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Ariel Analysis

Author: poem of Sylvia Plath Type: poem Views: 36

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Stasis in darkness.

Then the substanceless blue

Pour of tor and distances.

God's lioness,

How one we grow,

Pivot of heels and knees! -- The furrow

Splits and passes, sister to

The brown arc

Of the neck I cannot catch,


Berries cast dark

Hooks ----

Black sweet blood mouthfuls,


Something else

Hauls me through air ----

Thighs, hair;

Flakes from my heels.


Godiva, I unpeel ----

Dead hands, dead stringencies.

And now I

Foam to wheat, a glitter of seas.

The child's cry

Melts in the wall.

And I

Am the arrow,

The dew that flies,

Suicidal, at one with the drive

Into the red

Eye, the cauldron of morning.


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||| Analysis | Critique | Overview Below |||

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Hi Rebecca,In academic ppreas, information has to be based on evidence (science). However, that doesn't mean the writing can't have some of the qualities of language that make creative writing engaging and meaningful to the reader. There is a lot of resistance to that idea people have this longstanding perception of what a scholarly paper sounds like, and too often it's dry at best and pretentious at worst. There is no recognizable voice of the writer and without that it is hard for a reader to engage with the material. And isn't the purpose of a paper to share knowledge and ideas? How does that happen if you don't engage the reader?Also, there is no innovation without creativity. And the best research is innovative presenting a new way to think about and approach a problem.Thanks for taking time to comment!Karen

| Posted on 2013-11-15 | by a guest

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That voice will probably alyaws be there but you just need to talk louder than that voice to drown it out! (yes I am advocating talking to yourself! And answering!) x x

| Posted on 2013-11-14 | by a guest

.: :.

The Bell Jar is a book that people often feel very solntgry about. In my piece, I hoped to provoke a reaction of some kind and it is not clear to me whether I did or not.Layered into this piece is the outline of a fig tree which includes tiny pieces of text, cut out into leaf shapes, each representing one of her choices. Plath mentions this big green fig tree on page 73."From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet, and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of lovers with queer names and off-beat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out."

| Posted on 2013-11-12 | by a guest

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