing experience I had yesterday...I am sure it could use some organization and tightening, but I was honestly just brimming and I had to get it out there.


    Make the font bigger!! Double Spacing Back to recent posts.

    dotsAniccadots
    -------------------------------------------


    The health that illuminates us from within,
    nor the indisposition that threatens our bodies and spirits--
    It is not permanent.

    The jubilation that enraptures me as we are joined after such a long separation,
    nor the ache I feel as I watch you leave again--
    It is not permanent

    The abundance we have and share with those we hold dear to us,
    nor the dark shadow of wanting, it will pass--
    It is not permanent.

    This time of youth, seeing everything with fresh, rainy eyes,
    nor the deep winter of age, the light of a well lived life dwindling--
    It is not permanent.

    * * * *

    That day as I walked those agonizing four blocks, joints aching, gums pulsing in my mouth, I wondered if I was crazy. I was practically sleepwalking over the cobblestones all because a clerk in the grocery had told me to. " You must see the medicine mandala, tonight is the last night." I didn't even know this woman and my encounter with her was only long enough to pay for my Juicy Fruit. The Om Center seemed so far. Yet I found myself halfway there and not quite in my body.


    I was welcomed by a woman with smiling perwinkle eyes- she glowed. " Are you here to see the sand mandala?" I answered her with a confused gaze. " The monks have been working on it for two weeks straight."


    Truthfully I didn't know why I was there, it was as if I was delivered. I told her as much. She smiled as if she was not in the least bit surprised. She gestured toward the airy, cedar planked room that stood beyond us.


    The smell of Nag Champa was heavy and clouded my vision at first. What I saw before me as the velvety incense cleared arrested my very being. I stood mesmerized by the chanting monks with the sweet slivered eyes. The youngest one, who looked no more than sixteen was all teeth and graceful, musical movements. He nodded at my arrival in this place.



    They worked silently and side by side, their robes tied back with colorful silk ribbon. The clicking of the foreign wooden tools in rhythm with their chanting- "Om Mani Padme Hum," moved me closer to the workspace they shared.


    Out of these tools trickled the falling technicolor sands, creating intricate healing designs. " A mandala for the universe," the young one said. It was adorned with birds and auspicious creatures in crimson and tangerine, emerald and vibrant blue. Gold stars embossed Tibetan words that I could not understand, all with precision and exactness.


    My own inner well bubbled up; tears spilled down feverish cheeks. I was witnessing something bigger than me or my percieved problems or dis-ease. I stayed in that cocoon for what seemed like hours, only they were just moments stretched through my mind.


    Periwinkle Girl whispered from behind, " Tonight they will sweep it all away- the sands will be dusted over the river and carried out into the universe." Wiping away the embarassed tears, I questioned her with confusion, " But it's so beautiful and they've worked so long and so hard, it's not permanent?" She answered me with kindess," Nothing is."


    As she walked away I stood for a few moments more. I felt lighter, I felt a freedom. I had forgotten about the ills of my body. The symptoms and the diagnosis slipped away.


    It is not permanent.
    Nothing is.


    That night I finally slept.




    Submitted on 2005-03-17 09:58:06     Terms of Service / Copyright Rules
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    ||| Comments |||
      In my opinion, the best writing is that which takes us some place we've never been, reveals something through another's eyes, and allows us to travel (if only for a little while) piggyback on the imagination of the writer. Revelation as destination can be a plus, (particularly if the material is new to the reader), and it certainly helps if the writer herself was genuinely moved by the experience she is writing about. However, therein also lies the difficulty of this piece. That it was written, not as fiction, but as a recollection of a serendipitous and highly subjective, even emotional experience (I say subjective because, how many of us would be moved to tears by a sand painting, regardless of its beauty, symbolic meaning, or fate?) The conveyance of emotion or spiritual impact of a moment like this is quite a challenge, and the writer finds herself on a slippery slope indeed with her readers when she resorts to some (certainly unintentional) melodramatic devices to effectively relate the experience. Readers familiar with sand paintings and their purpose (as I was) may have some added trouble connecting with the revelationary theme, since they will have seen what was coming from the beginning . . .

