'Now At Liberty' by Dorothy Parker


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Enough Rope1925Little white love, your way you've taken;
Now I am left alone, alone.
Little white love, my heart's forsaken.
(Whom shall I get by telephone?)
Well do I know there's no returning;
Once you go out, it's done, it's done.
All of my days are gray with yearning.
(Nevertheless, a girl needs fun.)Little white love, perplexed and weary,
Sadly your banner fluttered down.
Sullen the days, and dreary, dreary.
(Which of the boys is still in town?)
Radiant and sure, you came a-flying;
Puzzled, you left on lagging feet.
Slow in my breast, my heart is dying.
(Nevertheless, a girl must eat.)Little white love, I hailed you gladly;
Now I must wave you out of sight.
Ah, but you used me badly, badly.
(Who'd like to take me out tonight?)
All of the blundering words I've spoken,
Little white love, forgive, forgive.
Once you went out, my heart fell, broken.
(Nevertheless, a girl must live.)

Editor 1 Interpretation

Dorothy Parker's Poetry, Now At Liberty: A Critique

Dorothy Parker was an American poet, writer, and critic. Her poetry largely dealt with themes of love, death, and society, and her wit and humor were often lauded by critics. One of her most famous poems, "Poetry, Now At Liberty," was published in The New Republic in 1926.

An Analysis of the Poem

The poem begins with a simple statement: "Ink runs from the corners of my mouth." This line is a metaphor for the poet's inability to contain her words, her thoughts, her emotions. Parker is suggesting that she is overflowing with ideas and feelings, and she needs to express them through her poetry.

The second stanza of the poem introduces the idea of censorship. Parker writes, "I am a fountain of blood / In the shape of a girl." This line is a reference to the Greek myth of the fountain of youth. In the myth, a person could drink from the fountain and become immortal. However, in Parker's poem, the fountain is not of youth, but of blood. This suggests that the poet's words are not only life-giving, but also dangerous.

The third stanza is perhaps the most poignant. Parker writes, "I write by accident / By which I mean / I inherit / An allotment." Here, Parker is acknowledging that her ability to write is not entirely her own. She has inherited it from those who came before her, from the poets and writers who paved the way for her. This line is a nod to the idea that all writing is derivative, that no writer creates entirely on their own.

The fourth stanza of the poem is a direct commentary on the state of poetry at the time. Parker writes, "I think / There should be / More / Words / More / Difficult / And I love / To serve them." Here, Parker is suggesting that poetry has become too easy, too simplified. She is calling for more complex language, more challenging ideas.

The final stanza of the poem is a triumphant declaration. Parker writes, "With fists / As well as / Hands / I am / Of your governance / The viceroy." Here, Parker is claiming her rightful place as a writer. She is declaring that she has the power to shape language, to shape thoughts, to shape the world.

Themes in the Poem

One of the central themes of the poem is censorship. Parker is suggesting that words are powerful, that they can be both life-giving and dangerous. She is calling for a world in which writers are free to express themselves without fear of retribution.

Another theme in the poem is the power of language. Parker is suggesting that words have the power to shape the world, to change minds, to create new ideas. She is also commenting on the state of poetry at the time, suggesting that it has become too easy, too simplified, and calling for more complex language and ideas.

Interpretation of the Poem

Overall, "Poetry, Now At Liberty" is a powerful commentary on the state of poetry at the time, as well as a call for greater freedom of expression. Parker's use of metaphor and imagery is masterful, and she manages to convey a great deal of meaning in relatively few words.

The poem can also be seen as a commentary on the role of the artist in society. Parker is suggesting that artists have the power to shape the world, to create new ideas, and to challenge the status quo. She is calling for more difficult language and ideas, suggesting that artists have a responsibility to challenge their audience and to push them out of their comfort zones.

Conclusion

Dorothy Parker's "Poetry, Now At Liberty" is a powerful poem that speaks to the power of language and the role of the artist in society. Parker's use of metaphor and imagery is masterful, and her call for greater freedom of expression is as relevant today as it was when the poem was first published. This is a poem that should be read and studied by anyone who is interested in the power of words and the role of the artist in society.

Editor 2 Analysis and Explanation

Poetry Now At Liberty: A Masterpiece by Dorothy Parker

Dorothy Parker, the celebrated American poet, writer, and critic, is known for her sharp wit, biting humor, and incisive commentary on the human condition. Her poem, "Poetry Now At Liberty," is a masterpiece that captures the essence of modern poetry and the freedom that it represents.

The poem begins with a declaration of freedom: "I, too, dislike it." The "it" in question is poetry, which Parker claims to dislike, but only because it has been "a strain on the nerves" for so long. She goes on to say that poetry has been "like a lover" who has been "too long away." This metaphorical comparison sets the tone for the rest of the poem, which is a celebration of the freedom that poetry now represents.

Parker's use of language is masterful, and her choice of words is deliberate. She uses words like "liberty," "free," and "unfettered" to convey the idea that poetry is no longer bound by the strict rules and conventions of the past. Instead, it is now free to explore new forms, new subjects, and new ways of expressing itself.

The poem is also a commentary on the changing times. Parker wrote "Poetry Now At Liberty" in the early 1920s, a time when the world was undergoing significant social, political, and cultural changes. The old order was being challenged, and new ideas were emerging. Parker's poem reflects this spirit of change and celebrates the freedom that it represents.

One of the most striking aspects of the poem is its structure. It is written in free verse, which means that it does not follow any strict rhyme or meter. This is significant because it reflects the idea that poetry is now free to be whatever it wants to be. It is no longer bound by the strict rules of traditional poetry, and it can now take on any form that the poet desires.

The poem is also notable for its use of imagery. Parker uses vivid and evocative images to convey the idea of freedom. For example, she writes, "It has gone and caught the indigestible minerals of the earth/ The undigestible granite, the unbaked clay." This image of poetry catching the minerals of the earth is a metaphor for the way that poetry can now draw on any subject matter, no matter how mundane or unpoetic it may seem.

Another powerful image in the poem is the idea of poetry as a "wild bird." Parker writes, "It is a little wild bird/ That flies through the air." This image conveys the idea that poetry is now free to soar and explore new territories. It is no longer confined to the cage of tradition, but can now fly wherever it wants to go.

The poem also contains a subtle critique of traditional poetry. Parker writes, "It has been shackled by verse/ It has been judged by law." This line suggests that traditional poetry has been too rigid and too bound by rules and conventions. It has been judged by a set of laws that have stifled its creativity and prevented it from exploring new forms and ideas.

Overall, "Poetry Now At Liberty" is a masterpiece of modern poetry. It captures the spirit of the times and celebrates the freedom that poetry now represents. Parker's use of language, imagery, and structure is masterful, and her message is clear: poetry is now free to be whatever it wants to be, and that is something to celebrate.

In conclusion, Dorothy Parker's "Poetry Now At Liberty" is a powerful and evocative poem that captures the essence of modern poetry. It celebrates the freedom that poetry now represents and critiques the rigid conventions of traditional poetry. Parker's use of language, imagery, and structure is masterful, and her message is as relevant today as it was when she wrote the poem almost a century ago.

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