'A Sea Dirge' by Lewis Carroll


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There are certain things - as, a spider, a ghost,
The income-tax, gout, an umbrella for three -
That I hate, but the thing that I hate the most
Is a thing they call the Sea.

Pour some salt water over the floor -
Ugly I'm sure you'll allow it to be:
Suppose it extended a mile or more,
THAT'S very like the Sea.

Beat a dog till it howls outright -
Cruel, but all very well for a spree:
Suppose that he did so day and night,
THAT would be like the Sea.

I had a vision of nursery-maids;
Tens of thousands passed by me -
All leading children with wooden spades,
And this was by the Sea.

Who invented those spades of wood?
Who was it cut them out of the tree?
None, I think, but an idiot could -
Or one that loved the Sea.

It is pleasant and dreamy, no doubt, to float
With 'thoughts as boundless, and souls as free':
But, suppose you are very unwell in the boat,
How do you like the Sea?

There is an insect that people avoid
(Whence is derived the verb 'to flee').
Where have you been by it most annoyed?
In lodgings by the Sea.

If you like your coffee with sand for dregs,
A decided hint of salt in your tea,
And a fishy taste in the very eggs -
By all means choose the Sea.

And if, with these dainties to drink and eat,
You prefer not a vestige of grass or tree,
And a chronic state of wet in your feet,
Then - I recommend the Sea.

For I have friends who dwell by the coast -
Pleasant friends they are to me!
It is when I am with them I wonder most
That anyone likes the Sea.

They take me a walk: though tired and stiff,
To climb the heights I madly agree;
And, after a tumble or so from the cliff,
They kindly suggest the Sea.

I try the rocks, and I think it cool
That they laugh with such an excess of glee,
As I heavily slip into every pool
That skirts the cold cold Sea.

Editor 1 Interpretation

"A Sea Dirge" by Lewis Carroll: A Haunting Lamentation of the Sea

If you're a fan of Victorian literature and poetry, one name that must have cropped up often is Lewis Carroll, the pen name of the inimitable Charles Lutwidge Dodgson. Most famous for his masterpiece "Alice's Adventures in Wonderland," Carroll was also a prolific poet who wrote on a wide range of themes, including the sea. In this literary criticism and interpretation, I'll delve deep into one of Carroll's hauntingly beautiful sea poems, "A Sea Dirge," and uncover its hidden meanings, intricate symbolism, and timeless relevance.

The Poem

First, let's get to know the poem itself. "A Sea Dirge" comprises six stanzas, each with four lines. Here's the full text of the poem:

There are certain things--a spider, a ghost,
The income-tax, gout, an umbrella for three--
That I hate, but the thing that I hate the most
Is a thing they call the Sea.

Pour some salt water over the floor--
Ugly I'm sure you'll allow it to be:
Suppose it extended a mile or more,
That's very like the Sea.

Beat a dog till it howls outright--
Cruel, but all very well for a spree:
Suppose that he did so day and night,
That's very like the Sea.

I had a vision of nursery-maids;
Tens of thousands passed by me--
All leading children with wooden spades,
And this was by the Sea.

Who invented those spades of wood?
Who was it cut them out of the tree?
None, I think, but an idiot could--
Or one that loved the Sea.

It is pleasant and dreamy, no doubt, to float
With "thoughts as boundless, and souls as free":
But, suppose you are very unwell in the boat,
How do you like the Sea?

The Interpretation

At first glance, "A Sea Dirge" seems like a straightforward expression of dislike for the sea, a sentiment that many landlubbers share. However, as with all great poetry, there's more to it than meets the eye. Let's take a closer look at each stanza and try to unpack its meaning.

Stanza 1

There are certain things--a spider, a ghost,
The income-tax, gout, an umbrella for three--
That I hate, but the thing that I hate the most
Is a thing they call the Sea.

The opening stanza sets the tone for the whole poem. Carroll lists a few things that he hates, including a spider, a ghost, and the income tax, but he asserts that the thing he hates the most is the sea. The use of the word "thing" to describe the sea is telling; it implies that the sea is an impersonal force, devoid of any character or agency. This prepares us for the idea that the sea is not just a physical entity but a symbolic one too.

Stanza 2

Pour some salt water over the floor--
Ugly I'm sure you'll allow it to be:
Suppose it extended a mile or more,
That's very like the Sea.

In this stanza, Carroll uses a simile to compare the sea to a large puddle of saltwater on the floor. The image is a vivid and tactile one, but it also highlights the banality of the sea. The sea is not a majestic or awe-inspiring thing; it's just a vast expanse of water that can be compared to something as mundane as a puddle. The fact that the salt water is poured on the floor, rather than being in a natural body of water, also emphasizes the artificiality of the sea, as if it's a construct of human imagination rather than a natural phenomenon.

Stanza 3

Beat a dog till it howls outright--
Cruel, but all very well for a spree:
Suppose that he did so day and night,
That's very like the Sea.

The third stanza takes a darker turn. Carroll compares the sea to a cruel and senseless act of violence upon an innocent creature. The image of a dog being beaten is disturbing, but Carroll goes further by suggesting that the beating is not an isolated incident but a continuous one, day and night. This implies that the sea is not just a banal or artificial construct but a malevolent force that inflicts suffering upon living beings.

Stanza 4

I had a vision of nursery-maids;
Tens of thousands passed by me--
All leading children with wooden spades,
And this was by the Sea.