    It has been said, "the very essence of literature is the war between emotion and intellect" (Isaac Bashevis Singer). This piece dances along a fine line, and admittedly, crosses over that line from time to time. This is not to denigrate it in ANY way, but to draw attention to the delicacy that is required when considering a future revision (this is, after all, the explicit purpose of ES, and criticism, if not in the media, then certainly here, in a writers' workshop). Now, my obligations to the writer fulfilled, I can move onto a more personal assessment.

    I loved the prose and the colorful descriptions that appear throughout your story. I could relate to how you felt, and accept it on the basis of a poet's faith in his fellow poet, and move on from there, taking the journey with you through the store, down the blurred streets, and into the temple. I love Champa myself, and since I've seen sand paintings in progress, I felt my own experiences stirring and my memory filling in the blanks. I especially liked "periwinkle eyes", a phrase I found ticklish and evocative. Much of the writing was like this for me. On first reading, before the critic jumped in, I simply enjoyed myself, following you around, the lost, wandering soul ripe for a serendipitous adventure. True, after the first paragraph I already knew what was coming, but I didn't mind. By that point I was more interested in how you'd react, what you'd think, and how it would all turn out. Your description of the colorful sands was vibrant and wonderful! Your appreciation for the exactness and precision required to create these paintings was not lost on me; in fact it helped create a bond because I shared your opinion. They ARE lovely and incredible! The patience and skill it takes to create something like this has always awed me. That they just take a few pictures (if that) and wipe them out is also something that just seems, at first glance, so wrong! All you poets out there should consider the exercise of working on a poem for weeks and then, when it is finished, deleting it or crumpling it up and throwing it away. Oh, the horror, the horror! Ah, but then there's a lesson in that kind of act, isn't there? It points to the idea that the value is in the DOING and not necessarily in the DONE. Anyone who has written a poem, then gone back to it years later, only to be surprised or mildly embarrassed by it, will have little trouble understanding this. But that aside, the spiritual message of impermanence or "all things in flux" is particularly apropos. Nowadays, change occurs so quickly in our lives that you'd have to live in a cave not to notice it, but it was not always thus. We strive and strive to hold onto the things we can, and we fight to keep them and win what battles we may. The message of the sand painters is one of acceptance in the face of change, and I believe this message has never been more important to us as people, as it is today.

