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    poetry


    dots Submission Name: Sensibilitydots
    --------------------------------------------------------





    Author: Eggman
    Elite Ratio:    6.99 - 408/348/59
    Words: 1393
    Class/Type: Story/Dark
    Total Views: 282
    Average Vote:    No vote yet.
    Bytes: 7597



    Description:
       


    Make the font bigger!! Double Spacing Back to recent posts.

    dotsSensibilitydots
    -------------------------------------------


    The two men sat comfortably on opposite sides of the table. Both were smoking cigars. Both were leaning back in their chairs, their feet resting up by their glasses of scotch. The room was dark, lit by a small chandelier that hung directly above them. Everything was quiet.

    “So?” asked the larger man.

    “Yeah? What is it?” said the other, taking the cigar out of his mouth. The men moved slowly, as though weighed down by the smoke and the tension.

    “What are you going to tell him?”

    “Tell who?”

    The larger man took a sip of his scotch, leaning back further in his chair. “What are you going to tell the boss?”

    “What am I going to tell him about what?”

    “What are you going to tell him about the little girl?”

    “I’m going to tell him she’s dead.”

    The larger man smiled. He found the nerve. “Yeah, but you don’t know she’s dead.”

    “What?”

    “You don’t know she’s dead.”

    “What do you mean I don’t know she’s dead? The whole fucking house blew up,” said the other.

    “You don’t know if she was in the house.”

    “Yeah I do.”

    “You didn’t find her.”

    “So what?”

    “So you don’t know she was in the house,” said the larger man.

    “I saw her go in, I didn’t see her come out. She was in the house. Just because she wasn’t in her room doesn’t mean she wasn’t there. She was probably in the bathroom or sleeping in another room or something, but she was there.” He was growing tense.

    “The fact is that you don’t know whether or not she was in the house. Admit it. Now if you go in and tell Paulie you killed her when you didn’t, he’s going to find out, and when he does, you’re going to be a dead man.”

    “It was one little fucking girl. What difference does it make?”

    “He wanted her dead. It makes a difference.” The two stared cooly at each other. “You’re losing your touch,” said the larger man.

    The other lost it at this accusation. He stood up and glared across the table. “Killing kids isn’t my fucking job, man. It shouldn’t fucking matter whether she’s dead or not; what’s she going to do?”

    The larger man remained calm. He took a puff of his cigar, leaned under the light, and dropped his gun onto the table. The other stiffened instantly. Smoke twirled its way around the standing man’s arms, pulling him back into the seat.

    The larger man smiled, settling into the silence he had caused. “Then why’d you tell him you’d do it?” he asked.

    “Why did I tell him I’d do what?” said the other, speaking quietly.

    “Why’d you tell him you’d kill the little girl.”

    “I didn’t. He told me.”

    “Well why’d you say you’d do it?” asked the larger man.

    “What am I supposed to say? You can’t give a job like that to anyone. He trusts me.”

    “You’re right. He does.”

    “See what I mean?”

    “Maybe a little too much.”

    “What?” asked the other, rattled.

    “If you said no, he would’ve been glad to give it to someone else. If you felt so fucking uncomfortable, you could’ve passed it all together, but you didn’t.”

    “What the fuck are you talking about?”

    “Sensibility,” said the larger man. The other didn’t answer. Both were gaining steam, their stares cutting at each other through the smoke. “A sensible man lives reasonably, and between logic and emotion, reasonably is somewhere in between.” He stopped for a moment and began playing with his gun, organizing his thoughts. “For the longest time, I always considered you to be a reasonable man,” he said to the other, “and I like to still think that you are a reasonable man, but tonight, I saw something that threw some doubts on your character.”

    “I am a reasonable fucking man.”

    “But that’s not all I’m talking about,” he said. “I’m also talking about integrity. Sensibility is about knowing what is honest and what is dishonest, and I don’t just mean your everyday Who stole the cookies bullshit. You have to be honest with yourself, you know what I mean?” The other remained quiet. All he could do was look down the barrel. “That’s what sensibility is. It’s about being honest and it’s about being reasonable. I’ve had the privilege to meet a fair amount of sensible men in my lifetime, and those that weren’t sensible were either honest or reasonable and I respect them all the same. You, I always thought to be a sensible guy. Not necessarily the smartest guy, but you were sensible. But tonight, you were reeling like a pinwheel. This is the first job I’ve ever seen you like this before.”

