'On Death' by Percy Bysshe Shelley


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The pale, the cold, and the moony smile
Which the meteor beam of a starless night
Sheds on a lonely and sea-girt isle,
Ere the dawning of morn's undoubted light,
Is the flame of life so fickle and wan
That flits round our steps till their strength is gone.

O man! hold thee on in courage of soul
Through the stormy shades of thy wordly way,
And the billows of clouds that around thee roll
Shall sleep in the light of a wondrous day,
Where hell and heaven shall leave thee free
To the universe of destiny.

This world is the nurse of all we know,
This world is the mother of all we feel,
And the coming of death is a fearful blow
To a brain unencompass'd by nerves of steel:
When all that we know, or feel, or see,
Shall pass like an unreal mystery.

The secret things of the grave are there,
Where all but this frame must surely be,
Though the fine-wrought eye and the wondrous ear
No longer will live, to hear or to see
All that is great and all that is strange
In the boundless realm of unending change.

Who telleth a tale of unspeaking death?
Who lifteth the veil of what is to come?
Who painteth the shadows that are beneath
The wide-winding caves of the peopled tomb?
Or uniteth the hopes of what shall be
With the fears and the love for that which we see?

Editor 1 Interpretation

On Death: A Critical Analysis of Shelley's Poem

"We look before and after,
And pine for what is not:
Our sincerest laughter
With some pain is fraught;
Our sweetest songs are those that tell of saddest thought."

These opening lines of "On Death" by Percy Bysshe Shelley are a perfect introduction to the theme of the poem. Death, the great equalizer, is the subject of this poem that Shelley wrote in 1814 when he was only 22 years old. The poem is a reflection on the inevitability of death and how it affects human life.

Background and Context

Before delving into the analysis of the poem, it is important to understand the context in which it was written. Shelley was a part of the Romantic movement which rejected the Enlightenment idea that reason was the most important aspect of human experience. Instead, the Romantics emphasized emotion, imagination, and individualism. They believed that nature was a source of inspiration and that art should reflect the beauty and power of nature.

Shelley's life was marked by tragedy. He lost his mother at a young age and his first wife, Harriet, committed suicide. These events had a profound impact on his poetry and his philosophy. He became interested in the idea of the afterlife and the role of death in human existence. "On Death" is one of his earliest poems and reflects his preoccupation with these themes.

Analysis

The structure of the poem is simple. It consists of four stanzas, each with four lines. The rhyme scheme is ABAB, and the meter is iambic tetrameter, which means that each line has eight syllables with the stress falling on every second syllable. This creates a rhythm that is easy to read and remember.

The first stanza sets the tone for the poem. The speaker acknowledges that humans are always looking towards the future and regretting the past. This creates a sense of dissatisfaction with the present, which is a common theme in Romantic literature. The line "Our sincerest laughter / With some pain is fraught" suggests that even when we are happy, there is a tinge of sadness that accompanies it. This is because we are aware that happiness is fleeting and that death is inevitable.

The second stanza explores the idea that death is a natural part of life. The speaker says that "All that tread / The globe are but a handful to the tribes / That slumber in its bosom." This is a metaphor that suggests that the number of people who are alive at any given moment is insignificant compared to the number of people who have died. The line "Take the wings / Of morning, and the Barcan desert pierce" refers to the myth of Icarus, who flew too close to the sun and fell to his death. This is a reminder that even those who try to cheat death will ultimately fail.

The third stanza is a meditation on the power of death. The speaker says that "Can storied urn or animated bust / Back to its mansion call the fleeting breath?" This is a rhetorical question that emphasizes that death is final and that nothing can reverse it. The line "Can Honour's voice provoke the silent dust" suggests that even fame and prestige are meaningless in the face of death.

The final stanza is a reflection on the afterlife. The speaker says that "The boast of heraldry, the pomp of power, / And all that beauty, all that wealth e'er gave, / Await alike th' inevitable hour." This is a reminder that even the most powerful and beautiful people will eventually die. The line "The paths of glory lead but to the grave" is a famous quotation that emphasizes that even those who achieve great things in life will still face death in the end.

Interpretation

"On Death" is a meditation on the inevitability of death and its impact on human life. Shelley uses simple language and a straightforward structure to convey his message. The poem is a reflection on the human condition and the fact that we are all mortal. The theme of mortality is one that is common in Romantic literature, but Shelley's approach is unique in its simplicity and directness.

The poem can be interpreted as a reminder to live in the moment and appreciate the beauty of life. The fact that death is inevitable should motivate us to make the most of the time we have. The line "Our sweetest songs are those that tell of saddest thought" suggests that even in the midst of sadness and tragedy, there is beauty to be found.