The fourth stanza takes us into the realm of Carroll's imagination. He describes a vision he had of nursery-maids leading children with wooden spades by the sea. The image is a surreal one, but it also has a deeper meaning. The nursery-maids represent the care and protection that adults provide for children, while the spades symbolize the tools that humans use to manipulate nature. By placing these elements by the sea, Carroll suggests that humans are trying to control and shape the sea to their own ends, but that the sea is an untameable and unpredictable force.

Stanza 5

Who invented those spades of wood?
Who was it cut them out of the tree?
None, I think, but an idiot could--
Or one that loved the Sea.

The fifth stanza expands upon the symbolism of the spades. Carroll asks who invented them and suggests that only an idiot or someone who loves the sea could have done so. The implication is that the sea is so vast and unknowable that any attempt to control or shape it is futile and foolish. The fact that the spades are made of wood also emphasizes their temporary and insignificant nature; they will rot and decay over time, while the sea will endure.

Stanza 6

It is pleasant and dreamy, no doubt, to float
With "thoughts as boundless, and souls as free":
But, suppose you are very unwell in the boat,
How do you like the Sea?

The final stanza brings the focus back to the personal. Carroll acknowledges that there is a romantic and poetic appeal to the sea, with its "thoughts as boundless, and souls as free." However, he also reminds us that the sea can be a dangerous and unforgiving place, especially for those who are unwell or vulnerable. This suggests that the sea is not just a physical or symbolic entity but a psychological one too, representing the vast and unpredictable nature of human emotions and experiences.

Conclusion

Lewis Carroll's "A Sea Dirge" is a haunting and multi-layered poem that uses vivid imagery, intricate symbolism, and sharp wit to explore the nature of the sea and its place in the human imagination. Through its six stanzas, the poem moves from a straightforward expression of dislike to a complex meditation on the sea's banality, cruelty, untameability, and psychological power. Ultimately, the poem suggests that the sea is an enigmatic and inexhaustible force that we can never fully understand or control, but that we can still appreciate and fear in equal measure.

Editor 2 Analysis and Explanation

Poetry enthusiasts and literary scholars alike have long been captivated by the hauntingly beautiful poem, "A Sea Dirge," written by none other than the beloved author of Alice in Wonderland, Lewis Carroll. This classic piece of poetry is a testament to Carroll's mastery of language and his ability to evoke powerful emotions through his words. In this analysis, we will explore the themes, imagery, and literary devices used in "A Sea Dirge" to gain a deeper understanding of this timeless work of art.

The poem begins with the speaker addressing the sea, personifying it as a living entity with a will of its own. The opening lines, "There are certain things - / As, a spider, a ghost, / The income-tax, gout, / An umbrella for three -" set the tone for the rest of the poem, which is filled with a sense of foreboding and unease. The speaker goes on to say that the sea is one of these things, and that it has a power over us that we cannot fully comprehend.

The theme of the sea as a powerful and unpredictable force is a recurring one throughout the poem. The speaker describes the sea as "a hungry dog, / Giant-like in his size," and warns that it can "swallow the whole of the strand." This imagery is both vivid and unsettling, and it serves to reinforce the idea that the sea is not to be trifled with.

Another theme that emerges in "A Sea Dirge" is the idea of mortality and the inevitability of death. The speaker describes the sea as a "grim, grinning ghost," and warns that it will "take you down to his palace below." This is a clear reference to death, and it suggests that the sea is a symbol for the afterlife. The fact that the sea is personified as a ghost adds to the eerie and unsettling atmosphere of the poem.

Carroll's use of imagery in "A Sea Dirge" is particularly effective in creating a sense of foreboding and unease. The sea is described as "a hungry dog," which conjures up images of a ravenous beast that is always on the prowl. The speaker also describes the sea as "a giant-like in his size," which emphasizes its immense power and strength. The image of the sea "grinning" is also particularly effective, as it suggests a malevolent force that takes pleasure in the destruction it causes.

In addition to imagery, Carroll also employs a number of literary devices in "A Sea Dirge" to create a sense of rhythm and musicality. The poem is written in trochaic tetrameter, which means that each line consists of four trochees (a stressed syllable followed by an unstressed syllable). This gives the poem a strong and steady rhythm that is reminiscent of the sound of waves crashing against the shore.

Carroll also uses repetition throughout the poem to create a sense of unity and coherence. The phrase "And the wind rose, and the waves rose," is repeated several times throughout the poem, which serves to reinforce the idea that the sea is a powerful and unpredictable force that cannot be tamed.

Finally, it is worth noting that "A Sea Dirge" is a particularly effective example of Carroll's ability to create a sense of ambiguity and uncertainty. The poem is filled with references to death and the afterlife, but it is never entirely clear what the speaker's attitude towards these concepts is. Is the sea a symbol for the afterlife, or is it simply a powerful and unpredictable force that we must learn to respect? This ambiguity is part of what makes the poem so compelling, as it allows the reader to interpret the poem in a number of different ways.

In conclusion, "A Sea Dirge" is a hauntingly beautiful poem that showcases Lewis Carroll's mastery of language and his ability to evoke powerful emotions through his words. The themes of mortality and the power of the sea are explored through vivid imagery and effective use of literary devices, and the poem's sense of ambiguity and uncertainty only adds to its power and appeal. Whether you are a fan of poetry or simply appreciate great literature, "A Sea Dirge" is a work that is sure to leave a lasting impression.

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