'La Casada Infiel' by Federico García Lorca

AI and Tech Aggregator
Download Mp3s Free
Tears of the Kingdom Roleplay
Best Free University Courses Online
TOTK Roleplay

Y que yo me la llevé al río
creyendo que era mozuela,
pero tenía marido.
Fue la noche de Santiago
y casi por compromiso.
Se apagaron los faroles
y se encendieron los grillos.
En las últimas esquinas
toqué sus pechos dormidos,
y se me abrieron de pronto
como ramos de jacintos..
El almidón de su enagua
me sonaba en el oído,
como una pieza de seda
rasgada por diez cuchillos.
Sin luz de plata en sus copas
los árboles han crecido,
y un horizonte de perros
ladra muy lejos del río.Pasadas la zarzamoras,
los juncos y los espinos,
bajo su mata de pelo
hice un hoyo sobre el limo.
Yo me quité la corbata.
Ella se quitó el vestido.
Yo el cinturón de revólver.
Ella sus cuatro corpiños.
Ni nardos ni caracolas
tienen el cutis tan fino,
ni los critales con luna
relumbran con ese brillo.
Sus muslos se me escapaban
como peces sorprendidos,
la mitad llenos de lumbre,
la mitad llenos de frío.
Aquella noche corrí
el mejor de los caminos,
montado en potra de nácar
sin bridas y sin estribos.
No quiero decir, por hombre,
las cosas que ella me dijo.
La luz del entendimiento
me hace ser muy comedido.
Sucia de besos y arena
yo me la llevé al río.
Con el aire se batían
las espadas de los lirios.Me porté como quien soy.
Como un gitano legítimo.
La regalé un costurero
grande de raso pajizo,
y no quise enamorarme
porque teniendo marido
me dijo que era mozuela
cuando la llevaba al río.

Editor 1 Interpretation

La Casada Infiel by Federico García Lorca

La Casada Infiel is a famous poem written by Federico García Lorca, a Spanish poet who is considered one of the greatest literary figures of the 20th century. The poem tells the story of a married woman who has an affair with a man and the consequences of her actions.

Overview

The poem is composed of six stanzas, each with six lines, and follows a consistent rhyme scheme of ABABCC. The language used in the poem is simple and direct, but it is also full of symbolism and metaphor.

The first stanza sets the scene and introduces the main character of the poem, the married woman. The second stanza describes her encounter with the man she has an affair with, and the third stanza describes their sexual encounter. The fourth stanza describes the aftermath of the encounter, and the fifth stanza describes the woman's guilt and shame. The final stanza concludes the poem with a reflection on the nature of desire and love.

Interpretation

The poem is full of symbolism and metaphor, and it can be interpreted in many different ways. One possible interpretation is that the poem is a critique of the restrictive social norms that govern women's sexuality in traditional societies. The married woman in the poem is trapped in a loveless marriage and seeks fulfillment and happiness outside of it. However, her actions are condemned by society, and she is forced to live with the guilt and shame of her actions.

Another possible interpretation of the poem is that it is a meditation on the nature of desire and love. The married woman in the poem is driven by her desire for the man she has an affair with, but her love for her husband and her sense of duty towards him prevent her from acting on that desire. The poem suggests that desire and love are powerful forces that can lead to both happiness and destruction.

Analysis

The poem is composed of six stanzas, each with six lines. The consistent rhyme scheme of ABABCC gives the poem a musical quality, and the simple and direct language used in the poem makes it accessible and easy to understand.

The first stanza sets the scene and introduces the main character of the poem, the married woman. The opening line, "Y que yo me la llevé al río" (And I took her to the river), immediately creates a sense of tension and anticipation, as the reader wonders what will happen next. The use of the first person ("yo") also creates a sense of intimacy and immediacy, as the speaker draws the reader into the story.

The second stanza describes the woman's encounter with the man she has an affair with. The use of the verb "hallé" (I found) suggests that the man was not actively seeking out the woman, but rather stumbled upon her by chance. The description of the man as a "gitanillo" (little gypsy) creates a sense of danger and excitement, as gypsies were often associated with the exotic and the forbidden in Spanish society.

The third stanza describes the sexual encounter between the woman and the man. The use of the verb "gozaba" (I enjoyed) suggests that the woman is actively participating in the encounter and deriving pleasure from it. The description of the river as "oscuro" (dark) and "mudo" (silent) creates a sense of intimacy and secrecy, as the lovers are hidden from the rest of the world.

The fourth stanza describes the aftermath of the encounter. The use of the verb "volvió" (returned) suggests that the woman has returned to her normal life, but the memory of the encounter continues to haunt her. The use of the word "mentira" (lie) suggests that the woman's affair was a deception, both to herself and to her husband.