    “Well it was a pretty big fucking job, wasn’t it?”

    “Yeah it was. And that’s what I’m thinking about. Paulie’s the most sensible guy I know, and it doesn’t make sense for him to throw a couple of guys like us into something like this alone. I’m thinking about this, and I’ve come up with two conclusions; either Paulie was being unreasonable, or you were being dishonest.”

    The other man huffed in a fit of frustration. “Unbe-fucking-lievable,” he said, rising from his chair. The larger man clicked back the gun’s hammer.

    “Here’s what I think,” the larger man continued. “I think Paulie did want more guys to come. I think he knew damn well how important that family was. Either you lied to him and told him you’d do it as he asked, or you convinced him you could do it alone. I don’t know how the fuck you dragged me into this, but that’s not important anymore. You never shake before a hit, and the more I think about it, the more it burns me up. I knew something was wrong, but I ignored it. But I know now that you’re fucked up. That’s what’s important. You are fucked up.”

    The larger man downed the rest of his scotch. He slammed his glass down onto the table and watched the other, who remained motionless. The both of them sat in silence for a minute, hatred, smoke, and a loaded barrel standing between them. The larger man took a long drag from his cigar before continuing on with his speech.

    “Tonight, we blew up a house. We killed two people, and possibly a small child. To do something like that together requires a lot of trust. Do you trust me?”

    The other man nodded.

    The larger man smirked. “Don’t fucking lie to me. Just because I have a gun doesn’t mean you have to lie to me.” The other kept silent. “Alright. Maybe you do trust me. I know I trust you. Trusted you. If I didn’t trust you, we wouldn’t be sitting here together right now. But there’s more to it then trust, and if I trusted you blindly we wouldn’t be sitting here together right now, either. You had my respect and you had my honor, and those are two big fucking things to get out of me. But you lost that. If you still had it, you wouldn’t have a fucking gun to your head. You were a good man and you were a skilled man, and it is for all these reasons that we got to where we are right now, but I am doing what I am doing for another reason. Do you know what I’m talking about?”

    “Sensibility.”

    The larger man smiled. “That’s right,” he said, and he pulled the trigger.




    Submitted on 2005-11-29 23:11:05     Terms of Service / Copyright Rules
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    ||| Comments |||
      I have always had a difficult time wrapping my head around the whole "sensibility" concept. Frankly, the term is so broad, so mutlifaceted... I dont know. It seems like a foreign word to me. But this really laid it out. Sensibility. Judgement. Which was really how this played out in the end. Your stories always please me. I find it exceedingly difficult to write stories, as I never know how to end them. But BAM! This one was ended with quite the punchline. Its so climatic to me.
    Anyways, I only have one suggestion, just something that sounds alittle off-ish to me:

    "The other lost it at this accusation."
    The "lost it" seems slightly vague to me. Maybe its just me, and its just late, but thats all.
    Other than that,
    another inspiring read!
    I hope to finish a short story some of these days. I wrote a ridiculous email to some of my friends about Khaki pants once... I may have to post it, as I find it tres humorous... depending on your stance with cargo khakis with velcro pockets and zip off legs.

    P.S- thanks for your comment on Charge of the Pants Brigade, always appreciated and inspiring!

    -Ann
    | Posted on 2006-04-13 00:00:00 | by andrya | [ Reply to This ]
      Alright Eggman what happened to the little girl? You always pull this sh-t with me. I'm not into loose ends ends, you know what I mean, it just aint sensible. I could give a rats ass about the two no good scum bags, they turn my stomach. The little girl man, the little girl that's what matters to me. Oh what's the use, you story writers could care less what we poor witless readers thought and don't deny it. Well I'm mad as hell and I'm not going to take it anymore or at least not for a while. See ya later! Dan
    | Posted on 2005-12-04 00:00:00 | by dmm | [ Reply to This ]
      Hey Eggman, what's doin' in Egg land? Oh, a new story, I see. Lemme' give it a read here... Ok, finished. Good story. I like gangster tales, which I assume this is (either that or these guys run the roughest pizza delivery business in history). When I think of crime stories, I usually think of Scorcese and Tarantino flicks. This had the same feeling, I think primarily because it was dialogue driven. You did an excellent job on the dialogue, by the way. A lot of people feel they have to write a New York dialect to write this kind of story, but that just usually ends up looking stupid. Using the kind of phrases and language you did was much more effective than trying to make your characters sound like half-assed Brooklyn bus drivers. Also, the last line is excellent. Way to close strong.

