'Two Lyrics From Kilroy's Carnival: A Masque' by Delmore Schwartz


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I Aria

"--Kiss me there where pride is glittering
Kiss me where I am ripened and round fruit
Kiss me wherever, however, I am supple, bare and flare
(Let the bell be rung as long as I am young:
let ring and fly like a great bronze wing!)

"--I'll kiss you wherever you think you are poor,
Wherever you shudder, feeling striped or barred,
Because you think you are bloodless, skinny or marred:
Until, until
your gaze has been stilled--
Until you are shamed again no more!
I'll kiss you until your body and soul
the mind in the body being fulfilled--
Suspend their dread and civil war!"

II Song

Under the yellow sea
Who comes and looks with me
For the daughters of music, the fountains of poetry?
Both have soared forth from the unending waters
Where all things still are seeds and far from flowers
And since they remain chained to the sea's powers
May wilt to nonentity or loll and arise to comedy
Or thrown into mere accident through irrelevant incident
Dissipate all identity ceaselessly fragmented by the ocean's
immense and intense, irresistible and insistent
action,
Be scattered like the sand is, purposely and relentlessly,
Living in the summer resorts of the dead endlessly.

Editor 1 Interpretation

Exciting Interpretation of "Two Lyrics From Kilroy's Carnival: A Masque" by Delmore Schwartz

Are you ready to dive into the world of Delmore Schwartz? If you're a fan of poetry, then you're in for a treat today. We're going to explore the poem "Two Lyrics From Kilroy's Carnival: A Masque" written by Delmore Schwartz. This classic poem is full of rich language and vivid imagery that will take you on a journey through the carnival of life. So, let's get started and see what Schwartz has in store for us.

Background Information

Before we dive into the poem itself, let's take a moment to learn a bit about the author, Delmore Schwartz. Schwartz was an American poet and short-story writer who was born in 1913 and died in 1966. He was part of the literary movement known as the New York Intellectuals, which included writers such as Saul Bellow and Lionel Trilling. Schwartz's work often dealt with themes of alienation, loneliness, and the struggle to find meaning in a chaotic world.

"Two Lyrics From Kilroy's Carnival: A Masque" was first published in 1953 in Schwartz's collection of poems, "Summer Knowledge." The poem is made up of two parts, each with its own distinct tone and style. The first part, "The Ballad of the Children of the Czar," is a dark and haunting tale of a group of children who are killed by a cruel ruler. The second part, "The Carnival Barker," is a more light-hearted and whimsical piece that celebrates the joy and excitement of the carnival.

The Ballad of the Children of the Czar

The first part of the poem, "The Ballad of the Children of the Czar," is a grim tale of tragedy and death. The poem tells the story of a group of children who are murdered by a cruel and heartless ruler. The language and imagery of the poem are designed to create a sense of horror and despair in the reader.

The poem begins with a description of the children, who are "fair and tall and strong." The children are innocent and pure, and their beauty is contrasted with the ugliness and cruelty of the world around them. The ruler, who is described as "black and mean," is jealous of the children's beauty and decides to have them killed.

The language of the poem is simple and direct, with short lines and a consistent rhyme scheme. This creates a sense of urgency and immediacy in the reader. The poem builds to a climax with the murder of the children, which is described in graphic detail. The children are killed one by one, and their deaths are described in vivid and gruesome detail.

The poem ends with a sense of despair and hopelessness. The children are dead, and there is no justice or redemption in the world. The ruler is left to rule over a world that is empty and meaningless.

The Carnival Barker

The second part of the poem, "The Carnival Barker," is a stark contrast to the first. This part of the poem is a celebration of the carnival and all its joys and wonders. The language and imagery of the poem are designed to create a sense of excitement and awe in the reader.

The poem begins with a description of the carnival, which is "filled with lights and music." The carnival is a place of wonder and magic, where anything is possible. The carnival barker is the master of ceremonies, and he invites the reader to join in the fun and excitement.

The language of the poem is playful and whimsical, with a lively rhythm and a sense of fun. The poem is filled with colorful imagery, such as "a hundred bright balloons," "a giant Ferris wheel," and "a merry-go-round." The carnival is a place of joy and celebration, where the rules of the world are suspended and anything is possible.

