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Delight becomes pictorial Analysis

Author: Poetry of Emily Dickinson Type: Poetry Views: 304

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Delight becomes pictorial

When viewed through pain,--

More fair, because impossible

That any gain.

The mountaln at a given distance

In amber lies;

Approached, the amber flits a little,--

And that's the skies!


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||| Analysis | Critique | Overview Below |||

.: Analysis :.

The Influence of Distance onto the Perception of Nature and Emotions
In Emily Dickinson’s “Delight becomes pictorial”
How many of the people dying every year, die in pain from where they could not see any hope of improvement and felt cut off from any joy? Did they perceive themselves differently? Emily Dickinson’s lyric poem “Delight becomes pictorial” appears as one describing a person dying from pain, buried under a mountain and then resurrected in heaven which is portrayed by “the Skies” (Dickinson 8) . However, “Delight becomes pictorial” uses rhythmical connection between the two halves of the poem, comparison between emotions and nature, figurative language to rephrase them and multiple meanings for words rich in images to highlight the influence of distance on one’s perception of the environment and themselves.
The poem has two parts which relate to each other through their rhythmical schemes. The first part from “Delight – becomes pictorial” (1) to “that any gain” (4) talks about the connection between two emotions, joy and suffering, while the second half from “The Mountain – at a given distance –“(5) to “And That’s – the Skies –“(8) speaks about nature, symbolized by “the mountain” (5) and “the skies” (8). The rhythm of the corresponding lines in those two parts sounds identical. The verses “When viewed through Pain -” (2), “That any gain -” (4), “In amber – lies -” (6) and “And That’s - the Skies -” all contain four syllables. “Delight – becomes pictorial” (1) uses the double amount of syllables as well as “More fair – because impossible” (3). Instead of using eight syllables in the corresponding two verses, “The Mountain – at a given distance –“ (5) and “Approached – the Amber flits – a little” (7) have nine syllables. All this results in a rhythmical analogy where the second syllable of a word is stressed. It connects the second part about nature with the first part about emotions and feelings. The distance changes both perceptions. Also, the rhyme scheme of the two parts matches. “Pain” (2) rhymes with “gain” (4) while “lies” (6) rhymes with “skies” (8). It points out the connection between gain and pain as well as between feelings and nature.
The comparison between the two similar parts, emotion and nature, describes how distance can change the perception of the environment and the narrator herself. When persons find themselves far away from delight, they suffer from pain. During this time, “Delight” (1) appears “more fair” (3), nicer than before. The poem explains this process by pointing out that “any gain” (4) seems “impossible” (3). Healthy persons would not describe the same delightful moments as amazing because they do not “view through pain” (2) and in this way do not recognize those beautiful moments as ill persons would. A person in pain can differentiate between ache and joy much better than anyone else. The second part of the poem, concerning nature, explains the same distance on a natural level. “The Mountain” (5) which lies “at a given distance” (5) blurs into the skies when far away. However when coming nearer, the difference between “approached” (7) sky and mountain becomes obvious. As stated above the similarity between emotion and nature come out well and supports the argument that the “distance” (5) or point of view influences the perception of an emotion or nature.
Nature, emotions or feelings are stressed even more through rephrasing single, easy to understand facts with synecdoches. The narrator could have used “feelings” and “nature” instead of symbolizing them with “delight” (1), “pain” (2), “mountains” (5) and “skies” (8). However this abstract construction emphasizes how much a point of view counts towards an impression. The text offers a reason to dislike it by constructing simple facts into complicated ones. The interaction between emotion and nature can function better with a more complex form. The point of view about applying complex verses influences the favor of the poem. The adjective “pictorial” (1) also describes how the perception gets blurred when in pain. The blurred image looks more like a picture than reality. With these synecdoches the poem provokes a point of view which changes the impression of the poem itself. The understanding of the poem and the favor of it mirrors the distance in general where the poem itself refers to nature and feelings.
The figurative language continues with using “Amber” (6 and 7) having multiple meanings but provoking strong images. On one hand it means the stone in which a fossil is embedded while on the other hand “amber” describes the yellowish color. The text uses both versions of this adjective. In verse 6 the mountains “lies” “in amber”. The verse describes how the border between the mountains the sky blurs when observed from farther away. When the sky has a yellowish color and the sun shines deep into the eyes of an observer, resolving sun and mountains becomes hard. However when standing “approached” (7) to the mountain the difference between those two becomes clear. The other definition of amber, describing a fossil, is used when regarding that the “mountain” has stood at the same place for a long time.
“Delight becomes pictorial” describes that the impression about nature and someone’s self can change with altering the distance. It works by applying figurative language and words with multiple meaning. I can provide a similar experience after the dentist removed my wisdom teeth. I could not move my mouth for a week. I felt no chance to be able to eat again in my life and wanted to taste a steak. I appreciate a delicious one much more since then. Have you discovered anything similar, where the distance from something increases the demand for it?

| Posted on 2007-04-29 | by a guest

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