    An aside: I just read the guy's comment below me. I think the questions work well in the beginning. It sounds more like a real conversation and didn't bore me at all. In fact, I found the story "hooked" me in pretty good and I zipped right through it, but I do have a longer attention span than most. Of course, it is only about three pages, and took me all of four minutes to read, so maybe it has more to do with most people having attention spans of about thirty seconds. But, I digress... I also think the background works fine for the story as it currently stands. If you are going to add more about the job, add more about both characters as well (but especially about the guy who got shot, who would obviously be your protagonist).

    As for ways you could improve the piece I do have some ideas. Firstly, this story seems like a scene in a longer story. That isn't really constructive, but I do think you should place this inside a longer story. It would work well in getting a character's personality across to the reader or as a climax. Second, show rather than tell whenever possible. If the reader has to infer what your characters are feeling based on the descriptions you give them, then it makes them participants in the story rather than just an audience. This draws them into the story. Some examples would be: in the 3rd paragraph, remove the word "tension", replace it with "weighed down by the smoke and the silence," or "the smoke and silence hung heavily on the two men in the still room," or some such. You see the same emotion again in para.19, you could show something that implies the man is tense, like a drop of sweat running down his cheek, or have him laugh just a bit too loud at the suggestion he screwed up. Finally, There are a few typos, but I'm sure you'll catch them on a revision (stuff like misspellings, ending a sentence with a preposition).

    Anyway, just suggesting. In the end, you'll have to decide what revisions you want to make to this story. I hope I helped a little. I really think this one is worth expanding.

    Hi Ho,
    -Chris
    | Posted on 2005-12-03 00:00:00 | by DevilDinosaur | [ Reply to This ]
      I'm just going to concentrate on a few things because of limited time. I did enjoy the story, I like gangster films and I like double crosses and this reeked of both.

    The opening dialogue started with the a total of nine questions being exchanged between the two guys and I just skipped it. In a story I usually want answers after one question, maybe two (and sometimes those are just things within the plot that make you wonder where it is all going). For me, nine questions was enough to get me intrigued, get me bored and then get me to skip onto the actual story (some people might just not read on). I mean this all constructively and I'm not knocking the piece as whole because I did really like the tension and most of the rest of the dialogue, but I think the first ten or so lines of dialogue can be condensed into about three or four and not lose any tension or intrigue. Well, those are my first impressions.

    Otherwise I thought the story was good, although -unless you carry this on to be a bigger piece- I could do with a bit more of an explanation of what the job was about and general clarification of who we should be rooting for out of the two guys. Too much double crossing in such a short space of text can be confusing.

    Please expand on or continue this though because it looks as if it could be really good.
    | Posted on 2005-11-30 00:00:00 | by manintheshack | [ Reply to This ]
      an interesting idea- odd to think of the mafia of having such standards.
    You wrote the story well, though I have never done one, I enjoyed reading it.
    The plot was well thought out. Easy to read yet still kept you wondering.

    Nice job,
    I hope you add more to this,
    take care
    ~jennifer
    | Posted on 2005-11-30 00:00:00 | by joy7542 | [ Reply to This ]
      Are you playing with the idea of honor among theives?
    The honor code, and the twisted moralities of the mafia are tricky subjects to deal with, but it seems like you've done a good job here.
    I know nothing about writing stories, so I have no thoughts on technical improvements or anything,
    but, I'll say that I enjoyed your story and look forward to what comes once you've done your polishing.
    | Posted on 2005-11-30 00:00:00 | by latentlylyrical | [ Reply to This ]



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