'When the winter chrysanthemums go' by Matsuo Basho


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haikuThe Essential Haiku1994When the winter chrysanthemums go,
there's nothing to write aboutbut radishes.

Editor 1 Interpretation

The Beauty of Nature in Matsuo Basho's "When the winter chrysanthemums go"

As the cold, biting winds of winter sweep across the land, the chrysanthemums wither and die, leaving behind a barren landscape of snow and ice. Yet amidst this desolate scene, there is a beauty that can only be found in the fleeting moments of life, and it is this beauty that Matsuo Basho captures in his masterpiece "When the winter chrysanthemums go."

In this beautiful poem, Basho paints a vivid picture of the changing seasons, using the image of the chrysanthemum to symbolize the fragility of life. The poem is divided into two distinct parts, the first of which describes the beauty of the chrysanthemums in their prime, while the second part depicts their demise as winter sets in.

The Beauty of Life in the First Stanza

The poem opens with a description of the chrysanthemums in their prime, with Basho using vivid imagery to bring the scene to life. He describes the chrysanthemums as "a hundred flowers in spring, the cherry blossoms, / the cuckoo sings, and the jade-green / river where we used to boat" (lines 1-3). These lines evoke a sense of joy and vitality, with the cherry blossoms and cuckoo singing representing the beauty of nature, while the jade-green river symbolizes the serenity of life.

As the stanza continues, Basho shifts his focus to the chrysanthemums themselves, describing them as "red like that of a cherry, / long they kept company with me, / the winter chrysanthemums" (lines 4-6). Here, Basho is emphasizing the beauty of life, with the chrysanthemums representing the fleeting nature of existence. The fact that they are referred to as "winter chrysanthemums" also suggests that they are a symbol of hope amidst the cold and darkness of the winter season.

The Transience of Life in the Second Stanza

In the second stanza, Basho shifts his focus to the changing seasons, using the chrysanthemums once again to symbolize the transience of life. He describes how "the first snow of the year / falls on the chrysanthemums; / they all wither and die" (lines 7-9). Here, Basho is emphasizing the impermanence of life, with the chrysanthemums representing the finite nature of existence.

As the stanza continues, Basho contrasts the beauty of the chrysanthemums in their prime with their eventual downfall. He describes how "the grasses and trees may fade away, / but the chrysanthemums only seem more beautiful / as they droop and die" (lines 10-12). Here, Basho is emphasizing the paradoxical nature of life, with the beauty of the chrysanthemums in death representing the inherent beauty of all things.

The Philosophy of Basho's Poem

At its core, "When the winter chrysanthemums go" is a meditation on the beauty of nature and the transient nature of existence. Basho uses the chrysanthemums as a symbol of life, emphasizing their beauty in both their prime and their eventual demise. Through this symbol, Basho is conveying a philosophy that embraces the impermanence of life, emphasizing the beauty of things precisely because they are fleeting.

In this sense, the poem is a celebration of life and its many forms. Basho's vivid imagery and the subtlety of his symbolism create a sense of wonder and awe at the beauty of the world around us. By emphasizing the transience of life, Basho is reminding us to appreciate the present moment and to cherish everything that we have.

Conclusion

"When the winter chrysanthemums go" is a stunning work of poetry that captures the beauty of nature and the transience of existence. Through his masterful use of symbolism and imagery, Basho creates a sense of wonder and awe at the world around us, reminding us to appreciate the present moment and to cherish everything that we have. As the chrysanthemums wither and die, we are reminded of the beauty of life itself, and the fleeting moments that make it so precious.

Editor 2 Analysis and Explanation

When the winter chrysanthemums go, what remains? This is the question that Matsuo Basho, one of the greatest poets of the Edo period in Japan, poses in his classic poem. The poem is a haiku, a form of Japanese poetry that consists of three lines with a syllable count of 5-7-5. Despite its brevity, the poem is rich in meaning and symbolism, and has captivated readers for centuries.

At first glance, the poem seems to be a simple observation of nature. Chrysanthemums are a popular flower in Japan, and they bloom in the autumn and winter months. Basho is noting that when the winter chrysanthemums wither and die, there is nothing left. The poem is a reflection on the transience of life and the inevitability of death. However, there is much more to the poem than meets the eye.

One of the key themes of the poem is the concept of mono no aware, which can be translated as "the pathos of things." This is a central idea in Japanese aesthetics, and refers to the bittersweet feeling of impermanence and the fleeting nature of life. The winter chrysanthemums are a symbol of this idea, as they bloom for a short time before fading away. Basho is reminding us that everything in life is temporary, and that we should appreciate the beauty of the moment before it passes.

Another important aspect of the poem is its use of kigo, or seasonal words. In traditional Japanese poetry, each season has its own set of associated words and images. The winter chrysanthemums are a kigo for the winter season, and their appearance in the poem sets the tone for the entire piece. By using a seasonal word, Basho is placing the poem within a specific context and creating a sense of atmosphere and mood.

The poem also contains a sense of wabi-sabi, another key concept in Japanese aesthetics. Wabi-sabi is the idea that beauty can be found in imperfection and impermanence. The winter chrysanthemums are not perfect, but they are still beautiful in their own way. Basho is suggesting that we should embrace the imperfect and find beauty in the fleeting moments of life.

The poem can also be interpreted as a commentary on the Buddhist concept of emptiness. In Buddhism, emptiness refers to the idea that all things are ultimately empty of inherent existence. Everything is interconnected and dependent on other things for its existence. The winter chrysanthemums are a symbol of this idea, as they are part of the cycle of life and death. When they go, nothing remains, but their essence lives on in the interconnected web of existence.

In addition to its philosophical themes, the poem is also a masterful example of haiku poetry. The syllable count of 5-7-5 is deceptively simple, but it requires a great deal of skill to create a poem that is both concise and meaningful. Basho's use of language is precise and evocative, and he creates a vivid image of the winter chrysanthemums in just a few words.

The poem also contains a sense of kire, or cutting. Kire refers to the way that haiku poetry is structured, with a cutting word or phrase that creates a juxtaposition between two images or ideas. In this poem, the cutting word is "go," which means both "to wither" and "to leave." This creates a sense of ambiguity and depth, as the word can be interpreted in multiple ways.

Overall, "When the winter chrysanthemums go" is a masterpiece of haiku poetry that contains multiple layers of meaning and symbolism. Basho's use of language and imagery is precise and evocative, and the poem captures the essence of Japanese aesthetics and philosophy. It is a reminder to appreciate the beauty of the moment, to find beauty in imperfection, and to embrace the transience of life.

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