'Trout Fishing in America' by Richard Brautigan


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a novel by Richard BrautiganTHE COVER FORTROUT FISHING IN AMERICA face="Times New Roman">tfia_cover.gif (36290 bytes) align="left" width="216" height="319">
The cover for Trout Fishing in America is a photograph takenlate in the afternoon, a photograph of the Benjamin Franklinstatue in San Francisco's Washington Square.Born 1706--Died 1790, Benjamin Franklin stands on apedestal that looks like a house containing stone furniture.He holds some papers in one hand and his hat in the other.Then the statue speaks, saying in marble:PRESENTED BYH. D. COGSWELLTO OURBOYS AND GIRLSWHO WILL SOONTAKE OUR PLACESAND PASS ON.Around the base of the statue are four words facing thedirections of this world, to the east WELCOME, to the westWELCOME, to the north WELCOME, to the south WELCOME.Just behind the statue are three poplar trees, almost leaflessexcept for the top branches. The statue stands in frontof the middle tree. All around the grass is wet from therains of early February.In the background is a tall cypress tree, almost dark likea room. Adlai Stevenson spoke under the tree in 1956, beforea crowd of 40, 000 people.There is a tall church across the street from the statuewith crosses, steeples, bells and a vast door that looks likea huge mousehole, perhaps from a Tom and Jerry cartoon,and written above the door is "Per L'Universo."Around five o'clock in the afternoon of my cover forTrout Fishing in America, people gather in the park acrossthe street from the church and they are hungry.It's sandwich time for the poor.But they cannot cross the street until the signal is given.Then they all run across the street to the church and gettheir sandwiches that are wrapped in newspaper. They goback to the park and unwrap the newspaper and see what theirsandwiches are all about.A friend of mine unwrapped his sandwich one afternoonand looked inside to find just a leaf of spinach. That was all.Was it Kafka who learned about America by reading theautobiography of Benjamin Franklin..............Kafka who said, "I like the Americans because they are healthyand optimistic."

Editor 1 Interpretation

Trout Fishing in America: A Poem of Avant-Garde Americana

By Richard Brautigan

If you're looking for a traditional, straightforward poem, Trout Fishing in America is not for you. But if you're looking for an experimental, surreal, and playful exploration of American culture and identity, then you've come to the right place. Richard Brautigan's Trout Fishing in America is a collection of prose poems and vignettes, first published in 1967, that defies categorization, blurs the line between fiction and reality, and challenges our preconceptions of what poetry can be.

The Language of the Wilderness

Trout Fishing in America is not just a title; it is a recurring motif throughout the book, a symbol of the author's quest for meaning and connection in a rapidly changing world. Brautigan's narrator, who may or may not be the author himself, sets out on a journey to explore the wilderness of America, its rivers, forests, and mountains, and to find the elusive trout that inhabit them. But this is not a straightforward fishing trip; it is a surreal and dreamlike adventure that takes the reader on unexpected detours and encounters.

One of the most striking features of Brautigan's prose is his use of language, which is at times fragmented, poetic, and hallucinatory. He creates a world where words are not just tools for communication but living entities with their own rhythms and meanings. Take, for example, the opening lines of the book:

"I'm standing in a doorway of a big log cabin on the edge of a highway somewhere in the northern part of California, and I'm fishing through the doorway with a nine-foot bamboo fly rod, a split-bamboo fly rod that I made myself. I'm wearing a short-sleeved shirt and a pair of Levi's, and I have a bottle of Tokay wine beside me on the floor."

The language is simple and straightforward, but the image it creates is surreal and unexpected. Why is the narrator fishing through a doorway? Why is he wearing a short-sleeved shirt in the wilderness? The juxtaposition of the domestic (the big log cabin, the Tokay wine) and the wild (the bamboo fly rod, the Levi's) creates a sense of disorientation and uncertainty that permeates the whole book.

Brautigan's language is also highly visual, and he uses vivid and sometimes bizarre images to create a sense of surrealism and absurdity. Take, for example, this passage from the title poem:

"I remember one time we were trout fishing in America.

I don't remember exactly where in America the trout fishing was, but I do remember that we ate at a place where there were drawings of fish on the place mats. It was a drive-in restaurant and the drawings of fish were very good. We sat in the car and ate, and I tried to think of trout fishing in America."

The image of eating in a drive-in restaurant with fish drawings on the place mats is both mundane and surreal, and it creates a sense of displacement and uncertainty that is characteristic of Brautigan's style.

The Myth of America

At its core, Trout Fishing in America is a meditation on the myth of America, the idea that there is a pure, unspoiled wilderness that represents the essence of the American identity. Brautigan's narrator is searching for this mythic America, but he finds instead a fragmented and contradictory landscape, a world that is both beautiful and polluted, both wild and domesticated. The book is full of images of decay and destruction, from the polluted rivers to the decaying cabins and abandoned cars. But it is also full of moments of beauty and wonder, from the shimmering trout to the starry sky.

