'Love Of Jerusalem' by Yehuda Amichai


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There is a street where they sell only red meat
And there is a street where they sell only clothes and perfumes. And there
is a day when I see only cripples and the blind
And those covered with leprosy, and spastics and those with twisted lips.

Here they build a house and there they destroy
Here they dig into the earth
And there they dig into the sky,
Here they sit and there they walk
Here they hate and there they love.

But he who loves Jerusalem
By the tourist book or the prayer book
is like one who loves a women
By a manual of sex positions.


Translated by Benjamin and Barbara Harshav

Editor 1 Interpretation

Love of Jerusalem by Yehuda Amichai: A Detailed Literary Criticism and Interpretation

Yehuda Amichai's "Love of Jerusalem" is a classic poem that explores the complex relationship between the poet and his city. Written in a conversational style with a mix of prose and verse, the poem offers a vivid and personal glimpse into the poet's feelings and thoughts about Jerusalem. In this literary criticism and interpretation, we will examine the poem's themes, language, imagery, and structure to understand its significance and relevance.

Themes

The central theme of the poem is the poet's love for Jerusalem, despite its flaws and contradictions. Amichai portrays Jerusalem as a city of contradictions, where the sacred and the profane coexist, where beauty and ugliness are intertwined, and where history and modernity clash. The poet's love for Jerusalem is not blind or uncritical but rather a nuanced and complex emotion that acknowledges the city's flaws and contradictions.

Another important theme of the poem is the poet's identity as a Jew and his relationship with the Jewish tradition. Amichai's Jewish identity is not a passive or static affiliation but rather an active and dynamic engagement with the tradition, its history, and its rituals. The poem celebrates Jewish holidays and rituals, such as Passover and Yom Kippur, but also questions and critiques their meaning and relevance in the modern world.

The poem also explores the theme of memory and history. Jerusalem is a city with a rich and complex history, where different cultures and religions have left their mark. The poet's love for Jerusalem is rooted in his memory of the city, its streets, its people, and its traditions. The poem is also a reflection on the fragility and transience of human memory and the need to preserve and cherish it.

Language and Imagery

Amichai's language and imagery are rich and evocative, combining a colloquial and conversational tone with a poetic and metaphoric language. The language is often ironic and playful, using puns, paradoxes, and wordplay to convey the complexity and ambiguity of the poet's feelings.

The imagery in the poem is also varied and multi-layered, combining the personal and the universal, the concrete and the abstract. The city of Jerusalem is portrayed as a living and breathing organism, with its streets, houses, and walls as its organs. The city is also a metaphor for the human body, with its scars, wounds, and wrinkles as signs of its resilience and endurance.

The poem also uses religious and biblical imagery to convey the poet's relationship with the Jewish tradition and the city's history. The image of the "Wailing Wall" is a powerful symbol of Jewish mourning and remembrance, while the "blood of the Passover lamb" is a reminder of the Jewish exodus from Egypt.

Structure

The poem's structure is a mix of prose and verse, with the prose sections serving as a commentary or reflection on the verse sections. The poem is divided into ten sections or stanzas, each with its own theme or topic. The length and structure of each section vary, reflecting the poem's free-flowing and improvisational style.

The poem's structure also highlights the tension between tradition and modernity, as well as the poet's struggle to reconcile his personal feelings with the collective memory and history of his people. The poem begins with a reference to the Jewish calendar and its cycles, but also questions the relevance of these rituals in the modern world. The poem also ends with a reference to the "new Jerusalem," a symbol of hope and renewal, but also a reminder of the city's constant transformation and reinvention.

Interpretation

"Love of Jerusalem" is a complex and multi-layered poem that defies easy interpretation or categorization. The poem's themes, language, imagery, and structure are all interconnected and interwoven, creating a rich and nuanced tapestry of meanings and associations.

At its core, the poem is a celebration of love and memory, of the human capacity to hold onto and cherish what is most precious and fragile in our lives. The poet's love for Jerusalem is not a simple or sentimental emotion but rather a deep and abiding commitment to his city, his people, and his tradition.

