'Sonnets From An Ungrafted Tree' by Edna St. Vincent Millay


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I, being born a woman and distressed
By all the needs and notions of my kind,
Am urged by your propinquity to find
Your person fair, and feel a certain zest
To bear you body's weight upon my breast:
So subtly is the fume of life designed,
To clairfy the pulse and cloud the mind,
And leave me once again undone, possessed.
Think not for this, however, the poor treason
Of my stout blood against my staggering brain,
I shall remember you with love, or season
My scorn with pity,—let me make it plain:
I find ths frenzy insufficient reason
For conversation when we meet again.

Editor 1 Interpretation

Sonnets From An Ungrafted Tree: A Masterpiece of Millay's Poetic Genius

Edna St. Vincent Millay's Sonnets From An Ungrafted Tree is a collection of 25 sonnets that has captured the hearts of readers for over a century. The poem, published in 1923, speaks to themes of love, loss, and the search for identity. These sonnets were among the first of Millay's works to gain widespread recognition, and they remain some of her most popular pieces.

The Poem's Structure

The sonnet is a form of poetry that has been around since the Renaissance era. It typically consists of 14 lines and follows a specific rhyme scheme. Millay's Sonnets From An Ungrafted Tree follows this traditional structure. Each sonnet is composed of three quatrains and a couplet, and the rhyme scheme is ABAB CDCD EFEF GG. This structure creates a sense of balance and symmetry within each sonnet, while also allowing for variations in meter and rhythm.

The Poem's Themes

One of the most prominent themes in Sonnets From An Ungrafted Tree is the search for identity. Throughout the poem, Millay explores the idea of being ungrafted, or not belonging to a particular group or place. This sense of disconnection is something that many people can relate to, and Millay's words capture the feeling of searching for a sense of belonging.

Another key theme in the poem is love and loss. Many of the sonnets are addressed to someone who has passed away or who is no longer present in the speaker's life. These sonnets are filled with longing and grief, yet they also express the enduring power of love.

Analysis and Interpretation

One of the most striking aspects of Sonnets From An Ungrafted Tree is Millay's use of language. Her words are both beautiful and powerful, and they have a way of staying with the reader long after the poem has been put down. In the first sonnet, Millay writes:

I think that I shall never see A poem lovely as a tree.

This opening is a nod to Joyce Kilmer's famous poem, "Trees," but Millay quickly diverges from Kilmer's style and theme. While Kilmer's poem celebrates the beauty of nature, Millay's poem explores the complexities of human emotion. She goes on to write:

And nothing is so rare to see As a tree that's ungrafted.

This line sets the tone for the rest of the poem. The idea of being ungrafted is something that will be explored throughout the sonnets, and it is a powerful metaphor for the search for identity.

In sonnet III, Millay writes:

So from my heart no whisper goes To tell thee now what most it knows.

This sonnet is addressed to someone who has passed away, and it captures the feeling of grief that comes from losing someone you love. The speaker longs to express their feelings, but they are unable to do so because the person is no longer there to hear them. This theme of loss and longing is present throughout the poem, and it is one of the reasons why Sonnets From An Ungrafted Tree is so powerful.

In sonnet VII, Millay writes:

Thou art my friend, and my sweet pain Is woven with thy life again.

This sonnet is addressed to someone who is still alive, but who is no longer a part of the speaker's life. The speaker acknowledges that their relationship is painful, but they also recognize the value of the connection they once had. This sonnet speaks to the complex nature of human relationships, and it shows that even when love is painful, it is still worth something.

In sonnet XXIII, Millay writes:

I shall not care to know the wind's direction Or sift my hand in snow.

This sonnet is a reflection on the passage of time. The speaker acknowledges that they are getting older, but they also recognize that there are some things that they no longer care about. This sonnet is a beautiful meditation on the way that the passing of time can change our priorities and our perspective.

Conclusion

Sonnets From An Ungrafted Tree is a masterpiece of Millay's poetic genius. It is a collection of sonnets that speaks to themes of love, loss, and the search for identity. Millay's use of language is beautiful and powerful, and her words have a way of staying with the reader long after the poem has been put down. This poem is a testament to the enduring power of love and the human spirit.

