'The Weed' by Elizabeth Bishop


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I dreamed that dead, and meditating,
I lay upon a grave, or bed,
(at least, some cold and close-built bower).
In the cold heart, its final thought
stood frozen, drawn immense and clear,
stiff and idle as I was there;
and we remained unchanged together
for a year, a minute, an hour.
Suddenly there was a motion,
as startling, there, to every sense
as an explosion. Then it dropped
to insistent, cautious creeping
in the region of the heart,
prodding me from desperate sleep.
I raised my head. A slight young weed
had pushed up through the heart and its
green head was nodding on the breast.
(All this was in the dark.)
It grew an inch like a blade of grass;
next, one leaf shot out of its side
a twisting, waving flag, and then
two leaves moved like a semaphore.
The stem grew thick. The nervous roots
reached to each side; the graceful head
changed its position mysteriously,
since there was neither sun nor moon
to catch its young attention.
The rooted heart began to change
(not beat) and then it split apart
and from it broke a flood of water.
Two rivers glanced off from the sides,
one to the right, one to the left,
two rushing, half-clear streams,
(the ribs made of them two cascades)
which assuredly, smooth as glass,
went off through the fine black grains of earth.
The weed was almost swept away;
it struggled with its leaves,
lifting them fringed with heavy drops.
A few drops fell upon my face
and in my eyes, so I could see
(or, in that black place, thought I saw)
that each drop contained a light,
a small, illuminated scene;
the weed-deflected stream was made
itself of racing images.
(As if a river should carry all
the scenes that it had once reflected
shut in its waters, and not floating
on momentary surfaces.)
The weed stood in the severed heart.
"What are you doing there?" I asked.
It lifted its head all dripping wet
(with my own thoughts?)
and answered then: "I grow," it said,
"but to divide your heart again."

Editor 1 Interpretation

The Weed: A Masterpiece of Elizabeth Bishop

Elizabeth Bishop is a renowned American poet, known for her subtle yet powerful poetry that delves into the human experience with an unparalleled depth of observation and insight. Her poem "The Weed" is a prime example of her exceptional poetic talent, which skillfully captures the complexities of human emotion and the fragility of life itself.

Written in 1955, "The Weed" is a short but powerful poem that explores the themes of isolation, fragility, and mortality. In this literary criticism and interpretation, I will delve into the nuances of Bishop's poem, unraveling its layers of meaning and exploring the poet's use of language and imagery to convey her message.

The Setting and the Mood

The poem is set in a garden, where the narrator appears to be observing a weed growing amidst the other plants. The description of the weed itself is vivid and detailed, with the poet using precise language to create a clear image in the reader's mind.

The mood of the poem is somber and contemplative, with the narrator reflecting on the fragility of life and the inevitability of death. The imagery used by Bishop is evocative and poignant, with the weed serving as a metaphor for human life and the transience of all living things.

The Weed as a Metaphor for Life

The central metaphor of the poem is the weed, which Bishop uses to symbolize the fragility and transience of human life. The weed is described as "a dull, almost-luminous water-green" with "a few spikes" and "one or two fringes of limp-looking, whitish-pink flowers." This description is both vivid and precise, with the poet using language to create a clear image of the weed in the reader's mind.

The weed is also described as "an isolated weed, / an individual, one / of the weeds / of summer's uncountable weeds." This description emphasizes the weed's individuality and uniqueness, but also highlights its insignificance in the grand scheme of things. The weed is just one of many, uncountable weeds, symbolizing the vastness and anonymity of human life in the face of the universe.

The weed's isolation is also significant, as it serves to emphasize the narrator's sense of loneliness and alienation. The narrator is separated from the world around them, just as the weed is isolated from the other plants in the garden. The weed thus becomes a metaphor for the human experience of isolation and the search for connection and meaning in life.

The Use of Imagery

Bishop's use of imagery in the poem is masterful, with each image serving to reinforce the central metaphor and convey the poem's themes. The water-green color of the weed is evocative of life and growth, but also of stagnation and decay. The spikes and fringes of flowers suggest both the tenacity and the fragility of life, with the weed holding on despite its precarious position and limited resources.

The use of the word "limp-looking" to describe the weed's flowers is also significant, as it suggests a sense of exhaustion and resignation. The flowers are on the verge of wilting, just as the narrator is on the verge of accepting the transience of life and the inevitability of death.

