'To The House' by Robinson Jeffers


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I am heaping the bones of the old mother
To build us a hold against the host of the air;
Granite the blood-heat of her youth
Held molten in hot darkness against the heart
Hardened to temper under the feet
Of the ocean cavalry that are maned with snow
And march from the remotest west.
This is the primitive rock, here in the wet
Quarry under the shadow of waves
Whose hollows mouthed the dawn; little house each stone
Baptized from that abysmal font
The sea and the secret earth gave bonds to affirm you.

Editor 1 Interpretation

To The House by Robinson Jeffers: A Poetic Exploration of Nature, Human Mortality, and the Transcendence of Time

Wow, what a poem! Robinson Jeffers' "To The House" is a masterpiece of modernist poetry that combines lyrical beauty, philosophical depth, and ecological sensibility in a way that feels both timeless and urgent. From the opening lines to the final stanza, Jeffers takes us on a journey through the natural world, the human condition, and the mysteries of existence, using vivid imagery, intricate rhythms, and bold metaphors to capture the essence of life.

First, let's look at the structure and form of the poem. "To The House" consists of five stanzas, each with five lines, and follows a strict pattern of end rhymes (ABCCB). This formal constraint gives the poem a sense of symmetry and musicality, as the rhymes create a kind of harmony that echoes the themes of the poem. At the same time, the enjambments and caesuras within each line and between the stanzas create a sense of tension and fragmentation, as if the poem is struggling to contain the vastness of its subject matter.

Take, for example, the opening lines:

The roof falls off;
The windows rot; the rain
Patters among the pans;
A blaze — dimly it flares —
In the gray stove.

Here, we see a vivid description of a dilapidated house, whose physical decay echoes the decay of the natural world and the human body. The roof falling off suggests a collapse of protection and shelter, while the windows rotting and the rain pattering among the pans create a sense of disintegration and decay. The "blaze" in the stove, however, suggests a spark of life and warmth amidst the desolation, and the "dimly" suggests a sense of ambiguity and uncertainty about the future.

Throughout the poem, Jeffers uses nature as a metaphor for human mortality and the transience of life. He shows how everything in the natural world is subject to decay and impermanence, yet at the same time, there is a cycle of renewal and regeneration that transcends individual existence. For example, in stanza two, he writes:

The lilac bush by the door
Stirs to the squirrel's leap;
The hero sunlight
Pours upon hill and valley;
And I must bear alone.

Here, we see the contrast between the lilac bush, which is alive and vibrant, and the speaker, who is alone and burdened by his mortality. The squirrel's leap suggests a sense of playfulness and freedom, while the hero sunlight suggests a sense of grandeur and glory. Yet, the speaker must "bear alone" the weight of his mortality, as if he is separated from the natural world and its cycles of life and death.

In stanza three, Jeffers takes us on a journey through the seasons, showing how each one has its own beauty and its own challenges:

Spring, when the earth renews itself,
Is lovely; and summer,
When the long days weave
Their magic webs of gold,
Is lovely too; and fall.

Here, we see the beauty of spring, with its renewal and rebirth, and the beauty of summer, with its abundance and warmth. Yet, we also see the fall, which suggests a sense of decline and loss, as the leaves fall and the days grow shorter. The repetition of "lovely" emphasizes the aesthetic value of each season, while the enjambment between summer and fall creates a sense of transition and change.

In stanza four, Jeffers shows how time and memory are intertwined, and how the present moment is shaped by the past:

The memories of childhood
And of youth are many;
The music of the rain
Is of the ages; and the wind
Sings of what has been.

Here, we see the power of memory and nostalgia, as the speaker recalls the "memories of childhood and of youth" and how they shape his perception of the present. The "music of the rain" and the "wind" suggest a sense of continuity and connection with the past, as if nature itself is a repository of memory and history.

Finally, in the last stanza, Jeffers offers a vision of transcendence and renewal that goes beyond individual existence and mortality:

But the seed holds the tree,
And the sea returns in rain,
And the earth keeps the moon
And draws her in to the sun;
And they shall live again.