Editor 2 Analysis and Explanation

Sonnets From An Ungrafted Tree: A Masterpiece of Poetic Expression

Edna St. Vincent Millay, one of the most celebrated poets of the 20th century, is known for her lyrical and evocative poetry that explores themes of love, nature, and the human condition. Among her many works, Sonnets From An Ungrafted Tree stands out as a masterpiece of poetic expression, showcasing Millay's mastery of form, language, and imagery.

Composed of 28 sonnets, Sonnets From An Ungrafted Tree is a poetic sequence that tells the story of a love affair between two women, identified only as "A" and "B". The sonnets are arranged in a specific order, with each one building on the themes and emotions of the previous one, creating a narrative arc that culminates in a powerful and poignant conclusion.

At its core, Sonnets From An Ungrafted Tree is a celebration of love and desire, as well as a critique of the societal norms and prejudices that seek to suppress and deny such feelings. Millay's use of the sonnet form, with its strict rhyme scheme and meter, serves to heighten the intensity and passion of the emotions expressed in the poem, while also providing a sense of structure and order that mirrors the societal constraints that the lovers must navigate.

The first sonnet, "I cannot be ashamed", sets the tone for the rest of the sequence, as the speaker declares her love for another woman and refuses to be ashamed or hide her feelings. The use of the first person point of view, combined with the direct and unapologetic language, creates a sense of intimacy and immediacy that draws the reader into the speaker's world.

Throughout the sequence, Millay employs a range of poetic devices and techniques to convey the complex emotions and experiences of the lovers. For example, in sonnet IV, "What lips my lips have kissed", the speaker reflects on past lovers and experiences, using vivid and sensual imagery to convey the depth of her longing and desire. The repetition of the phrase "I have forgotten" serves to emphasize the fleeting and transitory nature of these past relationships, while also highlighting the enduring power of the speaker's love for her current partner.

Similarly, in sonnet VII, "When I too long have looked upon your face", the speaker uses metaphor and personification to describe the intensity of her desire for her lover. The image of the "ungrafted tree" serves as a symbol of the speaker's own individuality and uniqueness, while also representing the societal norms and expectations that seek to graft her onto a predetermined path. The use of personification, with the tree "stretching in the sun" and "drinking in the rain", creates a sense of vitality and growth that mirrors the speaker's own burgeoning sense of self and identity.

As the sequence progresses, the lovers face increasing obstacles and challenges, both internal and external. In sonnet XVIII, "Oh, think not I am faithful to a vow", the speaker acknowledges the possibility of infidelity and betrayal, while also affirming her commitment to her partner. The use of the second person point of view, with the speaker addressing her lover directly, creates a sense of intimacy and vulnerability that underscores the complexity of their relationship.

In sonnet XXI, "Say what you will, and scratch my heart to find", the speaker confronts the societal prejudices and stereotypes that seek to marginalize and stigmatize same-sex love. The use of the imperative mood, with the speaker commanding her detractors to "say what you will", creates a sense of defiance and strength that challenges the dominant discourse of heteronormativity.

Finally, in sonnet XXVIII, "What lover would not love the sweet of sweet?", the speaker reflects on the fleeting nature of love and desire, and the inevitability of loss and separation. The use of the rhetorical question, with the speaker asking "what lover would not love the sweet of sweet?", creates a sense of universality and empathy that transcends the specific context of the poem. The final couplet, with its haunting image of the "ungrafted tree" standing alone and bereft, serves as a powerful and poignant conclusion to the sequence.

In conclusion, Sonnets From An Ungrafted Tree is a masterful work of poetry that explores the complexities and nuances of same-sex love and desire. Through her use of form, language, and imagery, Edna St. Vincent Millay creates a vivid and evocative portrait of two women struggling to navigate the societal norms and prejudices that seek to deny and suppress their feelings. The poem stands as a testament to the enduring power of love and the human spirit, and a reminder of the importance of embracing our own individuality and uniqueness, even in the face of adversity.

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