The Tone and the Speaker

The tone of the poem is somber and reflective, with the narrator contemplating the meaning of life and the inevitability of death. The use of the second person ("you") to address the reader serves to draw the reader into the poem and make them an active participant in the narrator's thoughts and emotions.

The use of the first person ("I") also serves to create a sense of intimacy and vulnerability, with the narrator sharing their innermost thoughts and emotions with the reader. This sense of intimacy and vulnerability is reinforced by the poet's use of language, which is clear, concise, and evocative.

The Poem's Message

The message of the poem is clear and poignant, with Bishop using the metaphor of the weed to convey the fragility and transience of human life. The poem is a meditation on the human experience of isolation, loneliness, and the search for meaning in the face of mortality.

The poem's message is both universal and timeless, speaking to the human experience in a way that transcends time and place. The poem's use of language and imagery is evocative and poignant, conveying the complexity of human emotion and the fragility of life itself.

Conclusion

In conclusion, Elizabeth Bishop's "The Weed" is a masterful poem that explores the themes of isolation, fragility, and mortality with an unparalleled depth of observation and insight. The weed serves as a powerful metaphor for human life, symbolizing the transience and fragility of all living things.

Bishop's use of language and imagery is evocative and poignant, conveying the complexity of human emotion and the fragility of life itself. The message of the poem is clear and poignant, speaking to the human experience in a way that transcends time and place.

Overall, "The Weed" is a masterpiece of American poetry, a testament to Bishop's exceptional talent and her ability to capture the human experience with subtlety, nuance, and depth.

Editor 2 Analysis and Explanation

The Weed: A Masterpiece of Elizabeth Bishop

Elizabeth Bishop is one of the most celebrated poets of the 20th century. Her works are known for their vivid imagery, precise language, and subtle emotions. Among her many masterpieces, "The Weed" stands out as a remarkable example of her poetic genius. This poem, published in 1934, is a short but powerful meditation on the nature of life, death, and the human condition. In this analysis, we will explore the themes, imagery, and language of "The Weed" and how they contribute to its enduring appeal.

The poem begins with a simple observation: "The weed is a flower." This seemingly innocuous statement sets the tone for the rest of the poem, as it challenges our assumptions about what is beautiful and what is not. Weeds are often seen as unwanted, unsightly plants that need to be removed from gardens and lawns. But Bishop suggests that we should look at them differently, that we should see them as "flowers" in their own right. This shift in perspective is a key theme of the poem, as it invites us to reconsider our preconceptions and appreciate the beauty in unexpected places.

The second stanza of the poem continues this theme, as Bishop describes the weed's "purple fuzz" and "yellow petals." These details are significant because they show us that the weed is not just any plant, but a specific one with its own unique characteristics. By focusing on these details, Bishop invites us to see the weed as an individual, rather than a generic object. This is an important aspect of her poetic style, as she often uses precise, concrete language to create a sense of intimacy and connection with her subjects.

The third stanza of the poem takes a darker turn, as Bishop describes the weed's fate: "Nobody knows what will happen. / Sooner or later / Quarantine will have to be declared." Here, Bishop introduces the theme of mortality, as she suggests that the weed, like all living things, will eventually die. The use of the word "quarantine" is particularly striking, as it suggests that the weed is a threat to something or someone. This could be interpreted in a number of ways, but one possible reading is that the weed represents the inevitability of death, which is a threat to all living things.

The fourth stanza of the poem returns to the theme of beauty, as Bishop describes the weed's "lovely form." This is an interesting choice of words, as it suggests that the weed's beauty is not just skin-deep, but extends to its overall shape and structure. This is another example of Bishop's attention to detail, as she encourages us to look beyond the surface and appreciate the complexity of the natural world.

The final stanza of the poem brings together all of these themes and ideas, as Bishop reflects on the weed's significance: "It is not a treasure, / It is not rare, / But it is a miracle." Here, Bishop suggests that the weed's value lies not in its rarity or monetary worth, but in its very existence. The use of the word "miracle" is particularly powerful, as it suggests that the weed is a wonder of nature, something to be marvelled at and appreciated for its own sake.

Overall, "The Weed" is a remarkable poem that challenges our assumptions about beauty, mortality, and the natural world. Bishop's precise language and vivid imagery create a sense of intimacy and connection with her subject, inviting us to see the world in a new light. The poem's enduring appeal lies in its ability to capture the complexity and wonder of life, even in the most unexpected places.

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