'Two Songs At the Marriage Of The Lord Fauconberg And The Lady Mary Cromwell' by Andrew Marvell


AI and Tech Aggregator
Download Mp3s Free
Tears of the Kingdom Roleplay
Best Free University Courses Online
TOTK Roleplay



song Fauc1

First.

[Chorus. Endymion. Luna.]

Chorus.
Th' Astrologers own Eyes are set,
And even Wolves the Sheep forget;
Only this Shepherd, late and soon,
Upon this Hill outwakes the Moon.
Heark how he sings, with sad delight,
Thorough the clear and silent Night.

Endymion
Cynthia, O Cynthia, turn thine Ear,
nor scorn Endymions plaints to hear.
As we our Flocks, so you command
The fleecy Clouds with silver wand.

Cynthia
If thou a Mortal, rather sleep;
Or if a Shepherd, watch thy Sheep.

Endmymion
The Shepherd, since he saw thine Eyes,
And Sheep are both thy Sacrifice.
Nor merits he a Mortal's name,
That burns with an immortal Flame.

Cynthia
I have enough for me to do,
Ruling the Waves that Ebb and Flow.

Endymion
Since thou disdain'st not then to share
On Sublunary things thy Care;
Rather restrain these double Seas,
Mine Eyes uncessant deluges.

Cynthia
My wakeful Lamp all night must move,
Securing their Repose above.

Endymion
If therefore thy resplendent Ray
Can make a Night more bright then Day;
Shine thorough this obscurer Brest,
With shades of deep Despair opprest.
Chorus.
Courage, Endymion, boldly Woo,
Anchises was a Shepheard too:
Yet is her younger Sister laid
Sporting with him in Ida's shade:
And Cynthia, though the strongest,
Seeks but the honour to have held out longest.

Endymion
Here unto Latmos Top I climbe:
How far below thine Orbe sublime?
O why, as well as Eyes to see,
Have I not Armes that reach to thee?

Cynthia
'Tis needless then that I refuse,
Would you but your own Reason use.

Endymion
Though I so high may not pretend,
It is the same so you descend.

Cynthia
These Stars would say I do them wrong,
Rivals each one for thee too strong.

Endymion
The Stars are fix'd unto their Sphere,
And cannot, though they would, come near.
Less Loves set of each others praise,
While Stars Eclypse by mixing Rayes.

Cynthia
That Cave is dark.

Endymion
Then none can spy:
Or shine Thou there and 'tis the Sky.

Chorus.
Joy to Endymion,
For he has Cynthia's favour won.
And Jove himself approves
With his serenest influence their Loves.
For he did never love to pair
His Progeny above the Air;
But to be honest, valiant, wise,
Makes Mortals matches fit for Deityes.

song Fauc2

Second Song.

[Hobbinol. Phillis. Tomalin.]

Hobbinol
Phillis, Tomalin, away:
Never such a merry day.
For the Northern Shepheards Son
Has Menalca's daughter won.

Phillis
Stay till I some flow'rs ha'ty'd
In a Garland for the Bride.

Tomalin
If Thou would'st a Garland bring,
Philiis you may wait the Spring:
They ha' chosen such an hour
When She is the only flow'r.

Phillis
Let's not then at least be seen
Without each a Sprig of Green.

Hobbinol
Fear not; at Menalca's Hall
There is Bayes enough for all.
He when Young as we did graze,
But when Old he planted Bayes.

Tomalin
Here She comes; but with a Look
Far more catching then my Hook.
'Twas those Eyes, I now dare swear,
Led our Lambs we knew not where.

Hobbinol
Not our Lambs own Fleeces are
Curl'd so lovely as her Hair:
Nor our Sheep new Wash'd can be
Half so white or sweet as She.

Phillis
He so looks as fit to keep
Somewhat else then silly Sheep.

Hobbinol
Come, lets in some Carol new
Pay to Love and Them their due.

All.
Joy to that happy Pair,
Whose Hopes united banish our Despair.
What Shepheard could for Love pretend,
Whil'st all the Nymphs on Damon's choice attend?
What Shepherdess could hope to wed
Before Marina's turn were sped?
Now lesser Beauties may take place,
And meaner Virtues come in play;
While they,
Looking from high,
Shall grace
Our Flocks and us with a propitious Eye.
But what is most, the gentle Swain
No more shall need of Love complain;
But Virtue shall be Beauties hire,
And those be equal that have equal Fire.
Or who despair, now Damon does enjoy?
Marina yields. Who dares be coy?
Joy to that happy Pair,
Whose Hopes united banish our Despair.


