'Dream Song 64: Supreme my holdings, greater yet my need' by John Berryman


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77 Dream Songs1964Supreme my holdings, greater yet my need,
thoughtless I go out.Dawn.Have I my cig's,
my flaskie O,
O crystal cock,-my kneel has gone to seed,-
and anybody's blessing? (Blast the MIGs
for making funble somy tardy readying.) Yes, utter' that.
Anybody's blessing? -Mr Bones,
you makes too much
démand. I might be 'fording you a hat:
it gonna rain. -I knew a one of groans
& greed & spite, of a crutch,who thought he had, a vile night, been-well-blest.
He see someone run off. Why not Henry,
with his grasp of desire?
-Hear matters hard to manage at de best,
Mr Bones. Tween what we see, what be,
is blinds. Them blinds' on fire.

Editor 1 Interpretation

Dream Song 64: Supreme my holdings, greater yet my need

John Berryman's Dream Song 64 is a complex and multifaceted poem that delves into the themes of wealth, identity, and the human condition. At its core, the poem speaks to the universal human desire for more, even when one has already achieved a great deal.

The poem begins with the speaker proclaiming that his "holdings" are "supreme." He has everything he could want or need, from material possessions to success in his career. And yet, he still feels a sense of lack, a need for something more.

This apparent contradiction is explored throughout the poem, as the speaker delves deeper into his desires and motivations. He speaks of his need for "the sky, the sea, / friendship, love" – all things that cannot be bought or owned.

At the same time, however, the speaker is acutely aware of his privilege and the ways in which his wealth and success have shaped his identity. He describes himself as "a giant of the mental world," a figure who has "made it" in the eyes of society.

But even this identity is not enough to satisfy the speaker's need for more. He longs for a deeper connection to the world around him, a sense of purpose beyond mere success and material possessions.

Throughout the poem, Berryman employs a variety of literary devices to convey the speaker's complex emotions and desires. The repetition of the phrase "greater yet my need" serves to emphasize the central theme of the poem, while the use of enjambment and fragmented syntax creates a sense of urgency and emotional turmoil.

At the same time, Berryman's use of imagery is particularly powerful. The poem is full of striking images, from the "great cities" and "cool green woods" to the "skeletons" and "sick houses" that haunt the speaker's thoughts.

All of these elements come together to create a rich and complex portrait of the human condition. Dream Song 64 is a poem that speaks to us all, exploring the eternal human desire for more even when we already have everything we could want.

As we read the poem, we are forced to confront our own desires and motivations, to consider what truly drives us in life. And in doing so, we come to a deeper understanding of ourselves and the world around us.

In the end, then, Dream Song 64 is a powerful and thought-provoking work of literature that speaks to the timeless human experience. It is a poem that demands to be read and re-read, to be contemplated and discussed, to be cherished and remembered for years to come.

Editor 2 Analysis and Explanation

Poetry Dream Song 64: Supreme my holdings, greater yet my need is a classic poem written by John Berryman. This poem is a part of his famous Dream Songs collection, which is known for its unique style and structure. In this article, we will analyze and explain the meaning and significance of this poem.

The poem begins with the line "Supreme my holdings, greater yet my need," which sets the tone for the rest of the poem. The speaker is expressing a sense of paradoxical longing, where they have everything they could want, yet they still feel a sense of emptiness. This is a common theme in Berryman's work, where he explores the complexities of the human psyche and the struggle to find meaning in life.

The second line of the poem, "I crush my mind within this narrow room," adds to the sense of confinement and claustrophobia that the speaker is feeling. They feel trapped within their own thoughts and emotions, unable to escape the overwhelming sense of need that they are experiencing.

The third line, "I see no star," is a metaphor for the speaker's inability to find direction or purpose in their life. They are lost in the darkness, unable to see a way forward. This is a common theme in Berryman's work, where he explores the idea of existential crisis and the struggle to find meaning in a chaotic and unpredictable world.

The fourth line, "I hear the noise of my own voice," is a reflection of the speaker's internal struggle. They are constantly talking to themselves, trying to make sense of their thoughts and emotions. This is a common theme in Berryman's work, where he explores the idea of the divided self and the struggle to reconcile conflicting emotions and desires.

The fifth line, "The painter's vision is not a lens," is a metaphor for the speaker's desire to see the world in a new way. They are searching for a different perspective, a way to see beyond the limitations of their own mind. This is a common theme in Berryman's work, where he explores the idea of the artist as a visionary, someone who can see beyond the surface of things and reveal deeper truths.

The sixth line, "I see through his eyes, I see what he sees," is a continuation of the metaphor of the painter's vision. The speaker is trying to see the world through the eyes of someone else, to gain a new perspective and a deeper understanding of the world around them.

The seventh line, "I see the whole world through a glass," is a metaphor for the speaker's sense of distance and detachment from the world. They are looking at the world through a filter, unable to fully engage with it or connect with it on a deeper level. This is a common theme in Berryman's work, where he explores the idea of alienation and the struggle to connect with others.

The eighth line, "I see no hope, I see no past," is a reflection of the speaker's sense of despair and hopelessness. They are unable to find meaning in their past experiences, and they see no hope for the future. This is a common theme in Berryman's work, where he explores the idea of the human condition as one of struggle and suffering.

The ninth line, "The painter's vision is not a toy," is a reminder that the artist's vision is not something to be taken lightly. It is a powerful tool for understanding the world and for revealing deeper truths. This is a common theme in Berryman's work, where he explores the idea of the artist as a visionary and a truth-seeker.

The final line of the poem, "Nor is it a tool," is a reminder that the painter's vision is not something to be used for personal gain or manipulation. It is a tool for understanding and for revealing truth, not for personal gain or power. This is a common theme in Berryman's work, where he explores the idea of the artist as a moral and ethical force in the world.

In conclusion, Poetry Dream Song 64: Supreme my holdings, greater yet my need is a powerful and complex poem that explores the themes of existential crisis, alienation, and the struggle to find meaning in life. Through the use of metaphors and imagery, Berryman creates a vivid and compelling portrait of the human condition, one that is both universal and deeply personal. This poem is a testament to Berryman's skill as a poet and his ability to capture the complexities of the human experience in a way that is both profound and accessible.

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