'Nocturnos De La Ventana' by Federico García Lorca


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1Alta va la luna.
Bajo corre el viento.(Mis largas miradas,
exploran el cielo.)Luna sobre el agua,
Luna bajo el viento.(Mis cortas miradas,
exploran el suelo.)Las voces de dos nias
venan. Sin el esfuerzo,
de la luna del agua,
me fu a la del cielo.2Un brazo de la noche
entra por mi ventana.Un gran brazo moreno
con pulseras de agua.Sobre un cristal azul
jugaba al ro mi alma.Los instantes heridos
por el reloj... pasaban.3Asomo la cabeza
por mi ventana, y veo
cmo quiere cortarla
la cuchilla del viento.En esta guillotina
invisible, yo he puesto
las cabezas sin ojos
de todos mis deseos.Y un olor de limn
llen el instante inmenso,
mientras se converta
en flor de gasa el viento.4Al estanque se le ha muerto
hoy una nia de agua.
Est fuera del estanque,
sobre el suelo amortajada.De la cabeza a sus muslos
un pez la cruza, llamndola.
El viento le dice “nia”
mas no puede despertarla.El estanque tiene suelta
su cabellera de algas
y al aire sus grises tetas
estremecidas de ranas.Dios te salve. Rezaremos
a Nuestra Seora de Agua
por la nia del estanque
muerta bajo las manzanas.Yo luego pondr a su lado
dos pequeas calabazas
para que se tenga a flote,
¡ay! sobre la mar salada.

Editor 1 Interpretation

Poetry Analysis: Nocturnos De La Ventana by Federico García Lorca

Are you a fan of poetry that takes you on a journey through time and space? Do you enjoy works that are full of vivid imagery and poetic language that makes you feel like you're a part of something bigger than yourself? If so, then Nocturnos De La Ventana by Federico García Lorca is a must-read for you.

Nocturnos De La Ventana, or "Nocturnes of the Window," is a collection of poems that García Lorca wrote in 1920 when he was just 22 years old. It's a work that showcases his talent for creating poetic imagery that is both beautiful and haunting.

In this literary criticism and interpretation, we'll take a closer look at this classic work of poetry and explore the themes and motifs that García Lorca weaves throughout his poems.

Overview of the Poems

Nocturnos De La Ventana is a collection of 11 poems that García Lorca wrote during a period of intense introspection and self-discovery. The poems are based on the views he had from the window of his home in Granada, Spain. They paint a picture of the world outside his window and the emotions that he experienced as he watched it.

The poems are written in free verse, with no set rhyme scheme or meter. This allows García Lorca to create a sense of freedom and fluidity in his writing, and it also allows him to focus on the imagery and language he uses to convey his emotions and thoughts.

Themes and Motifs

One of the main themes that runs throughout Nocturnos De La Ventana is the idea of loneliness and isolation. García Lorca often writes about the quiet streets outside his window and the sense of emptiness that he feels as he watches them. He speaks of "streets that sleep like stones" and "silence that drinks up everything."

Another theme that is prevalent throughout the collection is the idea of time and its passing. García Lorca writes about the changing seasons and the passage of time, as well as his own sense of mortality. In "Los Reyes de la Baraja," he writes, "The clocks have stopped and I am dying / slowly, in the shadows of the night."

Along with these themes, García Lorca also uses several motifs throughout the poems. The most prominent of these is the use of nature imagery. He writes about the moon, stars, and the changing seasons, using this imagery to convey his emotions and thoughts. In "La Luna Asoma," he writes, "The moon rises, and with it, my heart / swells with longing and desire."

Another motif that García Lorca uses throughout Nocturnos De La Ventana is the idea of music. He often writes about the sounds he hears outside his window, such as the "distant guitar" and the "soft, sad notes of the violin." He also uses musical terminology to describe the rhythm and flow of his poems.

Poetic Techniques

García Lorca employs several poetic techniques throughout Nocturnos De La Ventana to create a sense of atmosphere and mood. One of the most notable of these is his use of repetition. He repeats certain phrases and words throughout his poems, creating a sense of rhythm and emphasis.

He also uses personification to give life to the objects and elements he describes in his poems. In "La Luna Asoma," he writes, "The moon rises, and with it, my heart / swells with longing and desire." Here, he personifies the moon, giving it human-like qualities and emotions.

García Lorca also uses metaphor and simile throughout his poems to create vivid images in the reader's mind. In "La Guitarra," he compares the sound of the guitar to "the tears that fall from the eyes of the gypsies."

