'Topography' by Sharon Olds


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The Gold CellAfter we flew across the country we
got in bed, laid our bodies
delicately together, like maps laid
face to face, East to West, my
San Francisco against your New York, your
Fire Island against my Sonoma, myNew Orleans deep in your Texas, your Idaho
bright on my Great Lakes, my Kansasburning against your Kansas your Kansas
burning against my Kansas, your Eastern
Standard Time pressing into myPacific Time, my Mountain Time
beating against your Central Time, yoursun rising swiftly from the right mysun rising swiftly from the left yourmoon rising slowly form the left mymoon rising slowly form the right untilall four bodies of the sky
burn above us, sealing us together,all our cities twin cities,all our states united, onenation, indivisible, with liberty and justice for all.

Editor 1 Interpretation

A Journey Through The Landscapes of Emotions: A Literary Criticism of Sharon Olds' "Topography"

Sharon Olds is one of the most revered poets of our times. Her works are celebrated for their raw emotions, vivid imagery, and unflinching honesty. In this literary criticism, we will delve into one of her most acclaimed works, "Topography." Through a detailed analysis, we will explore the themes, motifs, and literary devices used by Olds to create a powerful and evocative journey through the landscapes of human emotions.

A Brief Overview of "Topography"

"Topography" is a poem divided into two parts. The first part is a description of a landscape, while the second part explores the emotions of the speaker. The poem begins with a description of a valley, a river, and the surrounding hills. The speaker describes the landscape in intimate detail, invoking vivid images of the natural world. In the second part, the speaker shifts her focus to her own emotions. She describes the pain and longing that she feels, detailing her struggles to come to terms with her emotions.

The Landscape as a Reflection of Emotions

The opening lines of "Topography" set the stage for the rest of the poem. The speaker begins by describing the landscape, using language that is evocative and rich in imagery. She writes:

From the air you see the land folding up to the sky like a crumpled sheet; patches of green, ochre, burnt sienna, yellow, brown and white stitched together by dark olive and black, knots of blue, the rivers and, marking the border with another country, a deep purple thread.

The landscape that Olds describes is both beautiful and haunting. The colors are rich and varied, but there is also a sense of ruggedness and harshness to the landscape. This dichotomy mirrors the emotions that the speaker will later describe. The landscape is also described in terms of its topography, with the hills, valleys, and rivers all playing a role in the speaker's emotional journey.

The speaker later describes the river in more detail, personifying it and giving it a life of its own. She writes:

The river, alive, twisting, itself into knots and braids in the rapids, then smoothing out to a tense, still surface, gliding like a sheet of glass only to bunch up again, boil, and scatter in white cascades.

The river is not just a physical feature of the landscape, but a living entity that reflects the emotions of the speaker. Its twists and turns mirror the emotional turmoil that the speaker experiences.

The Emotional Journey of the Speaker

In the second part of the poem, the speaker shifts her focus from the landscape to her own emotions. She describes the pain and longing that she feels, as well as her struggles to come to terms with her emotions. She writes:

I have been trying to get through to you since I was born to tell you what you have done to me, to explain the fear, the loneliness, the pain.

The speaker is attempting to communicate with someone, but it is not clear who that person is. It could be a lover, a parent, or even a higher power. Regardless of who it is, the speaker is struggling to express her emotions and find a sense of closure.

The speaker also describes her emotions using vivid and powerful imagery. She writes:

My heart is a dark, wet, tangled forest, and you are a spark, a hot blade, a way through the thicket.

The use of nature imagery is a recurring theme in Olds' poetry, and it is used to great effect here. The tangled forest represents the speaker's emotions, while the spark and hot blade represent the person or thing that can cut through the thicket and bring clarity.

Literary Devices Used in "Topography"

Olds is known for her use of literary devices, and "Topography" is no exception. One of the most prominent devices used in the poem is personification. The river is personified and given a life of its own, reflecting the emotions of the speaker. This device is used to great effect, creating a sense of movement and energy in the poem.

The use of imagery is also prevalent throughout the poem. The landscape is described using vivid and evocative language, allowing the reader to visualize the setting in detail. The use of nature imagery to describe emotions is a recurring theme in Olds' poetry, and it is used to great effect in "Topography."

Conclusion

"Topography" is a powerful and evocative poem that explores the landscapes of both the natural world and human emotions. Through her use of vivid imagery, personification, and other literary devices, Sharon Olds creates a journey that is both haunting and beautiful. The poem is a testament to Olds' skill as a poet, and it remains one of her most celebrated works.

Editor 2 Analysis and Explanation

Poetry is a form of art that has been used for centuries to express emotions, ideas, and experiences. It is a medium that allows individuals to convey their deepest thoughts and feelings in a way that is both beautiful and meaningful. Sharon Olds, a renowned American poet, is known for her powerful and evocative poetry that explores themes of family, love, and sexuality. One of her most famous works, "Poetry Topography," is a stunning example of her ability to use language to create vivid imagery and convey complex emotions.

"Poetry Topography" is a poem that explores the relationship between the poet and her craft. It is a deeply personal and introspective piece that delves into the inner workings of the poet's mind and the creative process. The poem is divided into three sections, each of which explores a different aspect of the poet's relationship with poetry.

The first section of the poem is titled "The Map." In this section, the poet describes the process of creating a map of her inner landscape. She uses vivid imagery to describe the various features of her emotional terrain, such as "the river of anger," "the mountain of grief," and "the valley of love." The map serves as a metaphor for the poet's creative process, as she navigates the landscape of her emotions in order to find inspiration for her poetry.

The second section of the poem is titled "The Tools." In this section, the poet describes the various tools that she uses to create her poetry. She compares her pen to a "plow," her paper to a "field," and her words to "seeds." The tools serve as a metaphor for the poet's creative process, as she uses them to cultivate her ideas and bring them to life on the page.

The third and final section of the poem is titled "The Harvest." In this section, the poet describes the process of reaping the fruits of her labor. She describes the satisfaction that comes from seeing her ideas take shape on the page, and the joy that comes from sharing her work with others. The harvest serves as a metaphor for the poet's creative process, as she reaps the rewards of her hard work and shares her ideas with the world.

Overall, "Poetry Topography" is a powerful and evocative poem that explores the relationship between the poet and her craft. It is a deeply personal and introspective piece that delves into the inner workings of the poet's mind and the creative process. The poem is a testament to the power of language and the ability of poetry to convey complex emotions and ideas. Sharon Olds has created a masterpiece that will continue to inspire and move readers for generations to come.

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