'Travel' by Edna St. Vincent Millay


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The railroad track is miles away,
And the day is loud with voices speaking,
Yet there isn't a train goes by all day
But I hear its whistle shrieking.

All night there isn't a train goes by,
Though the night is still for sleep and dreaming,
But I see its cinders red on the sky,
And hear its engine steaming.

My heart is warm with friends I make,
And better friends I'll not be knowing;
Yet there isn't a train I'd rather take,
No matter where it's going.

Editor 1 Interpretation

An Adventure in Words: A Literary Criticism of Edna St. Vincent Millay's "Travel"

Who doesn't dream of travelling the world? Seeing new places, meeting new people, experiencing new cultures - it's a romantic idea that has captured the imagination of countless writers, poets, and artists throughout history. And in Edna St. Vincent Millay's poem "Travel," we see the poet's own longing for adventure, as well as her deep appreciation for the beauty and complexity of the world.

Structure and Form

Before we delve deeper into the themes and imagery of the poem, let's take a moment to appreciate the structure and form. "Travel" is a sonnet, a form of poetry that originated in Italy in the 13th century and became popular in English literature during the Renaissance. A sonnet typically consists of fourteen lines, with a rhyming scheme that varies depending on the type of sonnet (Italian or Petrarchan, and English or Shakespearean).

"Travel" follows the Shakespearean sonnet form, with a rhyme scheme of ABAB CDCD EFEF GG. The poem is divided into three quatrains (four-line stanzas) and a final couplet (two-line stanza). The meter is iambic pentameter, which means each line has ten syllables and follows a pattern of unstressed-stressed syllables.

The sonnet form is particularly suited to themes of love, beauty, and longing, which are often explored in sonnets. In "Travel," Millay uses the form to express her intense desire to see the world, but also to convey the sense of longing and melancholy that comes with being unable to fulfill that desire.

Themes and Imagery

One of the most striking things about "Travel" is the way Millay uses imagery to evoke a sense of the vastness and complexity of the world. In the first quatrain, for example, she describes the "golden-shouldered" mountains and the "ocean's lavender foam." These images create a sense of wonder and awe at the beauty of nature, but also hint at the difficulty of travelling and the obstacles that must be overcome to reach such places.

In the second quatrain, Millay shifts her focus to the people and cultures of the world. She speaks of "peoples and cities" she has never seen, and imagines the smells, sounds, and colors of these unknown places. The image of the "brown-warm face" is particularly powerful, as it suggests a sense of intimacy and connection with people from different parts of the world.

But the poem is not just about the beauty and diversity of the world - it also explores the pain and longing that comes with being unable to travel. In the third quatrain, Millay laments that she is "not wholly free" and cannot simply wander the world at will. The image of the "gypsy feet" suggests a sense of restlessness and wanderlust, but also a sense of confinement and restriction.

Finally, in the couplet, Millay expresses a bittersweet acceptance of her situation. She acknowledges that she may never see all the places she dreams of, but also recognizes that the desire itself is a kind of adventure. The final line, "And happy will I be if I can think of the places I have been," suggests a sense of nostalgia and longing for the past, but also a deep appreciation for the experiences that have shaped her.

Interpretation and Analysis

So what does "Travel" mean, exactly? As with any work of literature, there are multiple interpretations and ways of approaching the poem. Here are a few possible angles to consider:

Longing and Discontent

One of the most obvious themes of "Travel" is the sense of longing and discontent that runs through the poem. Millay clearly desires to see the world and experience new things, but is unable to do so for various reasons (perhaps financial, familial, or societal). The image of the "caged bird" in the third quatrain suggests a sense of confinement and restriction, as if Millay feels trapped in her current circumstances.

At the same time, however, there is a sense of resignation and acceptance in the poem. Millay recognizes that she may never achieve her dreams of travelling the world, but also acknowledges the beauty of the desire itself. In this way, the poem can be seen as a meditation on the human condition - the fact that we are always yearning for something more, even if we cannot attain it.

Beauty and Wonder

Another possible interpretation of "Travel" is that it celebrates the beauty and wonder of the world. Millay's use of vivid imagery and sensory language creates a sense of awe and reverence for nature, as well as for the diversity of human culture. The poem can be seen as a tribute to the richness and complexity of the world, and to the human capacity for curiosity and exploration.