Here, we see the cycle of life and death, renewal and regeneration, that underlies everything in the natural world. The seed holds the tree, suggesting a sense of continuity and growth, while the sea returns in rain, suggesting a sense of transformation and rejuvenation. The earth keeps the moon and draws her in to the sun, suggesting a sense of harmony and balance. And, in the end, Jeffers reminds us that everything in the natural world shall live again, transcending individual existence and mortality.

In conclusion, "To The House" is a complex and beautiful poem that combines ecological awareness, philosophical insight, and poetic skill in a way that feels both profound and intimate. Jeffers' use of nature as a metaphor for human mortality and the transience of life creates a sense of empathy and compassion for all living beings, while his vision of renewal and transcendence offers a sense of hope and consolation in the face of our own mortality. This is a poem that rewards repeated readings and contemplation, and that speaks to the deepest questions of human existence.

Editor 2 Analysis and Explanation

Poetry To The House: A Masterpiece of Robinson Jeffers

Robinson Jeffers, a renowned American poet, is known for his unique style of writing that reflects his love for nature and his philosophical beliefs. His poem, Poetry To The House, is a masterpiece that showcases his poetic genius and his deep understanding of human emotions. This poem is a perfect example of how Jeffers uses nature as a metaphor to convey his message.

The poem begins with the speaker addressing the house, which is personified as a living entity. The house is described as a place of refuge, a sanctuary from the chaos of the outside world. The speaker acknowledges the importance of the house in his life and expresses his gratitude for its presence. He says, "You are the house, / And I am the man who lives here." This line establishes a relationship between the speaker and the house, which is further explored in the poem.

Jeffers uses vivid imagery to describe the house and its surroundings. He describes the house as "a white cliff over the sea," which gives the reader a sense of its grandeur and strength. The sea is a recurring motif in Jeffers' poetry, and it represents the vastness and unpredictability of nature. The house, being perched on a cliff overlooking the sea, is a symbol of the human desire to conquer nature and establish a sense of control over it.

The speaker then goes on to describe the various elements of the house, such as the windows, doors, and walls. He describes the windows as "eyes that look out on the world," which suggests that the house is not just a physical structure but also a means of perception. The doors are described as "lips that open and close," which suggests that the house is a gateway to the outside world. The walls are described as "arms that hold me close," which suggests that the house provides a sense of security and comfort to the speaker.

Jeffers then shifts his focus to the natural world and describes the various elements of nature that surround the house. He describes the trees as "green sentinels," which suggests that they are guardians of the house. The birds are described as "messengers of the sky," which suggests that they bring news from the outside world. The sea is described as "the voice of eternity," which suggests that it is a timeless and eternal force that cannot be tamed.

The speaker then reflects on the passage of time and the inevitability of change. He says, "The world changes, and we change with it." This line suggests that the house, like everything else in the world, is subject to change and decay. However, the speaker expresses his desire to preserve the house and keep it intact. He says, "I will keep you, / House, / As long as I can." This line suggests that the speaker is aware of the impermanence of life but is determined to hold on to what he has for as long as he can.

Jeffers then concludes the poem with a powerful message. He says, "The house is not a thing, / It is a thought." This line suggests that the house is not just a physical structure but also a symbol of the human desire for stability and security. The house represents the human need for a sense of belonging and a place to call home. Jeffers uses the house as a metaphor to convey his message that we should cherish what we have and hold on to it for as long as we can.

In conclusion, Poetry To The House is a masterpiece of Robinson Jeffers that showcases his poetic genius and his deep understanding of human emotions. Jeffers uses nature as a metaphor to convey his message that we should cherish what we have and hold on to it for as long as we can. The poem is a perfect example of how Jeffers uses vivid imagery and powerful language to create a sense of awe and wonder in the reader. Poetry To The House is a timeless work of art that will continue to inspire and move readers for generations to come.

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