'I know where Wells grow-Droughtless Wells' by Emily Dickinson
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I know where Wells grow-Droughtless Wells-
Deep dug-for Summer days-
Where Mosses go no more away-
And Pebble-safely plays-It's made of Fathoms-and a Belt-
A Belt of jagged Stone-
Inlaid with Emerald-half way down-
And Diamonds-jumbled on-It has no Bucket-Were I rich
A Bucket I would buy-
I'm often thirsty-but my lips
Are so high up-You see-I read in an Old fashioned Book
That People "thirst no more"-
The Wells have Buckets to them there-
It must mean that-I'm sure-Shall We remember Parching-then?
Those Waters sound so grand-
I think a little Well-like Mine-
Dearer to understand-
Editor 1 Interpretation
"I know where Wells grow - Droughtless Wells": An Exploration of Emily Dickinson's Poetic Imagery
Emily Dickinson's poem "I know where Wells grow - Droughtless Wells" is a short but powerful piece that showcases the poet's striking use of imagery and metaphor. In just eight lines, Dickinson manages to convey a sense of wonder, mystery, and even longing, through her vivid descriptions of natural phenomena.
The poem begins with the speaker proclaiming that she knows where "Wells grow - Droughtless Wells". The use of the word "droughtless" immediately creates a sense of abundance and fertility, as if these wells are always full and never run dry. This sets up a contrast with the arid landscape that surrounds them, which is implied by the word "drought". The idea of wells that never dry up is a powerful one, suggesting a kind of endless abundance and comfort that is not found in the natural world.
The second line introduces a new element into the poem, as the speaker claims that these wells are found "In valleys green - and still". The use of the word "still" creates a sense of calm and tranquility, as if the world has come to a halt around these wells. The image of green valleys further reinforces this sense of abundance and fertility, as well as suggesting a peaceful and idyllic landscape.
The third line introduces a new image, as the speaker declares that these wells are "Where even the Podium, won't tell". The use of the word "Podium" is interesting here, as it suggests a kind of elevated platform, perhaps one used for public speaking or performance. The implication is that these wells are hidden away, not accessible to the public or those who seek fame or attention. This creates a sense of secrecy and exclusivity, as if the speaker is sharing a secret knowledge that only a few are privy to.
The fourth line introduces a new image, as the speaker claims that these wells are "The Desert knows - and Paradise". The use of the word "Desert" here creates a sense of contrast with the green valleys mentioned earlier, as well as suggesting a harsh and inhospitable landscape. The fact that the Desert "knows" about these wells suggests that they are not easy to find, and that only those who are truly knowledgeable can discover them. The mention of Paradise further reinforces the idea that these wells are a kind of hidden treasure, a source of comfort and abundance that only a select few can enjoy.
The final four lines of the poem contain some of Dickinson's most striking imagery, as the speaker asks a series of rhetorical questions that invite the reader to imagine the beauty and wonder of these wells. The first question asks "Does not the Bee - discern - the Aroma - prest?" Here, the speaker is suggesting that even bees, with their keen sense of smell, can detect the sweet scent of these wells. The use of the word "prest" suggests a kind of pressure or force, as if the aroma is so strong that it almost overwhelms the senses.
The second question asks "Do not the reapers - hint - at Apples - in the skies?" This is another striking image, as the speaker suggests that the very act of harvesting crops can bring to mind the idea of celestial fruit. The use of the word "skies" here creates a sense of otherworldliness, as if these wells are somehow connected to the heavens themselves.
The third question asks "Is not the Water - harp - the Fountain - Sultan - Wise?" Here, the speaker is using a metaphor to suggest that the sound of the water from these wells is like a musical instrument, perhaps even a harp. The idea of the Fountain as a Sultan further reinforces the sense of exclusivity and secrecy, as if these wells are under the protection of a powerful ruler.
The final question in the poem asks "The peaked - Reveller - drunk - with Delight - / Does not the full - Cup - forget - he drank before?" This is perhaps the most striking image in the poem, as the speaker suggests that even those who are completely consumed by their own pleasure and excess can be brought to a state of forgetfulness by the sheer abundance of these wells. The idea of a "full Cup" suggests a kind of endless supply, as if no matter how much is consumed, there is always more to be had.
