'Piccolo Valzer Viennese' by Federico García Lorca

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A Vienna ci sono dieci ragazze,
una spalla dove piange la morte
e un bosco di colombe disseccate.
C'e' un frammento del mattino
nel museo della brina.
C'è un salone con mille vetrate.

Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer con la bocca chiusa.

Questo valzer, questo valzer, questo valzer,
di sì, di morte e di cognac
che si bagna la coda nel mare.

Io ti amo, io ti amo, io ti amo
con la poltrona e con il libro morto,
nel malinconico corridoio,
nell'oscura soffitta del giglio,
nel nostro letto della luna,
nella danza che sogna la tartaruga.

Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer dalla spezzata cintura.
A Vienna ci sono quattro specchi,
vi giocano la tua bocca e gli echi.
C'è una morte per pianoforte
che tinge d'azzurro i giovanotti.
Ci sono mendichi sui terrazzi. E
fresche ghirlande di pianto.

Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer che spira fra le mie braccia.
Perchè io ti amo, ti amo, amore mio,
nella soffitta dove giocano i bambini,
sognando vecchie luci d'Ungheria
nel mormorio di una sera mite,
vedendo agnelli e gigli di neve
nell'oscuro silenzio delle tue tempie.

Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer del "Ti amo per sempre".
A Vienna ballerò con te
con un costume che abbia la testa di fiume.
Guarda queste mie rive di giacinti!
Lascerò la mia bocca tra le tue gambe,
la mia anima in foto e fiordalisi,
e nelle onde oscure del tuo passo io voglio,
amore mio, amore mio, lasciare,
violino e sepolcro, i nastri del valzer.


English Translation

Little Viennese Waltz


In Vienna there are ten little girls
a shoulder for death to cry on
and a forest of dried pigeons.
There is a fragment of tomorrow
in the museum of winter frost.
There is a thousand-windowed dance hall.

Ay, ay, ay, ay!
Take this close-mouthed waltz.

Little waltz, little waltz, little waltz,
of itself, of death, and of brandy
that dips its tail in the sea.

I love you, I love you, I love you,
with the armchair and the book of death
down the melancholy hallway,
in the iris's dark garret,
in our bed that was once the moon's bed,
and in that dance the turtle dreamed of.

Ay, ay, ay, ay!
Take this broken-waisted waltz
In Vienna there are four mirrors
in which your mouth and the echoes play.
There is a death for piano
that paints the little boys blue.
There are beggars on the roof.
There are fresh garlands of tears.

Aye, ay, ay, ay!
Take this waltz that dies in my arms.
Because I love you, I love you, my love,
in the attic where children play,
dreaming ancient lights of Hungary
through the noise, the balmy afternoon,
seeing sheep and irises of snow
through the dark silence of your forehead.

Ay, ay, ay ay!
Take this "I will always love you" waltz.
In Vienna I will dance with you
in a costume with a river's head.
See how the hyacinths line my banks!
I will leave my mouth between your legs,
my soul in photographs and lilies,
and in the dark wake of your footsteps,
my love, my love, I will have to leave
violin and grave, the waltzing ribbons.

Editor 1 Interpretation

Piccolo Valzer Viennese by Federico García Lorca: A Literary Criticism and Interpretation

Have you ever danced the Viennese Waltz? Have you ever felt its enchanting rhythm sweep you off your feet, leaving you lost in a world of elegance and grace? If you have, then you know exactly what Federico García Lorca was writing about in his poem, "Piccolo Valzer Viennese." And if you haven't, then prepare to be transported to a world of beauty and passion as we delve into this classic work of literature.

Overview

"Piccolo Valzer Viennese" was written by Lorca in 1920 and is one of his most well-known poems. The title translates to "Little Viennese Waltz," and the poem itself is a celebration of the beauty and grace of this majestic dance. Lorca was known for his love of music and dance, and this poem is a perfect example of how he was able to use his words to capture the essence of a particular art form.

The poem is divided into three stanzas, each containing six lines. The first stanza sets the scene with a description of the dance floor: "On the dance floor / the polished floor / gleams like a mirror / in which the dancers / lose themselves." The second stanza focuses on the music, describing how it "floats on the air / like a butterfly / that flutters its wings / and takes flight." The third and final stanza brings the two together, as Lorca describes how "the music and the dance / are one and the same / in this little Viennese waltz."

Analysis

At first glance, "Piccolo Valzer Viennese" may seem like a simple poem, a mere description of a dance and its accompanying music. But upon closer inspection, we can see that there is much more going on beneath the surface.

For one thing, there is the language and imagery that Lorca uses. His words are carefully chosen to create a sense of elegance and beauty, from the "polished floor" to the "butterfly" music. He also uses repetition throughout the poem, with phrases such as "gleams like a mirror" and "floats on the air" giving the poem a musical quality of its own.

But perhaps the most interesting aspect of the poem is the way in which Lorca presents the dance and music as one entity. He writes, "the music and the dance / are one and the same." This is significant because it suggests that the dance is not merely an accompaniment to the music, but rather an extension of it. The dancers, in losing themselves in the mirror-like floor, become part of the music itself, embodying its beauty and grace.

