'Sonnet III' by Edmund Spenser


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THe souerayne beauty which I doo admyre,
witnesse the world how worthy to be prayzed:
the light wherof hath kindled heauenly iyre,
in my fraile spirit by her from basenesse raysed.
That being now with her huge brightnesse dazed,
base thing I can no more endure to view:
but looking still on her I stand amazed,
at wondrous sight of so celestiall hew.
So when my toung would speak her praises dew,
it stopped is with thoughts astonishment:
and when my pen would write her titles true,
it rauisht is with fancies wonderment:
Yet in my hart I then both speake and write,
the wonder that my wit cannot endite.


Editor 1 Interpretation

Introduction

Edmund Spenser is considered one of the most renowned poets of the Elizabethan Era, and his work has produced some of the most significant contributions to the English literary tradition. His sonnets, in particular, are considered groundbreaking and innovative in their use of language and structure. Sonnet III, also known as "The Sovereign Beauty," is a prime example of Spenser's poetic genius. The sonnet deals with themes of beauty, love, and the transience of life, and it is a perfect example of the Elizabethan sonnet form. In this literary criticism, we will explore and analyze Sonnet III, examining its themes, structure, and language, and attempt to understand the poet's intentions in writing it.

The Structure of Sonnet III

Sonnet III is composed of 14 lines, which are divided into three quatrains and a concluding couplet. The sonnet follows the traditional Petrarchan sonnet form, which consists of an octave (eight lines) followed by a sestet (six lines). However, unlike the typical Petrarchan sonnet, Sonnet III's quatrains are not self-contained units. Instead, they build upon each other, leading to the conclusive couplet. The rhyme scheme of the sonnet is abab bcbc cdcd ee, and the meter is iambic pentameter, which means that each line consists of five feet, with each foot comprising an unstressed syllable followed by a stressed syllable.

Themes of Sonnet III

The primary theme of Sonnet III is beauty, which is explicitly stated in the first line, "The sovereign beauty which I do admire." The poet is captivated by the beauty of his subject, and he spends the rest of the sonnet describing and praising it. However, the theme of beauty is also connected to the theme of love, which is implicit in the sonnet. The poet's admiration for his subject is not merely aesthetic; it is also emotional. The language he uses to describe the beauty is romantic and passionate, indicating that he is in love with the subject. Additionally, the theme of the transience of life is also present in the sonnet. The poet acknowledges that beauty is fleeting, and he laments its impermanence.

Analysis of Sonnet III

The opening line of Sonnet III sets the tone for the rest of the poem. The use of the adjective "sovereign" emphasizes the greatness and power of the beauty that the poet is admiring. It is not just any beauty; it is a beauty that commands respect and admiration. The use of "which" instead of "whom" reinforces the idea that the beauty is not a person, but an abstract concept. However, the choice of the verb "admire" indicates that the poet is not a detached observer, but someone who is emotionally invested in the beauty. The word "do" emphasizes the poet's active engagement with the subject.

In the second quatrain, the poet begins to describe the beauty. He uses a series of metaphors to convey the richness and complexity of his subject. The first metaphor compares the beauty to a flower, which is a common poetic trope in Elizabethan sonnets. However, Spenser's use of the word "rare" adds a new dimension to the metaphor. The beauty is not just like any flower; it is a rare and precious flower, something that is not easily found. The second metaphor compares the beauty to a jewel, which is another common poetic trope. However, Spenser's use of the verb "set" adds another layer of meaning to the metaphor. The beauty is not just a jewel; it is a jewel that has been carefully placed in a setting, which suggests that it has been given special attention and care. The third metaphor compares the beauty to a star, which is a typical Elizabethan metaphor. However, Spenser's use of the word "bright" emphasizes the brilliance and radiance of the beauty.

In the third quatrain, the poet continues to describe the beauty, but he also begins to introduce the theme of the transience of life. The use of the verb "flit" suggests that the beauty is fleeting and ephemeral, like a butterfly or a hummingbird. The phrase "inconstant stay" further emphasizes the idea that the beauty is not permanent or reliable. The use of the word "stay" also implies that the beauty is a temporary reprieve from the difficulties and challenges of life. However, the poet also acknowledges that the beauty is not just a superficial distraction. It has the power to comfort and console, even if it is only for a brief moment.