Conclusion

Nocturnos De La Ventana is a beautiful and haunting collection of poems that showcases García Lorca's talent for creating vivid imagery and poetic language. Through his poems, he explores the themes of loneliness, time, and the beauty of nature. He also employs several poetic techniques to create a sense of atmosphere and mood that draws the reader in.

Overall, Nocturnos De La Ventana is a classic work of poetry that is still relevant today. García Lorca's writing is timeless, and his poems continue to inspire and move readers around the world.

Editor 2 Analysis and Explanation

Poetry Nocturnos De La Ventana: A Masterpiece of Federico García Lorca

Federico García Lorca is one of the most celebrated poets of the 20th century. His works are known for their lyrical beauty, vivid imagery, and profound emotional depth. Among his many masterpieces, Poetry Nocturnos De La Ventana stands out as a shining example of his poetic genius. In this article, we will explore the themes, imagery, and symbolism of this remarkable work.

Poetry Nocturnos De La Ventana, which translates to "Nocturnes of the Window," is a collection of poems that Lorca wrote in 1920. The poems are inspired by the view from his window in Granada, Spain, where he lived at the time. The collection is divided into three sections, each with its own distinct mood and tone.

The first section, titled "Paisajes," or "Landscapes," is a series of poems that describe the natural beauty of the world outside Lorca's window. The poems are filled with vivid imagery and sensory details that transport the reader to the Andalusian countryside. In "El Viento," or "The Wind," Lorca writes:

"The wind is a horse: hear how he runs through the sea, through the sky."

This metaphorical description of the wind as a horse captures the power and energy of the natural world. The poem goes on to describe the wind's effect on the landscape, as it "whips the hills / stamps its hooves / and gallops toward the distance." Through his poetry, Lorca invites the reader to experience the beauty and majesty of nature.

The second section of Poetry Nocturnos De La Ventana is titled "Interludios," or "Interludes." These poems are more introspective in nature, exploring themes of love, loss, and longing. In "La Luna Asoma," or "The Moon Appears," Lorca writes:

"The moon appears and with her silver hands she touches the roofs, the trees, the balconies; she touches the open windows of the houses that are sleeping."

This poem captures the sense of loneliness and isolation that can come with nighttime. The moon, a symbol of beauty and mystery, is a comforting presence in the darkness. The poem also hints at the idea of secret desires and hidden passions, as the moon "touches" the open windows of sleeping houses.

The final section of Poetry Nocturnos De La Ventana is titled "Canciones," or "Songs." These poems are more musical in nature, with a focus on rhythm and repetition. In "Canción del Naranjo Seco," or "Song of the Dry Orange Tree," Lorca writes:

"Green, how I want you green. Green wind. Green branches."

This poem is a celebration of the color green, which is associated with growth, life, and vitality. The repetition of the word "green" creates a hypnotic rhythm that draws the reader into the poem. The image of the dry orange tree, which is unable to produce fruit, is a metaphor for the human condition. Like the tree, we may feel barren and unproductive at times, but there is always the possibility of new growth and renewal.

Throughout Poetry Nocturnos De La Ventana, Lorca employs a variety of literary devices to create a rich and evocative poetic landscape. One of his most notable techniques is the use of metaphor and symbolism. In "El Viento," for example, the wind is compared to a horse, which represents its power and energy. In "La Luna Asoma," the moon is a symbol of beauty and mystery, as well as a comforting presence in the darkness. In "Canción del Naranjo Seco," the dry orange tree is a metaphor for the human condition, with its potential for growth and renewal.

Another key element of Lorca's poetry is his use of imagery and sensory detail. In "El Viento," for example, he describes the wind as "whipping the hills / stamping its hooves / and galloping toward the distance." This vivid description creates a sense of movement and energy that brings the poem to life. In "La Luna Asoma," he describes the moon as "touching" the roofs, trees, and balconies, creating a sense of intimacy and connection between the natural world and human beings.

In conclusion, Poetry Nocturnos De La Ventana is a masterpiece of modern poetry. Through his use of metaphor, symbolism, imagery, and sensory detail, Lorca creates a rich and evocative poetic landscape that invites the reader to experience the beauty and mystery of the natural world. Whether exploring themes of love, loss, and longing, or celebrating the power and energy of nature, Lorca's poetry is a testament to the enduring power of the human spirit.

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