Songs Analysis

Dawn coming in over the fields
of darkness takes me by surprise
and I look up from my solitary road
pleased not to be alone, the birds
now choiring from the orange groves
huddling to the low hills. But sorry
that this night has ended, a night
in which you spoke of how little love
we seemed to have known and all of it
going from one of us to the other.
You could tell the words took me
by surprise, as they often will, and you
grew shy and held me away for a while,
your eyes enormous in the darkness,
almost as large as your hunger
to see and be seen over and over.

30 years ago I heard a woman sing
of the motherless child sometimes
she felt like. In a white dress
this black woman with a gardenia
in her hair leaned on the piano
and stared out into the breathing darkness
of unknown men and women needing
her songs. There were those among
us who cried, those who rejoiced
that she was back before us for a time,
a time not to be much longer, for
the voice was going and the habits
slowly becoming all there was of her.

And I believe that night she cared
for the purity of the songs and not
much else. Oh, she still saw
the slow gathering of that red dusk
that hovered over her cities, and no
doubt dawns like this one caught
her on the roads from job to job,
but the words she'd lived by were
drained of mystery as this sky
is now, and there was no more "Easy
Living" and she was "Miss Brown" to
no one and no one was her "Lover Man."
The only songs that mattered were wordless
like those rising in confusion from
the trees or wind-songs that waken
the grass that slept a century, that
waken me to how far we've come.

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