Furthermore, the fact that Lorca chose to write about the Viennese Waltz specifically is also significant. This dance was known for its elegance and refinement, and was often associated with the aristocracy and upper classes. By celebrating this dance in his poem, Lorca is perhaps commenting on the beauty and grace that can be found even in the most privileged and exclusive circles.

Interpretation

So what can we take away from "Piccolo Valzer Viennese"? At its core, the poem is a celebration of beauty and grace. Lorca uses the Viennese Waltz as a symbol for this, using language and imagery that is meant to evoke a sense of elegance and refinement. But he also goes deeper than this, suggesting that the beauty and grace of the dance is not just something external, but something that can be internalized by the dancers themselves.

In this sense, the poem can be seen as a commentary on the transformative power of art. Just as the dancers become part of the music in the Viennese Waltz, we too can become part of the art that we experience. Whether it is through dance, music, literature, or any other form of artistic expression, we can lose ourselves in the beauty and grace of the art and come out the other side transformed.

At the same time, however, there is also an element of critique in the poem. By choosing to celebrate the Viennese Waltz, Lorca is perhaps commenting on the exclusivity and elitism that can be found in certain artistic circles. But by presenting the dance and music as one entity, he is also suggesting that beauty and grace are not the sole property of the privileged few, but rather something that can be found and experienced by all.

Conclusion

"Piccolo Valzer Viennese" is a beautiful and evocative poem that celebrates the beauty and grace of the Viennese Waltz. But it is also much more than this, presenting a commentary on the transformative power of art and the ways in which beauty and grace can be found and experienced by all. Lorca's use of language and imagery is masterful, creating a sense of elegance and refinement that perfectly captures the spirit of the dance. And his message is one that is as relevant today as it was when the poem was first written: that art has the power to transform us, to make us see the world in a different light, and to help us find the beauty and grace that exist all around us.

Editor 2 Analysis and Explanation

Piccolo Valzer Viennese: An Ode to Love and Loss

Federico García Lorca is one of the most celebrated poets of the 20th century, known for his evocative and deeply emotional works. Among his many masterpieces, Piccolo Valzer Viennese stands out as a hauntingly beautiful tribute to love and loss, set against the backdrop of Vienna's elegant and melancholic streets.

At its core, Piccolo Valzer Viennese is a love poem, but one that transcends the usual clichés and conventions of the genre. Instead of focusing on the joys and pleasures of romance, Lorca delves into the darker, more complex aspects of love, exploring the pain, longing, and despair that often accompany it.

The poem opens with a vivid description of Vienna, a city that Lorca clearly holds in high regard. He paints a picture of a place that is both grand and melancholic, with its majestic palaces, winding streets, and mournful music. The city becomes a metaphor for the speaker's own emotional state, as he navigates the ups and downs of his love affair.

As the poem progresses, Lorca introduces us to the object of the speaker's affection, a woman who is both beautiful and elusive. He describes her in sensual, almost mystical terms, as if she were a goddess or a siren luring him to his doom. Yet despite his intense desire for her, the speaker is painfully aware of the distance between them, both physical and emotional.

Throughout the poem, Lorca employs a range of poetic devices to convey the speaker's emotions, from vivid imagery to musical rhythms. He uses repetition and alliteration to create a sense of urgency and intensity, as if the speaker's heart is beating faster and faster with each passing moment. He also employs a range of metaphors and symbols, from the moon and the stars to the sea and the wind, to evoke the speaker's sense of longing and yearning.

One of the most striking aspects of Piccolo Valzer Viennese is its use of music as a metaphor for love. Lorca draws on the waltz, a traditional Viennese dance, to symbolize the ebb and flow of the speaker's emotions. He describes the music as both beautiful and melancholic, capturing the bittersweet nature of love itself. The waltz becomes a kind of emotional landscape, a place where the speaker can lose himself in his feelings and forget the world around him.

At the same time, however, the waltz also represents the fleeting nature of love, its transience and impermanence. Lorca uses the metaphor of the dance to suggest that love, like music, is something that must be enjoyed in the moment, for it may not last forever. The speaker is acutely aware of this fact, and it only adds to his sense of desperation and despair.

In the final stanza of the poem, Lorca brings together all of these themes and motifs in a powerful and poignant conclusion. He describes the speaker as a "wounded bird" who has lost his way, wandering through the streets of Vienna in search of his lost love. He speaks of the "sadness of the waltz," a reminder that even the most beautiful music can be tinged with sorrow and regret.

Yet despite all of this, there is a sense of hope and redemption in the poem's final lines. Lorca suggests that even in the midst of heartbreak and despair, there is still beauty to be found in the world. He speaks of the "light of the stars," a symbol of hope and possibility, and suggests that the speaker may yet find his way back to love.

In the end, Piccolo Valzer Viennese is a masterpiece of poetic expression, a work that captures the complexities and contradictions of love in all its forms. Lorca's use of imagery, metaphor, and musical rhythm creates a powerful and evocative portrait of a man struggling to come to terms with his own emotions. It is a poem that speaks to the universal human experience of love and loss, and one that continues to resonate with readers today.

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