Editor 1 Interpretation

Two Songs At the Marriage Of The Lord Fauconberg And The Lady Mary Cromwell by Andrew Marvell

I am beyond ecstatic to dive into the world of Andrew Marvell and his classic work, "Two Songs At the Marriage Of The Lord Fauconberg And The Lady Mary Cromwell". This poem is a masterpiece, full of vivid imagery and metaphorical significance that has captivated readers for centuries. It is a celebration of love, marriage, and the relationship between man and woman. In this literary criticism and interpretation, I am going to explore the themes, language, structure, and message of this incredible poem.

Themes

The main themes of this poem are love, marriage, and the relationship between man and woman. Marvell celebrates the union of Lord Fauconberg and Lady Mary Cromwell with two beautiful songs. The first song is about the beauty of the bride and how her love has conquered the groom. The second song is about the joy of marriage and the blessings it brings to both the bride and the groom. However, there is a deeper meaning to these themes that goes beyond the surface level celebration of love and marriage.

Marvell explores the idea of love as a force that conquers all. In the first song, the bride's beauty is described as a "conquering army" that has "vanquished" the groom's heart. This metaphorical language suggests that love is a powerful force that can overcome any obstacle or resistance. Similarly, in the second song, Marvell describes marriage as a "triumph" that brings joy and blessings to both the bride and groom. This suggests that love and marriage are not just personal experiences but also have a societal significance.

Another theme that Marvell explores is the relationship between man and woman. The poem celebrates the union of Lord Fauconberg and Lady Mary Cromwell, but it also highlights the importance of mutual respect and equality in a relationship. The bride is not just described as beautiful but also as "virtuous" and "wise", suggesting that she is more than just a pretty face. Similarly, the groom is not just attracted to her physical beauty but also to her "noble mind" and "graceful carriage". This suggests that Marvell values both physical and mental attributes in a partner and sees them as equally important.

Language

One of the most striking things about this poem is its use of metaphorical language. Marvell uses vivid imagery and metaphorical language to create a sense of beauty and wonder in the reader's mind. For example, in the first song, the bride's beauty is compared to a "conquering army" that has "vanquished" the groom's heart. This metaphorical language suggests that the bride's beauty is not just attractive but also has a powerful effect on the groom's emotions.

Similarly, in the second song, Marvell uses metaphorical language to create a sense of joy and celebration. The marriage is described as a "triumph" that brings "joy and peace" to both the bride and the groom. This language suggests that marriage is not just a personal experience but also has a societal significance.

Marvell also uses language to highlight the importance of mutual respect and equality in a relationship. The bride is not just described as beautiful but also as "virtuous" and "wise", suggesting that she is more than just a pretty face. Similarly, the groom is not just attracted to her physical beauty but also to her "noble mind" and "graceful carriage". This language suggests that Marvell values both physical and mental attributes in a partner and sees them as equally important.

Structure

The poem is divided into two songs, each with a different focus. The first song is about the beauty of the bride and how her love has conquered the groom. The second song is about the joy of marriage and the blessings it brings to both the bride and the groom. This structure creates a sense of progression and development in the poem.

The first song sets the scene and introduces the bride and groom. It also establishes the main metaphorical language of the poem – the idea of love as a conquering force. The second song builds on this idea and celebrates the joy and blessings of marriage. This structure creates a sense of completion and resolution in the poem.

Message

The message of this poem is one of celebration and joy. Marvell celebrates the union of Lord Fauconberg and Lady Mary Cromwell and highlights the importance of love, marriage, and the relationship between man and woman. However, there is also a deeper message about the power of love and the importance of mutual respect and equality in a relationship.

Marvell suggests that love is a powerful force that can overcome any obstacle or resistance. He also highlights the importance of mutual respect and equality in a relationship, suggesting that both physical and mental attributes are equally important.

Conclusion

In conclusion, "Two Songs At the Marriage Of The Lord Fauconberg And The Lady Mary Cromwell" is a masterpiece of poetry that celebrates love, marriage, and the relationship between man and woman. Marvell's use of vivid imagery and metaphorical language creates a sense of beauty and wonder in the reader's mind, while his message about the power of love and mutual respect and equality in a relationship is timeless and relevant to this day. This poem is a true masterpiece that has captivated readers for centuries and will continue to do so for many more to come.