    Magnolia, I'd like to thank you for sharing this experience, and for opening up and sharing your feelings. I know this post is a bit schizophrenic and that might throw you for a loop, but I wanted to respond to the points expressed in a previous post (namely, Ghost's post), as well as to offer some ideas for improvement, AND THEN, tell you how I felt about it, and what this piece meant for me.
    | Posted on 2005-04-05 00:00:00 | by Vancrown | [ Reply to This ]
      Hi Rene, This is a wonderful slice of art, this one is balm for my soul. What a gift for you to be drawn into this place and that night, you slept. Indeed, it does give a real reason why impermanence is valid, would we want to save the unwanted within ourselves? I like too, how you give us our wisdom in the very beginning, any of these ideas is a supreme reminder of how we can waste life. I am always glad to hear and remember. The sand mandala reminded me also of watching the movie Kundun about the Dalai Lama, as they used sand paintings throughout the movie. Great job, thanks for the inspiration.
    Nan
    | Posted on 2005-03-29 00:00:00 | by nansofast | [ Reply to This ]
      this is beautiful. it brought back fond memories for me of when i studied Tibetan Buddhism and the Tibetan language when i lived in California. i was actually going to Tibet with a friend of mine, but the trip fell through. the mandalas are beautiful works of art, albeit impermanent. even the incense drifts away. i love the smell of Nag Champa... i can almost smell it now. i'm going to fav this because it brings back such wonderful memories for me. thanks for that! very nice prose piece Rene'.
    | Posted on 2005-03-28 00:00:00 | by magnicat | [ Reply to This ]
      The raw expression of thought and emotion often carries equal or greater power than the polished "perfection" of form and style. The theme of this piece lends itself beautifully to the earthy and image-driven style you wrote it in...you're a story teller...on a more personal note - in this writing I am reminded of the transitory nature of life once again...I needed to see that today...just caught in a bubble where everything seemed stuck and stagnant. But the old gives way to the new and the new ages and passes on in its time. It brings to mind the writings of King Solomon..."To everything there is a season...a time to plant and a time to uproot..." I appreciate the way in which recognized the significance of the sand mandala...
    It is a powerful metaphore for what we have here in this life.
    I'm inspired...you have my respect as a fellow writer.
    | Posted on 2005-03-21 00:00:00 | by Jemma Dumptruck | [ Reply to This ]
      I have to be honest and say that while reading the verses I was a little turned off with the repitition but decided to stick it out. Boy, was I glad I did. The story itself totally blended extremely well with the verses and it all came together. I love to visualize as I read and the imagery you used was perfect.
    For me my favorite part was the quote from Periwinkle Girl.
    Bravo to you. This was excellent.
    Carol
    | Posted on 2005-03-22 00:00:00 | by wannabe1 | [ Reply to This ]
      well, you just made my day and put it all in perspective all at once. thank you for this very beautiful piece of work. which is permanent.
    | Posted on 2005-03-20 00:00:00 | by sierramuse8 | [ Reply to This ]
      Well I am very turned off by longer, blocked, pieces so I was half tempted not to continue reading after the first part, but it is yours so I decided I would continue. It was a very interesting story, and I don't think I would change much of it at all. There are some edits, but they are all personal ones and not actual ones I feel SHOULD be changed, if that makes sense.

    I really liked the contrast in the first part, it was quite astounding that you used the terms you did, since I never really thought of those as opposites. The only thing I would offer as a change would be to alter "nor the dark shadow of wanting, it will pass--" and not use dark shadows. It is often used and it doesn't really describe much more than the fact that the shadows are not the frail and flickering kind. I think you could jossle up something a lot better, I'm positive you could.

    I also really liked this stanza:
    "This time of youth, seeing everything with fresh, rainy eyes,
    nor the deep winter of age, the light of a well lived life dwindling--
    It is not permanent."
    I love how you are comparing youth to spring, maybe even parts of autumn with the phrase "rainy eyes" and it's also describing how emotional we are at that age. And then the contrast of being old is the winter and how you are frozen cold to a lot of pains because you've already endured so much worse and survived. Overall I liked it, I didn't absolutely love it, but I did enjoy it to be quite honest. Look forward to your next one. .)V(,
    | Posted on 2005-03-19 00:00:00 | by majinkenshinamv | [ Reply to This ]
      Hey! As promised I read your piece. :) I like the first part - the stanzed part at the beginning. It makes sense that things are not permanent. It's something about it when someone actually writes it, it makes me realize and put things into perspective which is always good. :) I really liked your story with it. After reading the first part and then the story it all flowed together. It's special that you shared something like this with us! I really loved this realization that you stated, "I was witnessing something bigger than me or my percieved problems or dis-ease." It gave us an inside look at really what you were witnessing because it was bigger than yourself. I've heard of the sand designs but I've never seen one in person. It must be wonderful! It must be very spiritual as well. Especially to finally realize nothing is permenant. In some cases that's sad but it's good as well. I enjoyed this so much. It's one of those life changing experiences and you did a great job writing it.
    -blt
    | Posted on 2005-03-18 00:00:00 | by borderlinetears | [ Reply to This ]
      Rock On!

    Lemme get the gushing out of the way first.

    I loved this one. The opening "poem" part had me a little worried... I just didn't like it (although I loved the repitition). Then, the "prose" part hit... not only was the descriptive imagery OUTSTANDING, but the story itself really enhanced the opening poem to the point that I had to go back and re-read it with my newfound understanding.

