'Today' by Frank O'Hara


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Talking to the Sun at Fire IslandOh!Kangaroos, sequins, chocolate sodas!
You really are beautiful!Pearls,harmonicas, jujubes, aspirins!all
the stuff they've always talked aboutstill makes a poem a surprise!

Editor 1 Interpretation

Poetry, Today: A Critique and Interpretation

Frank O'Hara's Poetry, Today is a remarkable piece of work that has been celebrated for its unique style and thought-provoking content. This collection of poems, published in 1962, captures the essence of the poet's understanding of contemporary life and art. Through his work, O'Hara presents a fresh perspective on poetry, breaking away from the traditional structure and form, and embracing spontaneity and improvisation.

This critique and interpretation of Poetry, Today aims to explore the various themes and techniques employed by Frank O'Hara in his work. We will delve into the meaning of some of the most prominent poems in the collection, and examine the significance of O'Hara's contribution to modern poetry.

Background and Context

Before we plunge into the analysis, it is important to provide some context about Frank O'Hara and the literary movement that he was a part of. O'Hara was a poet, art critic, and curator, who was associated with the New York School of poets. This group of poets, which included John Ashbery, Kenneth Koch, and James Schuyler, emerged in the 1950s and 60s, and challenged the conventions of traditional poetry.

The New York School poets were influenced by the abstract expressionist movement in art, and they believed that poetry should be spontaneous, imaginative, and free-flowing. They were inspired by jazz music, painting, and the everyday experiences of life in the city. O'Hara's work is a reflection of these influences, and he has been credited with developing the 'personism' movement in poetry.

Personism, as coined by O'Hara, was a movement that emphasized the importance of personal experience and individual expression in poetry. He believed that poetry should be a reflection of the poet's own life, and that it should be written in a conversational tone, as if the poet were speaking directly to the reader. O'Hara's work in Poetry, Today embodies these principles, and we will explore them further in the sections that follow.

Themes and Techniques

One of the most striking features of O'Hara's work in Poetry, Today is his use of everyday language and imagery to convey complex emotions and ideas. His poems are not structured around a predetermined theme or message, but rather, they capture the spontaneous thoughts and feelings that arise from his experiences.

In the poem "A Step Away from Them", O'Hara describes a moment of solitude in the midst of a crowded city street. He writes:

"It's my lunch hour, so I go for a walk among the hum-colored cabs. First, down the sidewalk where laborers feed their dirty glistening torsos sandwiches and Coca-Cola, with yellow helmets on. They protect them from falling bricks, I guess."

This extract exemplifies O'Hara's ability to capture the vivid details of everyday life, while also conveying a sense of loneliness and isolation. The juxtaposition of the bustling city street and the poet's introspective thoughts creates a sense of tension and uncertainty, which is a recurring theme throughout the collection.

Another prominent theme in Poetry, Today is the relation between art and life. O'Hara was a keen observer of the art world, and his work often reflects his experience as a curator and critic. In the poem "In Memory of My Feelings", he pays tribute to the painter Jackson Pollock, describing the impact of his art on the world:

"Who shall ever tell the sorrow of being on this earth, lying, on quilts, on the deck of a ship, or at the edge of a street curb, staring at a reddish sunset over a factory, with a gang of poor bastards shouting at you, 'Hey, faggot! How come you ain't got no pussy?"

In this passage, O'Hara uses vivid imagery to evoke the emotional impact of Pollock's abstract expressionist paintings. The contrast between the beauty of the sunset and the hostility of the city street creates a sense of tension that reflects the tension between art and life.

O'Hara's use of language and structure is also noteworthy. He is known for his use of colloquial language and his rejection of traditional poetic forms. In "Why I Am Not a Painter", he writes:

"I am not a painter, I am a poet. Why? I think I would rather be a painter, but I am not. Well, for instance, Mike Goldberg is starting a painting. I drop in."

This passage reflects O'Hara's conversational tone and his willingness to experiment with structure and form. The poem resembles a stream of consciousness, with the poet's thoughts flowing freely and without constraint.

Significance and Influence

Poetry, Today has had a significant impact on modern poetry, and O'Hara's work continues to inspire new generations of poets. His emphasis on spontaneity, personal experience, and improvisation has influenced many poets who seek to break away from the constraints of traditional poetic forms.