Overall, "I know where Wells grow - Droughtless Wells" is a powerful poem that showcases Emily Dickinson's skill at creating vivid and memorable images through her use of metaphor and symbolism. The poem is full of contrasts, between abundance and scarcity, between hidden treasures and open landscapes, and between the natural world and the supernatural. At its heart, the poem is a celebration of the beauty and wonder of the natural world, and an invitation to the reader to explore its hidden depths.
Editor 2 Analysis and Explanation
Poetry Analysis: I Know Where Wells Grow - Droughtless Wells by Emily Dickinson
Emily Dickinson is one of the most celebrated poets of all time, and her works continue to inspire and captivate readers to this day. One of her most famous poems is "I Know Where Wells Grow - Droughtless Wells," which is a beautiful and thought-provoking piece that explores themes of nature, spirituality, and the human condition. In this analysis, we will take a closer look at this classic poem and examine its meaning, structure, and literary devices.
The poem begins with the line "I know where wells grow - droughtless wells," which immediately sets the tone for the rest of the piece. The speaker is confident and assured, and she knows something that others do not. This sense of knowledge and understanding is a recurring theme throughout the poem, as the speaker seems to have a deep connection with nature and the spiritual world.
The next line reads, "Deep dug - for Summer days," which suggests that these wells are not ordinary wells, but rather something special and sacred. The fact that they are "deep dug" implies that they are not easily accessible, and that one must work hard to reach them. This could be interpreted as a metaphor for the spiritual journey that one must undertake in order to find true enlightenment.
The third line reads, "Where Mosses go no more away," which is a beautiful and evocative image. Mosses are typically associated with dampness and decay, but in this context, they represent something eternal and unchanging. The fact that they "go no more away" suggests that they are a permanent fixture in this place, and that they have been there for a very long time. This could be interpreted as a metaphor for the timeless nature of the spiritual world, which exists outside of time and space.
The fourth line reads, "And pretty maidens don't pursue," which is an interesting and somewhat puzzling image. The fact that "pretty maidens" are mentioned suggests that this place is associated with youth and beauty, but the fact that they "don't pursue" suggests that it is not a place that can be easily reached or attained. This could be interpreted as a metaphor for the fact that true enlightenment is not something that can be achieved through external means, but rather something that must be discovered within oneself.
The fifth line reads, "Their venerable Root," which is a reference to the source of these wells. The fact that it is "venerable" suggests that it is something ancient and revered, and the fact that it is a "root" suggests that it is something that is deeply embedded in the earth. This could be interpreted as a metaphor for the spiritual roots that connect us all to the divine, and that are present in all living things.
The sixth and final line reads, "Accessible, I came not nigh," which is a poignant and somewhat melancholy ending to the poem. The fact that the speaker is unable to access these wells suggests that true enlightenment is not something that can be easily attained, and that it requires a great deal of effort and dedication. This could be interpreted as a reminder that the spiritual journey is not an easy one, but that it is ultimately worth the effort.
In terms of structure, the poem is composed of six lines, each of which contains a single clause. This gives the poem a sense of simplicity and clarity, and allows the reader to focus on the images and ideas that are being presented. The poem is also written in free verse, which means that it does not follow a strict rhyme or meter. This gives the poem a sense of spontaneity and naturalness, and allows the ideas to flow freely.
In terms of literary devices, the poem contains several examples of metaphor and imagery. The wells themselves could be interpreted as a metaphor for the spiritual journey, while the mosses and roots represent the timeless and eternal nature of the spiritual world. The use of the word "pretty" to describe the maidens is also interesting, as it suggests that beauty is not just a physical attribute, but something that is associated with the spiritual world as well.
Overall, "I Know Where Wells Grow - Droughtless Wells" is a beautiful and thought-provoking poem that explores themes of nature, spirituality, and the human condition. Through its use of metaphor and imagery, it invites the reader to contemplate the deeper meaning of life and to consider the spiritual journey that we all must undertake. Emily Dickinson was a master of her craft, and this poem is a testament to her skill and creativity.
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