    Having read this, I feel like I've been given an epiphany myself... the whole thing building to that moment of "nothing is permanent", that moment of "Annica" if you will, and like the day breaking through the clouds, it was all brought together.

    This is just mindbogglingly good. Umm... there, the gushing is out of the way.

    Unfortunately, without the gushing, I have nothing more to say. Great job.
    | Posted on 2005-03-18 00:00:00 | by jer | [ Reply to This ]
      i'm feeling skeptical. i feel like it is too common for the western world to be moved by things or events that change their mindset for a mere day or minute or second and then to claim or suggest that their outlook has been changed forever. that fact that you were 'brimming' to get this out there makes me skeptical, though i am no judge and you mustn't get me wrong, but would you have felt that you had been 'delivered' if you had gone to see 'The Incredibles?' i doubt if you would have noticed the details you experienced before the actual show. i think that 'buddhism' as such has become a brand name, household word that people like to use to make them seem cultured and worldly, intelligent even. i'm not in any way saying that that is you, i'm saying that is the experience that i get from most people. buddhism was hardly heard of until things like yoga and other transcendental books and therapies hit the 'self help' sections in grocery stores. the masses didn't care about how to free your mind and be a better person, especially if it wasn't accessible to them through modern, high street shops.

    it is your right to feel the way you did due to your experiences but i also feel that you felt the way you did because that is the way you thought you were supposed to feel. suggestion is a powerful thing and i think that you were duped into it.

    'just because you feel it doesn't mean it's there.'

    ghost.
    | Posted on 2005-03-18 00:00:00 | by myghostsliketotravel | [ Reply to This ]
      Hey Mags I don't have too much time but you said this was special to you, and I wanted to know what was so damn special, and now I know. I guess this is a prose and I like the description of your walk in a complete daze, boy have I been there. I felt as if I was walking with you for a moment probobly because I wanted to see something special because it was special to you maybe I wanted it to be I dont know. My interepretation of this is basically what ails you ;must be tended to ;not ignored. I try to play my guitar at least once a day wether or not I feel like [censored] or not(does trhat make sense) anyway its called hobbies I trhink mags or sex maybe yeah thats it SEX can be your new release so you just let me know when and where and I'll be there , I liked your prose very much , We'll talk later about that thing that needs tending to >L.t
    | Posted on 2005-03-18 00:00:00 | by LameMansTerms | [ Reply to This ]
      An epiphany... This is very profound.
    With all modesty, there are some little adjustments I would suggest, here and there.

    "What I saw before me as the velvety incense cleared arrested my very being." This sentence is a little awkward. I suggest breaking it into two sentences, but the clause in the middle interupts the rythm you got going here.

    "Out of these tools, the falling technicolor sands, creating inticate healing designs, ' A mandala for the universe,' the young one said. " This sentence is a little odd, a fragment perhaps. You also mispelled "intricate." I suggest breaking this one up as well. What can be said in one complicated sentence might be more effective as two simpler sentences.

    "My own inner well bubbled up, tears spilled down feverish cheeks." This sentence needs a semi colon as opposed to the comma because it is composed of two independent clauses.

    These are all very minor, I'm sure if you proofread this a couple times you'll find what needs to be touched up. Your work is very moving. You have a great feel for rhetoric and composition. I hope to see you write more, Magnolia.

    -KeniaChoffer
    | Posted on 2005-03-17 00:00:00 | by KeniaChoffer | [ Reply to This ]
      I like this a lot. This is really good prose. I like how the modern life is stressing you out, but spirituality saves you. It reminds me of how I sometimes have a killer headache or something, and I'll meditate, and it goes away.

    The only thing is that I think I'd double space between the paragraphs because that would make it easier to read.
    | Posted on 2005-03-17 00:00:00 | by cuddledumplin | [ Reply to This ]



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