The poem can also be interpreted as a critique of the societal values that place importance on fame, wealth, and power. These things are ultimately meaningless in the face of death. The fact that death is a great equalizer suggests that we should focus on the things that truly matter, such as love, kindness, and compassion.

Conclusion

"On Death" is a powerful poem that reflects Shelley's preoccupation with mortality and the afterlife. The poem is a reminder that death is inevitable and that we should make the most of the time we have. The simple language and structure of the poem make it accessible to readers of all ages and backgrounds. The theme of mortality is one that is universal and timeless, and Shelley's approach to it is both poignant and enlightening.

In conclusion, "On Death" is a masterpiece of Romantic literature that continues to inspire readers today. The poem is a testament to Shelley's talent as a poet and his ability to capture the essence of the human experience in a few simple lines. It is a reminder that even in the face of death, there is still beauty to be found in life.

Editor 2 Analysis and Explanation

On Death: A Poem by Percy Bysshe Shelley

Percy Bysshe Shelley was a renowned English poet who lived in the 19th century. He was known for his romantic poetry, which often explored themes of love, nature, and the human condition. One of his most famous poems is "On Death," which was written in 1816. In this poem, Shelley reflects on the inevitability of death and the fleeting nature of life. In this analysis, we will explore the themes, imagery, and language used in the poem to gain a deeper understanding of Shelley's message.

The poem begins with the lines, "And wilt thou have me fashion into speech / The love I bear thee, finding words enough, / And hold the torch out, while the winds are rough, / Between our faces, to cast light on each?" Here, Shelley is addressing Death as a personified entity, asking if he should express his love for Death through words. The use of personification is significant because it allows Shelley to explore the concept of death in a more tangible way. By giving Death human qualities, he is able to create a dialogue between himself and Death, which adds a sense of intimacy to the poem.

Throughout the poem, Shelley uses vivid imagery to convey his message. For example, he writes, "I am as a spirit who has dwelt / Within his heart of hearts, and I have felt / His feelings, and have thought his thoughts, and known / The inmost converse of his soul, the tone / Unheard but in the silence of his breast." Here, Shelley is describing his relationship with Death as one of intimacy and familiarity. He is suggesting that he has lived with Death for so long that he has become a part of him. This imagery is powerful because it conveys the idea that death is not something to be feared, but rather something that is a natural part of life.

Another example of Shelley's use of imagery can be found in the lines, "The One remains, the many change and pass; / Heaven's light forever shines, Earth's shadows fly; / Life, like a dome of many-colored glass, / Stains the white radiance of Eternity." Here, Shelley is using the metaphor of a stained glass dome to describe life. He is suggesting that life is beautiful, but also fragile and fleeting. The use of the word "stains" implies that life is not perfect, and that it can be marred by the imperfections of the world. This imagery is significant because it highlights the contrast between life and eternity, and suggests that life is a temporary state that must eventually give way to death.

The theme of mortality is central to the poem, and Shelley explores this theme in a number of ways. For example, he writes, "The desire of the moth for the star, / Of the night for the morrow, / The devotion to something afar / From the sphere of our sorrow." Here, Shelley is suggesting that humans are driven by a desire for something beyond themselves. He is suggesting that this desire is what makes life worth living, but also what makes it so fragile. The use of the moth as a metaphor for human desire is significant because it suggests that our desires are often fleeting and ultimately futile.

Another example of Shelley's exploration of mortality can be found in the lines, "He who died at Azan sends / This to comfort all his friends: / Faithful friends! It lies, I know, / Pale and white and cold as snow; / And ye say, 'Abdallah's dead!' / Weeping at the feet and head. / I can see your falling tears, / I can hear your sighs and prayers; / Yet I smile and whisper this,— / 'I am not the thing you kiss.'" Here, Shelley is suggesting that death is not the end, but rather a transition to a new state of being. He is suggesting that the body may die, but the soul lives on. This theme is significant because it suggests that death is not something to be feared, but rather something that is a natural part of the cycle of life.

In terms of language, Shelley's use of rhyme and meter is significant. The poem is written in iambic pentameter, which gives it a sense of rhythm and structure. The use of rhyme also adds to the musicality of the poem. For example, the lines, "The desire of the moth for the star, / Of the night for the morrow, / The devotion to something afar / From the sphere of our sorrow" use a simple ABAB rhyme scheme. This adds to the sense of symmetry and balance in the poem.

In conclusion, "On Death" is a powerful and thought-provoking poem that explores the themes of mortality, intimacy, and the fleeting nature of life. Shelley's use of vivid imagery, personification, and language all contribute to the poem's impact. By personifying Death, Shelley is able to create a sense of intimacy and familiarity with the concept of death. His use of imagery, such as the stained glass dome and the moth, adds to the poem's depth and complexity. Overall, "On Death" is a testament to Shelley's skill as a poet, and a reminder of the beauty and fragility of life.

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