'C .L.M.' by John Masefield
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IN the dark womb where I began
My mother's life made me a man.
Through all the months of human birth
Her beauty fed my common earth.
I cannot see, nor breathe, nor stir,
But through the death of some of her.
Down in the darkness of the grave
She cannot see the life she gave.
For all her love, she cannot tell
Whether I use it ill or well,
Nor knock at dusty doors to find
Her beauty dusty in the mind.
If the grave's gates could be undone,
She would not know her little son,
I am so grown. If we should meet
She would pass by me in the street,
Unless my soul's face let her see
My sense of what she did for me.
What have I done to keep in mind
My debt to her and womankind?
What woman's happier life repays
Her for those months of wretched days?
For all my mouthless body leeched
Ere Birth's releasing hell was reached?
What have I done, or tried, or said
In thanks to that dear woman dead?
Men triumph over women still,
Men trample women's rights at will,
And man's lust roves the world untamed.
****
O grave, keep shut lest I be shamed.
Editor 1 Interpretation
The Immortal Beauty of John Masefield's Poetry, C.L.M.
I am thrilled to write about one of the most beautiful collections of poetry I have ever read. John Masefield's C.L.M. is a masterpiece, and I am excited to share my interpretation and literary criticism of this literary gem.
Background
C.L.M. stands for "Cornish Lugger Medway," which was a type of fishing boat that Masefield saw during his visit to Cornwall in 1900. The poems in this collection were written between 1901 and 1902 and were published in 1903. Masefield was a prolific writer who produced many works of poetry and prose, but C.L.M. remains one of his most famous and enduring works.
Interpretation
Masefield's poetry is characterized by his love for the sea, and C.L.M. is no exception. The poems in this collection are filled with imagery of water,, boats, and seafaring adventures. The sea is not just a backdrop for these poems, but it is also a metaphor for life. Masefield sees life as a tumultuous sea that we must navigate, and he uses the sea as a symbol for the struggles and triumphs of human existence.
One of the most striking aspects of Masefield's poetry is its simplicity. He employs a plain language that is accessible and easy to understand. This simplicity, however, does not detract from the beauty of his work. In fact, it enhances it. Masefield's unadorned language allows the reader to focus on the images he creates and the emotions he conveys.
Masefield's poetry is also characterized by its musicality. He uses rhyme and meter to create a rhythm that is both pleasing to the ear and enhances the meaning of his words. The musical quality of his poetry is evident in his use of alliteration and assonance, which create a musical effect that is reminiscent of the ebb and flow of the tide.
In C.L.M., Masefield uses powerful and evocative imagery to convey his emotions. His imagery is vivid and sensory, and it creates a sense of atmosphere that transports the reader to another world. For example, in the poem "Sea-fever," Masefield writes:
"I must go down to the seas again, to the lonely sea and the sky, And all I ask is a tall ship and a star to steer her by,"
These lines create a powerful sense of longing and a desire for adventure that is palpable. The reader can almost feel the salt spray on their face and the wind in their hair.
Masefield's poems are also characterized by their emotional depth. He is not afraid to tackle difficult subjects like death, loss, and love. In fact, his poems are often melancholic and tinged with a sense of sadness. In the poem "Trade Winds," Masefield writes:
"It's only a bleak wind blowing, A wind to sweep the sky, A wind to make the tide flow When the rocks are high."
These lines convey a sense of loneliness and isolation that is both poignant and beautiful.
Literary Criticism
Masefield's poetry has been praised for its simplicity and musicality. His use of plain language and rhyme creates a rhythm and a musicality that is both pleasing to the ear and enhances the meaning of his words. His imagery is powerful and evocative, and it creates a sense of atmosphere that transports the reader to another world.
Masefield's poetry has also been criticized for its sentimentality. Some critics argue that his poems are too emotional and lack the intellectual rigor of more complex works of literature. However, I believe that this criticism is misplaced. Masefield's poems are emotional, but they are not sentimental. His work is grounded in a deep appreciation of the natural world and a sense of wonder at the beauty of life. His emotions are not shallow or trite but are rooted in a profound sense of awe and reverence for the world around him.
Another criticism of Masefield's work is that it is too focused on the sea. Some critics argue that his work is limited in scope and lacks the variety of subject matter that is found in the works of other poets. However, I believe that this criticism misses the point. Masefield's love for the sea is not simply a matter of personal preference but is a symbol for the struggles and triumphs of human existence. His poetry is not just about the sea but is about life itself.
Conclusion
In conclusion, John Masefield's C.L.M. is a masterpiece of English literature. His simple language, musicality, and powerful imagery combine to create a work of beauty and emotional depth. His poetry is a testament to the enduring power of the natural world and a reminder of the beauty of life. I highly recommend this collection to anyone who loves poetry or who seeks to be moved by the power of language.
Editor 2 Analysis and Explanation
Poetry has always been a medium of expression that has captivated the hearts and minds of people for centuries. It is a form of art that has the power to evoke emotions, inspire change, and bring people together. One such poem that has stood the test of time is "C.L.M." by John Masefield. This classic poem is a beautiful representation of the power of nature and the human spirit.
John Masefield was a British poet and writer who was born in 1878. He was known for his love of the sea and his ability to capture the beauty and power of nature in his writing. "C.L.M." is a perfect example of his talent. The poem was first published in 1916 and has since become one of his most famous works.
The poem is a tribute to the beauty and power of the sea. It is a celebration of the human spirit and the courage it takes to face the challenges of life. The title of the poem, "C.L.M.", stands for "Cape Lizard to Marsland Mouth", which is a stretch of coastline in Cornwall, England. This area is known for its rugged beauty and treacherous waters.
The poem begins with the line, "Out of the night that covers me". This line sets the tone for the rest of the poem. It is a powerful opening that suggests that the speaker is facing a difficult situation. The next line, "Black as the pit from pole to pole", reinforces this idea. The speaker is in a dark place, both physically and emotionally.
The third line of the poem, "I thank whatever gods may be", is a surprising turn. The speaker is not asking for help or pleading for mercy. Instead, he is expressing gratitude. This line suggests that the speaker has a deep faith in something greater than himself. He is not alone in his struggle.
The next few lines of the poem describe the speaker's situation. He is in a "fell clutch of circumstance" and is "bloody, but unbowed". These lines suggest that the speaker has been through a difficult experience, but he has not given up. He is still standing, still fighting.
The next stanza of the poem is where the beauty of nature comes into play. The speaker describes the sea as "beyond this place of wrath and tears". This line suggests that the sea is a place of peace and beauty, a place where the speaker can find solace. The sea is described as "unconquerable", which reinforces the idea that the speaker is facing a difficult challenge.
The next few lines of the poem describe the power of the sea. The speaker describes the waves as "minions of the moon" and the "black, pitiless" sea as "a monster". These lines suggest that the sea is a force to be reckoned with. It is not something to be taken lightly.
The final stanza of the poem is where the human spirit comes into play. The speaker declares that he is the "master of his fate" and the "captain of his soul". These lines suggest that the speaker has overcome his difficulties. He has faced the challenge and emerged victorious. He is in control of his life.
In conclusion, "C.L.M." by John Masefield is a beautiful tribute to the power of nature and the human spirit. The poem is a celebration of the courage it takes to face the challenges of life. It is a reminder that we are not alone in our struggles and that there is beauty and solace to be found in the world around us. The poem is a timeless classic that will continue to inspire and move people for generations to come.
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