The fifth stanza describes the woman's guilt and shame. The use of the verb "lloraba" (I cried) suggests that the woman is consumed with regret and sorrow over her actions. The use of the word "pecado" (sin) suggests that the woman's affair is not only a violation of social norms but also a violation of religious morality.

The final stanza concludes the poem with a reflection on the nature of desire and love. The use of the word "fuego" (fire) suggests that desire is a powerful force that can consume and destroy, but it is also a force that can bring warmth and light. The use of the word "mar" (sea) suggests that love is a vast and mysterious force that can bring both joy and sorrow.

Conclusion

La Casada Infiel is a powerful and evocative poem that explores themes of love, desire, and social norms. The poem is full of symbolism and metaphor and can be interpreted in many different ways. Whether it is a critique of restrictive social norms or a meditation on the nature of desire and love, the poem speaks to our deepest human emotions and desires. As such, it remains a timeless and enduring work of literature.

Editor 2 Analysis and Explanation

La Casada Infiel: A Poem of Love, Betrayal, and Tragedy

Federico García Lorca is one of the most celebrated poets of the 20th century, known for his lyrical and evocative works that explore themes of love, death, and identity. Among his most famous poems is La Casada Infiel, a haunting and powerful piece that tells the story of a woman who betrays her husband for a lover, only to face the consequences of her actions.

At its core, La Casada Infiel is a poem about love and betrayal. The speaker of the poem, who is assumed to be Lorca himself, tells the story of a married woman who falls in love with another man and begins an affair with him. The woman is consumed by her passion for her lover, and she sneaks away from her husband's house to be with him. But one day, her husband discovers her infidelity and confronts her. The woman is filled with shame and regret, and she realizes that she has lost everything she held dear.

The poem is structured in four stanzas, each with four lines. The first stanza sets the scene, describing the woman's secret meetings with her lover in a hidden garden. The second stanza introduces the husband, who is described as a "good man" who loves his wife. The third stanza is the climax of the poem, as the husband discovers his wife's infidelity and confronts her. The final stanza is a reflection on the consequences of the woman's actions, as she realizes the depth of her betrayal and the pain she has caused.

One of the most striking aspects of La Casada Infiel is its use of imagery and symbolism. The hidden garden where the woman meets her lover is described as a "green river," a metaphor for the passion and intensity of their love. The husband, on the other hand, is associated with the color white, which symbolizes purity and innocence. When he discovers his wife's infidelity, he is described as "white with rage," emphasizing the contrast between his goodness and her betrayal.

Another powerful symbol in the poem is the knife that the husband carries with him. The knife represents his power and authority as a husband, but it also foreshadows the violence that will come later in the poem. When the husband confronts his wife, he draws the knife and threatens to kill her and her lover. This moment is a turning point in the poem, as the woman realizes the gravity of her actions and the danger she has put herself and her lover in.

Throughout the poem, Lorca uses language that is both sensual and tragic. The woman's love for her lover is described in vivid detail, with images of "kisses like little snakes" and "the hot sun on her mouth." But this passion is ultimately doomed, as the woman's betrayal leads to her downfall. The poem is filled with a sense of loss and regret, as the woman realizes too late the consequences of her actions.

La Casada Infiel is a powerful and moving poem that explores the complexities of love and betrayal. Through its use of vivid imagery and symbolism, Lorca creates a haunting portrait of a woman who is consumed by her passion and ultimately pays the price for her infidelity. The poem is a testament to Lorca's skill as a poet, and it remains a classic of Spanish literature to this day.

Editor Recommended Sites

Prompt Engineering Guide: Guide to prompt engineering for chatGPT / Bard Palm / llama alpaca
Cloud Runbook - Security and Disaster Planning & Production support planning: Always have a plan for when things go wrong in the cloud
NLP Systems: Natural language processing systems, and open large language model guides, fine-tuning tutorials help
Knowledge Graph Ops: Learn maintenance and operations for knowledge graphs in cloud
Fanic: A fanfic writing page for the latest anime and stories

Recommended Similar Analysis

L 'Allegro by John Milton analysis
A Hillside Thaw by Robert Lee Frost analysis
There Was A Child Went Forth by Walt Whitman analysis
Schoolroom On A Wet Afternoon by Vernon Scannell analysis
Trinckle , Drops by Walt Whitman analysis
Courtship of Miles Standish, The by Henry Wadsworth Longfellow analysis
Cross by Langston Hughes analysis
Written After Swimming from Sestos to Abydos by George Gordon, Lord Byron analysis
The Convergence Of The Twain by Thomas Hardy analysis
I like to see it lap the Miles by Emily Dickinson analysis