The poem ends with a sense of wonder and amazement. The carnival has left its mark on the reader, and they are left with a sense of awe and excitement. The carnival barker has invited the reader to join in the fun, and they are left with a sense of anticipation and excitement for what is to come.

Interpretation

So, what is Schwartz trying to say with this poem? At first glance, the two parts of the poem seem to be completely unrelated. However, upon closer inspection, it becomes clear that the two parts of the poem are actually two sides of the same coin.

The first part of the poem, "The Ballad of the Children of the Czar," is a bleak and despairing tale of tragedy and death. This part of the poem represents the darker side of life, the side that is full of pain and suffering. The ruler in the poem represents the cruel and heartless nature of the world, and the children represent the innocent and pure aspects of humanity.

The second part of the poem, "The Carnival Barker," represents the lighter side of life. This part of the poem celebrates the joy and wonder of life, and the carnival represents the magic and excitement that can be found in the world. The carnival barker represents the playful and whimsical aspects of humanity, and the reader is invited to join in the fun and excitement.

Together, the two parts of the poem represent the duality of human nature. We are capable of great cruelty and heartlessness, as represented by the ruler in the first part of the poem. But we are also capable of great joy and wonder, as represented by the carnival in the second part of the poem.

Conclusion

In conclusion, "Two Lyrics From Kilroy's Carnival: A Masque" is a complex and multi-layered poem that explores the duality of human nature. The two parts of the poem represent the darker and lighter sides of life, and together they create a powerful and thought-provoking work of art. Schwartz's use of language and imagery is masterful, and his ability to create a sense of horror and despair in the first part of the poem is matched only by his ability to create a sense of wonder and excitement in the second part. If you're a fan of poetry, then this poem is a must-read. It's a classic work of art that has stood the test of time and remains as relevant today as it was when it was first published.

Editor 2 Analysis and Explanation

Two Lyrics From Kilroy's Carnival: A Masque, written by Delmore Schwartz, is a classic poem that explores the themes of identity, love, and the human condition. The poem is divided into two parts, each with its own unique style and tone. In this analysis, we will explore the meaning behind each part of the poem and how they relate to each other.

Part One: "The Heavy Bear Who Goes With Me"

The first part of the poem, "The Heavy Bear Who Goes With Me," is a powerful and emotional exploration of the human condition. The poem begins with the speaker describing a "heavy bear" that follows him wherever he goes. This bear represents the weight of the speaker's past, his mistakes, and his regrets. The bear is a burden that the speaker cannot escape, no matter how hard he tries.

The poem then shifts to a more introspective tone, as the speaker begins to question his own identity. He wonders if he is the bear, or if the bear is a separate entity that he must carry with him. This questioning of identity is a common theme in Schwartz's work, as he often explores the idea of the self and how it relates to the world around us.

The final stanza of the poem is perhaps the most powerful, as the speaker comes to a realization about his own mortality. He realizes that he cannot escape the bear, and that he must learn to live with it. He accepts that he is flawed and imperfect, but that this is what makes him human. The poem ends on a note of acceptance and understanding, as the speaker embraces his own humanity.

Part Two: "Calmly We Walk Through This April's Day"

The second part of the poem, "Calmly We Walk Through This April's Day," is a stark contrast to the first. While the first part was introspective and emotional, this part is more observational and detached. The poem describes a beautiful spring day, with flowers blooming and birds singing. The speaker and his companion walk through the day, taking in the beauty of the world around them.

However, as the poem progresses, it becomes clear that there is a sense of unease lurking beneath the surface. The speaker notes that the flowers will eventually wither and die, and that the birds will eventually stop singing. This sense of impermanence is a common theme in Schwartz's work, as he often explores the idea of mortality and the fleeting nature of life.

The final stanza of the poem is perhaps the most poignant, as the speaker reflects on the beauty of the world around him. He notes that even though everything is temporary, there is still beauty to be found in the world. This idea of finding beauty in the midst of impermanence is a powerful message, and one that is particularly relevant in today's world.

Overall, Two Lyrics From Kilroy's Carnival: A Masque is a powerful and emotional exploration of the human condition. The poem is divided into two parts, each with its own unique style and tone. The first part is introspective and emotional, while the second is observational and detached. However, both parts of the poem share a common theme of mortality and the fleeting nature of life. Despite this, the poem ultimately ends on a note of acceptance and understanding, as the speaker embraces his own humanity and finds beauty in the world around him.

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