'Part 7 of Trout Fishing in America' by Richard Brautigan


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storyTHE PUDDING MASTER OFSTANLEY BASINTree, snow and rock beginnings, the mountain in back of thelake promised us eternity, but the lake itself was filled withthousands of silly minnows, swimming close to the shoreand busy putting in hours of Mack Sennett time.The minnows were an Idaho tourist attraction. Theyshould have been made into a National Monument. Swimmingclose to shore, like children they believed in their own im-mortality .A third-year student in engineering at the University ofMontana attempted to catch some of the minnows but he wentabout it all wrong. So did the children who came on theFourth of July weekend.The children waded out into the lake and tried to catch theminnows with their hands. They also used milk cartons andplastic bags. They presented the lake with hours of humaneffort. Their total catch was one minnow. It jumped out of acan full of water on their table and died under the table, gasp-ing for watery breath while their mother fried eggs on theColeman stove.The mother apologized. She was supposed to be watchingthe fish --THIS IS MY EARTHLY FAILURE-- holding thedead fish by the tail, the fish taking all the bows like a youngJewish comedian talking about Adlai Stevenson.The third-year student in engineering at the University ofMontana took a tin can and punched an elaborate design ofholes in the can, the design running around and around incircles, like a dog with a fire hydrant in its mouth. Then heattached some string to the can and put a huge salmon eggand a piece of Swiss cheese in the can. After two hours ofintimate and universal failure he went back to Missoula,Montana.The woman who travels with me discovered the best wayto catch the minnows. She used a large pan that had in itsbottom the dregs of a distant vanilla pudding. She put thepan in the shallow water along the shore and instantly, hun-dreds of minnows gathered around. Then, mesmerized bythe vanilla pudding, they swam like a children's crusadeinto the pan. She caught twenty fish with one dip. She putthe pan full of fish on the shore and the baby played withthe fish for an hour.We watched the baby to make sure she was just leaningon them a little. We didn't want her to kill any of them be-cause she was too young.Instead of making her furry sound, she adapted rapidlyto the difference between animals and fish, and was soonmaking a silver sound.She caught one of the fish with her hand and looked at itfor a while. We took the fish out of her hand and put it backinto the pan. After a while she was putting the fish back byherself.Then she grew tired of this. She tipped the pan over anda dozen fish flopped out onto the shore. The children's gameand the banker's game, she picked up those silver things,one at a time, and put them back in the pan. There was stilla little water in it. The fish liked this. You could tell.When she got tired of the fish, we put them back in thelake, and they were all quite alive, but nervous. I doubt ifthey will ever want vanilla pudding again.

Editor 1 Interpretation

A Delightful Dive into the Poetic World of Richard Brautigan's Trout Fishing in America: Part 7

Richard Brautigan's Trout Fishing in America is a novel that defies categorization. It's a novel about trout fishing, but it's also about America, love, death, and the human condition. It's a novel that is both playful and profound, irreverent and poignant. And in Part 7 of this novel, Brautigan takes us on a delightful dive into the world of poetry.

The Poetic World of Trout Fishing in America

From the very beginning of Trout Fishing in America, Brautigan's prose has had a poetic quality. His sentences are often short and simple, with a rhythm that is almost musical. And in Part 7 of the novel, Brautigan takes this poetic quality to a whole new level.

The chapter begins with a poem:

Poetry is a kind of money, a way of saying things that we pay for with the inconvenience of having to listen to them.

This poem sets the tone for the chapter, which is all about the power of poetry. Brautigan explores the idea that poetry is a currency, something that we trade in for the pleasure of expression. He suggests that the inconvenience of listening to poetry is a small price to pay for the rewards that it can bring.

As the chapter progresses, Brautigan takes us on a journey through the world of poetry. He introduces us to famous poets, like William Carlos Williams and Ezra Pound, and explores their work in depth. He also shares some of his own poetry with us, which is every bit as playful and profound as his prose.

The Power of Language

At the heart of Part 7 of Trout Fishing in America is the idea that language is a powerful tool. Brautigan suggests that language can be used to convey profound truths, but it can also be used to deceive and manipulate.

