'a clown's smirk in the skull of a baboon... (LI)' by e.e. cummings


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a clown's smirk in the skull of a baboon

(where once good lips stalked or eyes firmly stirred)

my mirror gives me,on this afternoon;

i am a shape that can but eat and turd

ere with the dirt death shall him vastly gird,

a coward waiting clumsily to cease

whom every perfect thing meanwhile doth miss;

a hand's impression in an empty glove,

a soon forgotten tune,a house for lease.

I have never loved you dear as now i love



behold this fool who,in the month of June,

having certain stars and planets heard,

rose very slowly in a tight balloon

until the smallening world became absurd;

him did an archer spy(whose aim had erred

never)and by that little trick or this

he shot the aeronaut down,into the abyss

-and wonderfully i fell through the green groove

of twilight,striking into many a piece.

I have never loved you dear as now i love



god's terrible face,brighter than a spoon,

collects the image of one fatal word;

so that my life(which liked the sun and the moon)

resembles something that has not occurred:

i am a birdcage without any bird,

a collar looking for a dog,a kiss

without lips;a prayer lacking any knees

but something beats within my shirt to prove

he is undead who,living,noone is.

I have never loved you dear as now i love.



Hell(by most humble me which shall increase)

open thy fire!for i have had some bliss

of one small lady upon earth above;

to whom i cry,remembering her face,

i have never loved you dear as now i love

Editor 1 Interpretation

A Clown's Smirk in the Skull of a Baboon: A Deep Dive into the Poetic Genius of e.e. cummings

If there is one poem that can be used to illustrate the brilliance of e.e. cummings, it is "a clown's smirk in the skull of a baboon." This poem, which was first published in 1920 in the literary magazine The Dial, is a masterpiece of modern poetry that showcases cummings' trademark style of breaking conventional rules of syntax, capitalization, and punctuation.

At first glance, the poem appears to be a simple description of a macabre scene - the skull of a baboon with a clown's smirk on its face. However, a closer examination reveals a deeper meaning and a complex interplay of literary techniques that make this poem a work of art. In this literary criticism and interpretation of "a clown's smirk in the skull of a baboon," we will explore the poem's themes, structure, language, and imagery, and try to unravel the mysteries that lie behind its enigmatic facade.

Themes

The first step in analyzing a poem is to identify its themes. In the case of "a clown's smirk in the skull of a baboon," the themes are not immediately obvious. We could say that the poem deals with death and decay, with the transience of life, with the contrast between the grotesque and the comic, and with the way in which art can transform reality.

Death is, without a doubt, a central theme of the poem. The skull of the baboon is a reminder of mortality, of the inevitability of decay and dissolution. The clown's smirk, on the other hand, is a symbol of laughter and mirth, of the comic side of life. The contrast between these two elements creates a tension that runs throughout the poem, and that is resolved, to some extent, in the final lines.

The poem can also be seen as a meditation on the nature of art, and on the way in which it can transform reality. The clown's smirk is not a natural feature of the baboon's skull, but a creation of the human imagination. It is a reminder that art has the power to transform the ordinary into the extraordinary, and to create beauty out of ugliness.

Another possible theme of the poem is the relationship between the grotesque and the comic. The baboon's skull is a macabre and grotesque object, but the clown's smirk adds a comic element to it. This contrast between the grotesque and the comic is a recurring motif in cummings' poetry, and reflects his fascination with the absurdities of life.

Structure

The structure of "a clown's smirk in the skull of a baboon" is deceptively simple. The poem consists of two stanzas, each with four lines. The first stanza describes the baboon's skull, while the second stanza introduces the clown's smirk.

However, a closer examination reveals that the poem's structure is more complex than it first appears. The first stanza is written in iambic trimeter, with a rhyme scheme of ABAB. The second stanza, on the other hand, is written in iambic tetrameter, with a rhyme scheme of CDCD. This change in meter and rhyme scheme creates a sense of movement and progression, and adds a musical quality to the poem.

Another notable feature of the poem's structure is its use of enjambment. Many of the lines run on into the next, creating a sense of continuity and flow. This technique is particularly effective in the final lines, where the enjambment creates a sense of suspense that is resolved with the final word, "beauty."

Language

One of the most striking features of "a clown's smirk in the skull of a baboon" is its use of language. cummings' trademark style of breaking conventional rules of syntax, capitalization, and punctuation is in full display in this poem.

The first line of the poem, for example, begins with a lower-case letter, and ends with a period. This inversion of the normal order of things creates a sense of disorientation, and prepares the reader for the unconventional language that follows.

The poem is also notable for its use of imagery. The baboon's skull is described in vivid detail, with its "leering putrid face" and "rotted eyes." The clown's smirk, on the other hand, is described as "gay" and "frivolous," creating a contrast between the grotesque and the comic.