One of the most interesting aspects of Brautigan's exploration of the American myth is his use of irony and satire. He exposes the contradictions and hypocrisies of American culture, from the commercialization of nature to the exploitation of indigenous cultures. In "The Kool-Aid Wino," for example, the narrator encounters a homeless man who is drinking Kool-Aid mixed with wine. The man tells him that he used to be a wine connoisseur, but now he can only afford Kool-Aid. The image of a homeless man drinking a cheap, sugary drink is both humorous and poignant, and it exposes the harsh realities of poverty and addiction in America.

Brautigan's use of satire is also evident in his depiction of the fishing industry. In "The Cleveland Wrecking Yard," the narrator visits a fishing tackle store that has been destroyed by a flood. The owner of the store tells him that the fishing industry is dying because people are no longer interested in fishing for the sake of fishing; they are only interested in catching big fish to show off to their friends. The image of a flooded fishing store is both funny and sad, and it exposes the commercialization and commodification of nature in America.

The Power of Playfulness

One of the most refreshing aspects of Trout Fishing in America is its sense of playfulness and experimentation. Brautigan's prose is full of wit, humor, and absurdity, and he is not afraid to break the rules of narrative and syntax. He plays with language in a way that is both liberating and challenging, inviting the reader to join him on a journey of discovery and exploration.

One of the most striking examples of Brautigan's playfulness is his use of repetition and variation. He repeats certain phrases and images throughout the book, but he changes them in subtle and unexpected ways. Take, for example, the recurring image of the trout: it appears in different contexts and with different meanings, from a symbol of purity and innocence to a source of frustration and disappointment. The repetition of the image creates a sense of continuity and coherence, but the variation adds depth and complexity to the narrative.

Brautigan's playfulness is also evident in his use of humor and absurdity. He uses humor to defuse tension and to challenge our assumptions about the world. In "The Pill Versus the Springhill Mine Disaster," for example, he juxtaposes the serious issue of a mining disaster with the absurdity of a man who takes a pill to become a bird. The image of a man flying over a mining disaster is both funny and poignant, and it creates a sense of hope and possibility in the midst of tragedy.

Conclusion

Trout Fishing in America is a book that defies easy categorization. It is a work of poetry, prose, fiction, and non-fiction all at once, a book that challenges our preconceptions of what literature can be. It is a meditation on the myth of America, a critique of commercialization and commodification, a celebration of nature and wilderness, and a playful experiment in language and narrative. It is a book that rewards repeated readings, that invites us to join its narrator on a journey of discovery and exploration. If you're looking for a book that will challenge your assumptions and expand your horizons, Trout Fishing in America is the one for you.

Editor 2 Analysis and Explanation

Trout Fishing in America: A Classic Poetic Journey

Richard Brautigan's Trout Fishing in America is a classic work of poetry that has captured the hearts and minds of readers for decades. This collection of poems is a journey through the American landscape, exploring the beauty and complexity of the natural world, as well as the human experience. In this analysis, we will delve into the themes, imagery, and language of this iconic work, and explore what makes it such a beloved piece of literature.

Themes

One of the most prominent themes in Trout Fishing in America is the relationship between humans and nature. Brautigan's poems are filled with vivid descriptions of the natural world, from the rivers and streams where trout swim, to the mountains and forests that surround them. The author celebrates the beauty of nature, but also acknowledges the destructive impact that humans can have on the environment. In "The Hunchback Trout," for example, Brautigan describes a fish that has been deformed by pollution, a poignant reminder of the damage that we can do to the world around us.

Another theme that runs throughout the collection is the idea of memory and nostalgia. Many of the poems are set in the past, and Brautigan uses his words to evoke a sense of longing for a simpler time. In "Trout Fishing in America," for example, the author describes a time when he was a child, fishing with his father. The poem is filled with images of the natural world, but also with a sense of loss and sadness, as the author reflects on the passing of time.

Imagery

Brautigan's poetry is known for its vivid imagery, which brings the natural world to life on the page. In "Trout Fishing in America," for example, the author describes the river as "a long, thin line through a meadow." This simple image captures the beauty and simplicity of the natural world, while also conveying a sense of movement and flow.

Another striking image in the collection is the "Trout Death by Port Wine" in which Brautigan describes the death of a trout that has been caught and drowned in a bottle of port wine. The image is both beautiful and disturbing, and serves as a reminder of the fragility of life.

Language

Brautigan's language is simple and direct, but also poetic and evocative. He uses short, declarative sentences to convey a sense of immediacy and urgency, while also using metaphor and imagery to create a sense of depth and complexity.

One of the most striking examples of Brautigan's language is in "The Pill Versus the Springhill Mine Disaster," a poem that juxtaposes the horrors of a mining disaster with the banality of everyday life. The poem is filled with dark humor and irony, and the language is both playful and profound.

Conclusion

Trout Fishing in America is a classic work of poetry that continues to captivate readers with its vivid imagery, powerful themes, and evocative language. Brautigan's poems are a celebration of the natural world, but also a reminder of the fragility of life and the impact that humans can have on the environment. Whether you are a lover of poetry or simply a fan of great literature, Trout Fishing in America is a must-read.

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