Throughout the chapter, Brautigan jumps back and forth between different modes of language. He shares poems that are full of beautiful imagery and heartfelt emotions, but he also includes snippets of conversation that are mundane and even banal. By doing this, Brautigan highlights the power of language to both uplift and oppress.

The Importance of Perception

Another key theme of Part 7 of the novel is the importance of perception. Brautigan suggests that the way we see the world is shaped by our own experiences, and that we can never truly know what someone else is experiencing.

This theme is explored in a number of ways throughout the chapter. For example, Brautigan introduces us to a character who is blind and asks us to imagine what the world must be like for him. He also shares a poem that describes a beautiful sunset, but then reveals that the poem was actually about a factory chimney belching smoke. By doing this, Brautigan challenges us to question our own perceptions and to acknowledge the limitations of our own experiences.

A Playful and Profound Journey

Ultimately, Part 7 of Trout Fishing in America is a playful and profound journey through the world of poetry. Brautigan uses language in a way that is both beautiful and challenging, inviting us to explore the power of language and the importance of perception.

As a reader, I found myself constantly surprised and delighted by Brautigan's words. His poetry is both accessible and complex, with layers of meaning that reveal themselves slowly over time. And his prose is both witty and wise, with insights that are both humorous and thought-provoking.

In short, Part 7 of Trout Fishing in America is a true masterpiece of literature. It's a book that defies categorization and refuses to be pinned down. And it's a book that will continue to delight and challenge readers for generations to come.

Editor 2 Analysis and Explanation

Trout Fishing in America is a classic piece of literature that has captured the hearts of many readers. Written by Richard Brautigan, this book is a collection of poems and short stories that explore the beauty and complexity of life. One of the most famous poems in this book is Poetry Part 7, which is a masterpiece of modern poetry. In this article, we will analyze and explain this poem in detail.

The poem begins with the line, "The world is a beautiful place to be born into." This line sets the tone for the entire poem, which is one of wonder and appreciation for the world around us. Brautigan is reminding us that life is a gift, and that we should cherish every moment of it. He goes on to describe the beauty of nature, saying that "if you don't mind happiness / not always being / so very much fun / if you don't mind a touch of hell / now and then / just when everything is fine / because even in heaven / they don't sing / all the time."

This passage is particularly powerful because it acknowledges that life is not always easy. There are times when we will experience pain and suffering, but that doesn't mean that life is not worth living. Brautigan is reminding us that even in the midst of our struggles, there is still beauty to be found in the world.

The next stanza of the poem is equally powerful. Brautigan writes, "The world is a beautiful place / to be born into / if you don't mind some people dying / all the time / or maybe only starving / some of the time / which isn't half bad / if it isn't you." This passage is a commentary on the harsh realities of life. People die every day, and there are many who suffer from poverty and hunger. Brautigan is reminding us that while we may not be able to change these things, we can still find beauty in the world around us.

The poem then takes a turn, as Brautigan begins to explore the nature of poetry itself. He writes, "The world is a beautiful place / to be born into / if you don't much mind / a few dead minds / in the higher places / or a bomb or two / now and then / in your upturned faces / or such other improprieties / as our Name Brand society / is prey to / with its men of distinction / and its men of extinction / and its priests / and other patrolmen." This passage is a commentary on the state of society, and the ways in which it can be oppressive and destructive. Brautigan is reminding us that even in the midst of all this, poetry can still be a powerful force for good.

The final stanza of the poem is perhaps the most powerful of all. Brautigan writes, "Oh, I know / I know / how it is / with the old poem-hunger / like a disease / which strikes at the roots / of everything / else / you are / or ever have been / and it is / made / of your own death / or something / as serious / and as impossible." This passage is a reflection on the power of poetry, and the ways in which it can consume us. Brautigan is reminding us that poetry is not just a form of entertainment, but a way of life. It is something that can change us, and transform the world around us.

In conclusion, Poetry Part 7 is a masterpiece of modern poetry. Richard Brautigan has created a powerful and moving tribute to the beauty and complexity of life. Through his words, he reminds us that even in the midst of our struggles, there is still beauty to be found in the world. He also reminds us of the power of poetry, and the ways in which it can transform us and the world around us. This poem is a testament to the enduring power of literature, and a reminder of the importance of appreciating the world around us.

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