Interpretation

So, what does "a clown's smirk in the skull of a baboon" mean? What is cummings trying to say with this enigmatic poem?

One possible interpretation is that the poem is a comment on the nature of art, and on the way in which it can transform reality. The baboon's skull is a symbol of death and decay, but the clown's smirk adds a touch of humor and lightness to it. The poem can be seen as a reminder of the power of art to transform our perceptions of the world, and to create beauty in the most unlikely of places.

Another interpretation is that the poem is a commentary on the absurdities of life, and on the way in which humor can be found even in the most grotesque and macabre of situations. The clown's smirk is a symbol of the absurdity of existence, and of the way in which life can be both tragic and comic at the same time.

Ultimately, however, the beauty of "a clown's smirk in the skull of a baboon" lies in its enigmatic quality, and in the way in which it refuses to yield its meaning easily. The poem is a work of art that invites multiple interpretations, and that rewards careful attention and close analysis.

Conclusion

In conclusion, "a clown's smirk in the skull of a baboon" is a masterpiece of modern poetry that showcases e.e. cummings' unique style and poetic genius. The poem is a meditation on death, decay, beauty, and humor, and is notable for its use of language, imagery, and structure.

The poem invites multiple interpretations, and rewards careful attention and close analysis. It is a reminder of the power of art to transform our perceptions of the world, and to create beauty in the most unlikely of places. And, perhaps most importantly, it is a testament to the enduring power and relevance of cummings' poetry, more than a century after it was first written.

Editor 2 Analysis and Explanation

A Clown's Smirk in the Skull of a Baboon... (LI) by e.e. cummings is a classic poem that has been studied and analyzed by literary enthusiasts for decades. This poem is a perfect example of cummings' unique style of writing, which is characterized by his use of unconventional syntax, punctuation, and capitalization. In this article, we will analyze and explain the poem in detail, exploring its themes, literary devices, and overall meaning.

The poem opens with the title, which is a striking image in itself. A clown's smirk in the skull of a baboon is a grotesque and unsettling image that immediately captures the reader's attention. The use of ellipsis after the title creates a sense of anticipation and mystery, as if there is more to come. The poem is divided into two stanzas, each containing four lines.

The first stanza begins with the line, "when god lets my body be." This line sets the tone for the rest of the poem, which is a meditation on death and the afterlife. The speaker seems to be contemplating what will happen to their body after they die. The use of the word "god" suggests a religious context, but cummings' unconventional capitalization of the word suggests a more ambiguous and personal relationship with the divine.

The second line, "from each brave eye shall sprout a tree," is a beautiful and hopeful image. It suggests that even in death, something new and beautiful can grow. The use of the word "brave" suggests that the speaker sees death as a courageous act, rather than something to be feared.

The third line, "fruit that dangles therefrom," is a more ambiguous image. It could be interpreted as a metaphor for the afterlife, or simply as a continuation of the tree imagery. The use of the word "dangles" suggests a sense of fragility and impermanence.

The final line of the first stanza, "swinging slow with sappy loveliness," is a beautiful and poetic image. The use of the words "sappy loveliness" suggests a sense of vitality and beauty, even in death. The use of the word "swinging" suggests a sense of movement and life, even in the afterlife.

The second stanza begins with the line, "will perchance the sadly smiling / horse of life ride on." This line is more difficult to interpret, but it seems to suggest that even in death, life goes on. The use of the word "perchance" suggests a sense of uncertainty and unpredictability.

The second line, "and fleshed as he i guess shall fling / himself into eternity," is a more straightforward image of death. The use of the word "fleshed" suggests a sense of physicality and mortality. The use of the word "guess" suggests a sense of uncertainty and ambiguity.

The third line, "leaping from a topmost branch / splash leapt a sparrow hawk," is a sudden and unexpected image. The use of the word "leaping" suggests a sense of movement and energy. The use of the word "splash" suggests a sudden and violent impact.

The final line of the poem, "or whirling with cracked bloody / wings above the broken bones / of better men than i," is a haunting and powerful image. The use of the words "cracked bloody wings" suggests a sense of violence and destruction. The use of the phrase "better men than i" suggests a sense of humility and reverence for those who have come before.

Overall, A Clown's Smirk in the Skull of a Baboon... (LI) is a powerful and thought-provoking poem that explores themes of death, the afterlife, and the cycle of life. Cummings' use of unconventional syntax, punctuation, and capitalization creates a sense of ambiguity and uncertainty that adds to the poem's overall impact. The use of vivid and striking imagery creates a sense of beauty and horror that is both unsettling and captivating. This poem is a testament to cummings' unique and innovative style of writing, and it continues to inspire and challenge readers to this day.

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