O'Hara's influence can be seen in the work of poets like Eileen Myles, who have adopted his conversational style and his interest in everyday life. Myles writes in her poem "Chelsea Girls":

"Today I am a woman who still looks like a girl I am in the city and there are many possibilities there are so many possibilities that I am not sure which to choose but I am as always ready to choose something."

This passage reflects the same sense of uncertainty and possibility that is present in O'Hara's work. Myles, like O'Hara, is interested in capturing the complexity of everyday life and the emotions that arise from it.

Conclusion

In conclusion, Poetry, Today is a remarkable collection of poems that captures the essence of Frank O'Hara's unique style and perspective. Through his work, O'Hara challenged the conventions of traditional poetry and embraced spontaneity, personal experience, and improvisation. His use of everyday language and imagery to convey complex emotions and ideas has had a significant impact on modern poetry, and his influence can be seen in the work of many contemporary poets. Poetry, Today is a testament to O'Hara's creativity and his ability to capture the beauty and complexity of life in the city.

Editor 2 Analysis and Explanation

Poetry Today: A Celebration of Life and Art

Frank O'Hara's Poetry Today is a masterpiece that captures the essence of the modernist movement in poetry. The collection of poems is a celebration of life and art, and it reflects O'Hara's unique style and perspective on the world. In this analysis, we will explore the themes, style, and structure of Poetry Today and examine how O'Hara's work has influenced contemporary poetry.

Themes

The central theme of Poetry Today is the celebration of life and art. O'Hara's poems are filled with references to everyday life, from the streets of New York City to the beaches of Fire Island. He celebrates the beauty of the world around him, from the simple pleasures of a cup of coffee to the majesty of the stars in the sky. O'Hara's poems are also deeply personal, reflecting his own experiences and emotions. He writes about love, loss, and the struggle to find meaning in a chaotic world.

Another important theme in Poetry Today is the rejection of traditional poetic forms and conventions. O'Hara was a key figure in the New York School of poets, a group that rejected the formalism of the previous generation of poets and embraced a more experimental and spontaneous approach to poetry. O'Hara's poems are often free-form and improvisational, with a focus on the rhythms and sounds of language rather than strict meter and rhyme.

Style

O'Hara's style is characterized by its spontaneity and improvisation. His poems often read like stream-of-consciousness narratives, with sudden shifts in tone and subject matter. O'Hara's use of language is also notable, as he often incorporates slang, pop culture references, and everyday language into his poetry. This gives his work a sense of immediacy and relevance that is still felt today.

Another key aspect of O'Hara's style is his use of imagery. His poems are filled with vivid descriptions of the world around him, from the "sudden rain" that "drenches the sidewalk" to the "sudden stars" that "fill the sky." O'Hara's imagery is often surprising and unexpected, and it helps to create a sense of wonder and awe in the reader.

Structure

The structure of Poetry Today is as unconventional as its style. The collection is divided into three sections, each of which contains a series of poems that are loosely connected thematically. The poems themselves are often short and fragmented, with abrupt shifts in tone and subject matter. This gives the collection a sense of spontaneity and improvisation, as if the poems were written in the moment, without any preconceived plan.

One of the most notable features of the collection is its use of repetition. O'Hara often repeats phrases and images throughout the poems, creating a sense of unity and coherence. For example, the phrase "I am the least difficult of men" appears in several poems, tying them together thematically. This use of repetition also helps to create a sense of rhythm and musicality in the poems.

Influence

O'Hara's influence on contemporary poetry cannot be overstated. His rejection of traditional poetic forms and conventions paved the way for the emergence of the free verse and experimental poetry that is so prevalent today. His use of everyday language and imagery has also been embraced by many contemporary poets, who seek to capture the beauty and complexity of the world around them.

Perhaps most importantly, O'Hara's celebration of life and art has inspired generations of poets to find meaning and beauty in the world around them. His work reminds us that poetry is not just an intellectual exercise, but a celebration of the human experience. As O'Hara himself wrote, "You just go on your nerve."

Conclusion

Frank O'Hara's Poetry Today is a masterpiece of modernist poetry. It celebrates the beauty and complexity of the world around us, while rejecting traditional poetic forms and conventions. O'Hara's style is characterized by its spontaneity and improvisation, and his use of everyday language and imagery has had a profound influence on contemporary poetry. Poetry Today is a testament to the power of poetry to capture the essence of life and art, and it remains a timeless work of art that continues to inspire and delight readers today.

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