The poem also challenges us to rethink our own relationship with the places and traditions that shape our lives. Like the poet, we too are shaped by our memories and histories, our loves and losses. The poem invites us to embrace the contradictions and complexities of our lives and to find meaning and beauty in the midst of the chaos and confusion.

In conclusion, "Love of Jerusalem" is a timeless and universal poem that speaks to our deepest human emotions and aspirations. It is a testament to the power of language and imagination to capture the complexity and richness of our lives and to offer us a glimpse of the infinite possibilities that lie within us.

Editor 2 Analysis and Explanation

Love of Jerusalem: A Poetic Journey Through Time and Space

Yehuda Amichai's Love of Jerusalem is a timeless masterpiece that captures the essence of the holy city in all its glory and complexity. Through his vivid imagery, poignant metaphors, and lyrical language, Amichai takes us on a poetic journey through the streets, alleys, and hills of Jerusalem, exploring its history, culture, and spirituality. In this article, we will delve into the themes, symbols, and techniques that make Love of Jerusalem a true work of art.

The poem begins with a simple yet powerful statement: "The air over Jerusalem is saturated with prayers and dreams." This opening line sets the tone for the rest of the poem, as it establishes Jerusalem as a place of intense spiritual energy and longing. The use of the word "saturated" suggests that the prayers and dreams are not just present in the air, but they are so abundant that they have soaked into every corner of the city. This creates a sense of immersion and intensity that draws the reader into the world of the poem.

As the poem progresses, Amichai introduces us to various images and symbols that represent different aspects of Jerusalem. For example, he describes the city as a "stone vessel filled with light," which suggests that Jerusalem is a container for something precious and luminous. The use of the word "stone" emphasizes the city's ancient and enduring nature, while the image of light suggests that Jerusalem is a source of enlightenment and inspiration. This image also echoes the biblical metaphor of Jerusalem as a "city on a hill" that shines its light to the world.

Another powerful symbol in the poem is the Western Wall, which Amichai describes as "the face of a stone clock / that doesn't tell the time." This image captures the paradoxical nature of the Western Wall, which is both a physical structure and a spiritual symbol. The fact that it is a "stone clock" suggests that it has a timeless quality, as if it exists outside of ordinary time. At the same time, the fact that it "doesn't tell the time" suggests that it is not bound by the limitations of human timekeeping. This creates a sense of mystery and awe around the Western Wall, as if it is a portal to a higher realm.

Throughout the poem, Amichai also explores the theme of love, both romantic and spiritual. He describes the city as a "bride waiting for her groom," which suggests that Jerusalem is a place of longing and anticipation. The use of the word "bride" also implies a sense of purity and innocence, as if Jerusalem is a virgin waiting to be united with her lover. This image is reinforced later in the poem when Amichai describes the city as a "young girl with a secret love." This image suggests that Jerusalem is not only waiting for her lover, but she also has a deep and hidden love of her own.

The theme of love is also expressed through the imagery of the city's streets and alleys. Amichai describes the streets as "narrow and winding like the alleys of lovers," which suggests that Jerusalem is a place of intimacy and closeness. The use of the word "lovers" also implies a sense of passion and intensity, as if the streets themselves are alive with the energy of love. This image is reinforced later in the poem when Amichai describes the city as a "bed of love," which suggests that Jerusalem is a place of physical and spiritual union.

One of the most striking aspects of Love of Jerusalem is Amichai's use of language and sound. He employs a variety of poetic techniques, such as repetition, alliteration, and rhyme, to create a musical and rhythmic effect. For example, he repeats the phrase "Jerusalem of gold" throughout the poem, which creates a sense of continuity and emphasis. He also uses alliteration to create a sense of movement and energy, such as in the line "the stones and the winds and the walls and the waters." This creates a sense of unity and harmony between the different elements of the city.

In conclusion, Love of Jerusalem is a masterpiece of poetry that captures the essence of the holy city in all its complexity and beauty. Through his vivid imagery, poignant metaphors, and lyrical language, Yehuda Amichai takes us on a journey through time and space, exploring the history, culture, and spirituality of Jerusalem. The poem is a testament to the enduring power of love and the human spirit, and it continues to inspire and move readers to this day.

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