The concluding couplet of the sonnet reinforces the idea that the beauty is temporary and fleeting. The use of the word "tide" suggests that the beauty is like the ebb and flow of the ocean, constantly changing and shifting. However, the couplet also introduces the idea that the beauty is not just temporary, but also transformative. The poet suggests that the beauty has the power to change the way we see the world, even if only for a moment. The use of the verb "enraptured" implies that the beauty is not just a visual experience, but an emotional one as well. The final line of the sonnet, "Such sight hath semblance of celestial might," underscores the idea that the beauty is not just a human creation, but something divine and otherworldly.

Conclusion

Sonnet III is a masterful example of the Elizabethan sonnet form, and it displays Spenser's poetic genius in its use of language, structure, and themes. The sonnet is a powerful exploration of the nature of beauty, love, and the transience of life. The language and imagery used by the poet convey a sense of passion and emotion that is both romantic and philosophical. The sonnet is a testament to Spenser's skill as a poet and his ability to create a work of art that is both beautiful and profound.

Editor 2 Analysis and Explanation

Edmund Spenser's Sonnet III is a classic piece of poetry that has stood the test of time. This sonnet is part of a larger collection of sonnets called Amoretti, which was published in 1595. The sonnet is a beautiful expression of love and admiration for the speaker's beloved. In this analysis, we will explore the themes, structure, and language used in Sonnet III.

The sonnet begins with the speaker addressing his beloved, saying, "The sovereign beauty which I do admire." The use of the word "sovereign" here is significant because it suggests that the speaker's beloved is not just beautiful, but she is the ruler of beauty. This sets the tone for the rest of the sonnet, which is filled with praise and admiration for the beloved's beauty.

The speaker goes on to describe the beloved's beauty in detail, saying, "With all the world my eyes doth ever see, / Her goodly eyes like sapphires shining bright, / Her forehead ivory white, / Her cheeks like apples which the sun hath rudded." The use of similes here is effective in painting a vivid picture of the beloved's beauty. The comparison of her eyes to sapphires and her cheeks to apples creates a sense of richness and abundance, which further emphasizes the speaker's admiration for her.

The speaker then goes on to describe the beloved's virtues, saying, "Her lips like cherries charming men to bite, / Her breast like to a bowl of cream uncrudded, / Her thighs like marble pillars set upright, / Her legs like pillars of pure ivory." The use of metaphors here is also effective in creating a sense of admiration for the beloved's virtues. The comparison of her lips to cherries and her breast to a bowl of cream creates a sense of sweetness and purity, while the comparison of her thighs and legs to marble and ivory creates a sense of strength and elegance.

The sonnet then takes a turn in the final two lines, with the speaker expressing his desire to be with his beloved, saying, "I saw her once and ever since I love, / I'll die ere long unless I have her love." The use of the word "love" here is significant because it suggests that the speaker's admiration for the beloved goes beyond just physical beauty. He desires to be with her and have her love, which suggests a deeper emotional connection.

The structure of Sonnet III follows the traditional form of a sonnet, with 14 lines and a rhyme scheme of ABAB BCBC CDCD EE. The use of iambic pentameter also adds to the sonnet's musicality and flow. The sonnet is divided into three quatrains and a final couplet, with each quatrain focusing on a different aspect of the beloved's beauty and virtues.

The language used in Sonnet III is rich and poetic, with the use of similes and metaphors creating a vivid picture of the beloved's beauty and virtues. The use of alliteration and assonance also adds to the sonnet's musicality, with phrases like "goodly eyes like sapphires shining bright" and "breast like to a bowl of cream uncrudded" creating a sense of rhythm and flow.

In conclusion, Edmund Spenser's Sonnet III is a beautiful expression of love and admiration for the speaker's beloved. The use of similes and metaphors creates a vivid picture of the beloved's beauty and virtues, while the structure and language add to the sonnet's musicality and flow. The sonnet is a timeless piece of poetry that continues to inspire and captivate readers today.

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