Self-Discovery and Adventure

Finally, "Travel" can be interpreted as an exploration of the self and the concept of adventure. Millay's desire to see the world is not just about external exploration, but also about internal discovery. By encountering new people, places, and cultures, she hopes to learn more about herself and her place in the world.

At the same time, the poem also suggests that the desire for adventure can be a source of happiness and fulfillment in and of itself. Even if Millay never gets to travel as extensively as she dreams of, the fact that she has the desire and the imagination to do so is a form of adventure in its own right.

Conclusion

In conclusion, "Travel" is a complex and richly layered poem that explores themes of longing, beauty, and self-discovery. Millay's use of vivid imagery and sensory language creates a sense of wonder and awe at the beauty and complexity of the world, while also conveying a sense of melancholy and resignation at the limitations of human experience.

Ultimately, however, the poem suggests that the desire for adventure and exploration is a fundamental part of the human spirit, and that even if we cannot always achieve our dreams, the fact that we have them is a kind of adventure in itself. As Millay writes in the final couplet, "And happy will I be if I can think of the places I have been."

Editor 2 Analysis and Explanation

Travel: An Exploration of Life and Freedom

Edna St. Vincent Millay’s poem “Travel” is a masterpiece that captures the essence of life’s journey and the freedom that comes with it. The poem is a celebration of the human spirit, the desire to explore and discover, and the courage to break free from the constraints of society. Through vivid imagery and powerful metaphors, Millay takes the reader on a journey of self-discovery and liberation.

The poem begins with the speaker addressing the reader, inviting them to join her on a journey. She speaks of the allure of travel, the excitement of the unknown, and the freedom that comes with leaving behind the familiar. The opening lines set the tone for the rest of the poem, conveying a sense of adventure and anticipation:

“Oh, who will walk a mile with me Along life's merry way? A comrade blithe and full of glee, Who dares to laugh out loud and free, And let his frolic fancy play, Like a happy child, through the flowers gay That fill the field and fringe the way Where he walks a mile with me.”

The speaker’s invitation is not just a call to physical travel, but also a call to explore life’s journey. She seeks a companion who is willing to embrace life’s joys and sorrows, to laugh and cry, and to experience the full range of human emotions. The use of the word “comrade” suggests a sense of camaraderie and shared experience, as if the speaker is seeking a fellow traveler on the road of life.

As the poem progresses, the speaker describes the beauty of the natural world and the freedom that comes with being in it. She speaks of the “flowers gay” that “fill the field and fringe the way,” painting a picture of a vibrant and colorful landscape. The use of the word “gay” is particularly significant, as it suggests a sense of joy and celebration that is central to the poem’s theme.

The speaker goes on to describe the freedom that comes with being in nature, away from the constraints of society. She speaks of the “open road” and the “wide horizon,” suggesting a sense of limitless possibility and potential. The use of the word “wide” is particularly significant, as it suggests a sense of expansiveness and openness that is central to the poem’s theme of freedom.

The poem’s central metaphor is that of the journey itself. The speaker describes life as a journey, with its ups and downs, its twists and turns, and its moments of joy and sorrow. She speaks of the “hills and valleys” that must be traversed, suggesting that life is not always easy, but that the journey itself is what gives it meaning.

The speaker also speaks of the importance of taking risks and embracing the unknown. She speaks of the “untraveled paths” and the “unseen sights,” suggesting that there is always something new to discover and explore. The use of the word “unseen” is particularly significant, as it suggests a sense of mystery and wonder that is central to the poem’s theme of adventure.

The poem’s final stanza is a powerful affirmation of the human spirit and the freedom that comes with it. The speaker declares that she will “travel on” and “never rest” until she has explored all that life has to offer. She speaks of the “joy of life” and the “freedom of the open road,” suggesting that these are the things that give life its meaning and purpose.

In conclusion, Edna St. Vincent Millay’s poem “Travel” is a celebration of life’s journey and the freedom that comes with it. Through vivid imagery and powerful metaphors, Millay takes the reader on a journey of self-discovery and liberation. The poem is a call to embrace life’s joys and sorrows, to take risks and explore the unknown, and to never stop traveling until all that life has to offer has been discovered. It is a powerful affirmation of the human spirit and the limitless potential that comes with being alive.

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