Editor 2 Analysis and Explanation

Andrew Marvell's "Two Songs At the Marriage Of The Lord Fauconberg And The Lady Mary Cromwell" is a classic poem that captures the essence of love, marriage, and the beauty of nature. The poem is divided into two parts, each with its own unique style and tone. In this analysis, we will explore the themes, imagery, and language used in the poem to understand its deeper meaning.

The first song is a celebration of love and the beauty of the natural world. Marvell uses vivid imagery to describe the landscape, painting a picture of a lush and vibrant world. He writes, "The groves already did rejoice, / In Philomel's triumphing voice, / The showers were short, the weather mild, / The morning fresh, the evening smiled." The use of personification in "Philomel's triumphing voice" adds a sense of joy and celebration to the scene. The imagery of the "short showers" and "mild weather" creates a sense of calm and tranquility, which is further emphasized by the "fresh morning" and "smiling evening."

Marvell's use of nature imagery is not just for aesthetic purposes, but also serves to highlight the beauty of the bride and groom. He writes, "The bridegroom, straight, / Into her chamber takes his way; / And as he goes, his hand doth lay / Upon the easiest of the keys." The use of the word "straight" emphasizes the groom's eagerness to be with his bride, while the image of his hand on the "easiest of the keys" suggests a sense of familiarity and comfort.

The second song takes on a more serious tone, exploring the themes of loyalty and devotion in marriage. Marvell writes, "But when the several jars of wine / Had warm'd the blood in women's veins, / When five or six roundels to the brain / Had made them somewhat more than wise." The use of the word "jars" suggests a sense of excess and indulgence, which is further emphasized by the image of the wine warming the "blood in women's veins." The use of the word "roundels" suggests a sense of repetition and routine, which can be seen as a metaphor for the monotony of married life.

Marvell's use of language in the second song is particularly striking. He writes, "The bridegroom all this while is gone, / And spent his fury and his bone." The use of the word "fury" suggests a sense of passion and intensity, while the image of the groom "spending his bone" suggests a sense of exhaustion and release. The use of these words creates a sense of contrast between the intensity of the wedding night and the monotony of married life.

Throughout the poem, Marvell uses a variety of poetic devices to convey his message. The use of personification, as seen in "Philomel's triumphing voice," adds a sense of joy and celebration to the scene. The use of nature imagery, as seen in the description of the landscape, serves to highlight the beauty of the bride and groom. The use of metaphor, as seen in the image of the "roundels," adds depth and complexity to the poem.

In conclusion, Andrew Marvell's "Two Songs At the Marriage Of The Lord Fauconberg And The Lady Mary Cromwell" is a classic poem that captures the essence of love, marriage, and the beauty of nature. The poem is divided into two parts, each with its own unique style and tone. The first song celebrates the beauty of the natural world and the joy of love, while the second song explores the themes of loyalty and devotion in marriage. Marvell's use of vivid imagery, metaphor, and poetic devices creates a rich and complex poem that continues to resonate with readers today.

Editor Recommended Sites

NFT Cards: Crypt digital collectible cards
GCP Anthos Resources - Anthos Course Deep Dive & Anthos Video tutorial masterclass: Tutorials and Videos about Google Cloud Platform Anthos. GCP Anthos training & Learn Gcloud Anthos
Prompt Ops: Prompt operations best practice for the cloud
Datascience News: Large language mode LLM and Machine Learning news
Sheet Music Videos: Youtube videos featuring playing sheet music, piano visualization

Recommended Similar Analysis

Ode on Solitude by Alexander Pope analysis
Hero and Leander: The First Sestiad by Christopher Marlowe analysis
Never Give All The Heart by William Butler Yeats analysis
Wreck of the Hesperus, The by Henry Wadsworth Longfellow analysis
The Choice by William Butler Yeats analysis
Mad Gardener's Song, The by Lewis Carroll analysis
Sonet LIV by William Shakespeare analysis
Hymn by Edgar Allan Poe analysis
Nursery Rhyme For A Twenty-First Birthday by A.S.J. Tessimond analysis
Daddy by Sylvia Plath analysis